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Cornelius Castoriadis (1922-1997) was a philosopher, social critic, political activist, practicing psychoanalyst and professional economist. His work is widely recognized as one of the most singular and important contributions to twentieth-century thought. In this collection of interviews, Castoriadis discusses some of his most important ideas with leading figures in the disciplines that play such a crucial part in his philosophical work: poetry, psychoanalysis, biology and mathematics. Available in English for the first time, these interviews provide a concise and accessible introduction to his work as a whole, allowing him to draw on the astounding breadth of his knowledge (ranging from political theory and sociology to ontology and the philosophy of science). They also render Castoriadis' cutting, polemical and entertaining style while displaying the originality and clarity of his primary concepts. Intellectually provoking, this timely collection shows how Castoriadis' polemics are sharp and riveting, his conceptual manoeuvres rigorous and original, and his passion inspiring. This is an excellent introduction to one of Europe's most important intellectuals.
The Missed Encounter of Radical Philosophy with Architecture brings together a respected team of philosophers and architecture scholars to ask what impact architecture has over today's culture and society. For three decades critical philosophy has been in discourse with architecture. Yet following the recent radical turn in contemporary philosophy, architecture's role in contemporary culture is rarely addressed. In turn, the architecture discourse in academia has remained ignorant of recent developments in radical philosophy. Providing the first platform for a debate between critics, architects and radical philosophers, this unique collection unties these two schools of thought. Contributors reason for or against the claim of the "missed encounter" between architecture and radical philosophy. They discuss why our prominent critical philosophers devote stimulating writings to the ideological impact of arts on the contemporary culture - music, literature, cinema, opera, theatre - without attempting a similar comprehensive analysis of architecture. By critically evaluating recent philosophy in relation to contemporary architecture, The Missed Encounter of Radical Philosophy with Architecture presents a thorough understanding of the new relationship between architecture and radical philosophy.
In Counter-History of the Present Gabriel Rockhill contests, dismantles, and displaces one of the most widespread understandings of the contemporary world: that we are all living in a democratized and globalized era intimately connected by a single, overarching economic and technological network. Noting how such a narrative fails to account for the experiences of the billions of people who lack economic security, digital access, and real political power, Rockhill interrogates the ways in which this grand narrative has emerged in the same historical, economic, and cultural context as the fervid expansion of neoliberalism. He also critiques the concurrent valorization of democracy, which is often used to justify U.S. military interventions on the behalf of capital. Developing an alternative account of the current conjuncture that acknowledges the plurality of lived experiences around the globe and in different social strata, he shifts the foundations upon which debates about the contemporary world can be staged. Rockhill's counter-history thereby offers a new grammar for historical narratives, creating space for the articulation of futures no longer engulfed in the perpetuation of the present.
Gavin Rae shows that the problematic status of agency caused by the poststructuralist decentring of the subject is a central concern for poststructuralist thinkers. He shows how this plays out in the thinking of Deleuze, Derrida and Foucault, and find the best explanation of agency for the founded subject in the work of Castoriadis.
Written by a team of renowned contributors and carefully edited to address the themes laid out by the editors in their introduction, the book includes theoretical issues concerning the questions of aesthetics and politics and addresses city and urban strategies within the general critique of the "post-political". By focusing on specific case studies from Warsaw, Barcelona, Dubai, Tokyo and many more the book consolidates the contributions of a diverse group of academics, architects and critics from Europe, the Middle East and America. This collection fills the gap in the existing literature on the relation between politics and aesthetics, and its implications for the theoretical discourse of architecture today. In summary, this book provides a response to the predominant de-politicization in academic discourse and is an attempt to re-claim the abandoned critical project in architecture.
Cornelius Castoriadis (1922-1997) was a Greek-French thinker best known for his work on 'autonomy' and 'human creation'. He was a political activist, psychoanalyst, philosopher, political and social thinker and economist. Recognised as a significant and original thinker of the twentieth century, his work is receiving increased scholarly attention. Notwithstanding the richness of his work, Castoriadis's terminology can prove challenging to understand. Cornelius Castoriadis: Key Concepts is the first book of its kind, providing readers with a road map to the fundamentals of his thought. International specialists in Castoriadis's works introduce and clarify the complexity of his thought through the elucidation of nineteen key concepts that are fundamental to understanding - and grappling with - his ideas. Comprehensive and accessible, the entries have been carefully selected to cover the most central aspects - psychoanalysis, sociology, philosophy, politics - and periods of his thought.
Disrupting recent fashionable debates on secularism, this book raises the stakes on how we understand the space of the secular, independent of its battle with the religious, as a space of radical democratic politics that refuse to be theologized.
In this vibrant debate with intellectuals influenced by Marcel Mauss, including Alain Caillé and Chantal Mouffe, the incisive Greek-French activist and philosopher Cornelius Castoriadis addresses the challenge of critical thinking in an international context. The first half explores the tradition of radical self-critique and the prospect of affirming its value in a non-ethnocentric way. While defending ancient Greek contributions to the Western tradition of radical self-critique — including the practice of “relativizing” one's own culture, of engaging in philosophical interrogation, and of establishing democratic institutions — Castoriadis is challenged to explore the trans-contextual features of any self-critical, or “autonomous,” social institution. In the second half Castoriadis offers a penetrating critique of representative democracy, and the discussion makes important strides toward a new conception of direct democracy, of political education, and of the institutional prerequisites for the continuation of radical self-critique in politics and philosophy.
This new translation of four revised radio interviews, conducted in December 2002 at France Culture with Elie During, is the best introduction to Stiegler's Time and Technics series. This collection includes a new interview conducted specially for this volume and an interview with Artpress from 2001. In Philosophising By Accident, Stiegler introduces some of the key arguments about the technical constitution of the human and its relation to politics, aesthetics and economics. He reads philosophical texts from the perspective of his controversial thesis about the three types of memory and speaks about concepts central to his later works, such as synchrony/diachrony, grammatisation and the industrial temporal object.
With a critical eye, Gabriel Rockhill guides you through complex debates in history, politics and aesthetics, giving you an overview of key issues and central figures, including Foucault, Derrida, Castoriadis, Badiou and Ranciere.Rockhill also engages in a nuanced exploration of recent work that calls into question the stereotype of 'prominent figures' and 'intellectual movements. Far from hiding behind towering figures of the intellectual world, Rockhill stakes out positions in relationship to them and formulates precise arguments in favour of a new understanding of the historical relationship between art and politics.