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The book deals with film, television, information technology, consumer products and popular literature, and assesses challenges to conceptions of the postmodern based on gender, race and religion.
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Postmodernism and Popular Culture brings together eleven recent essays by Angela McRobbie in a collection which deals with the issues which have dominated cultural studies over the last ten years. A key theme is the notion of postmodernity as a space for social change and political potential. McRobbie explores everyday life as a site of immense social and psychic complexity to which she argues that cultural studies scholars must return through ethnic and empirical work; the sound of living voices and spoken language. She also argues for feminists working in the field to continue to question the place and meaning of feminist theory in a postmodern society. In addition, she examines the new youth cultures as images of social change and signs of profound social transformation. Bringing together complex ideas about cultural studies today in a lively and accessible format, Angela McRobbie's new collection will be of immense value to all teachers and students of the subject.
Communication Research Methods in Postmodern Culture explores communication research from a postmodern perspective while retaining key qualitative and quantitative research methods. The author uses easy-to-understand language to incorporate new research methods inspired by contemporary culture and includes review questions and suggested activities designed to help readers understand and master communication research. The blend of new and traditional methods creates a book appropriate to the study of communication in an increasingly complex cultural environment.
In this book, Marvin Harris presents his current views on the nature of culture addressing such issues as the mental/behavioral debate, emics and etics, and anthropological holism.
This book complements and expands on the commentary andconclusions of the author's initial inquiry into the modern era ofmedia-made culture in The Visual Focus of American Media Culture inthe Twentieth Century (FDUP, 2004). From the 1890s on to the 1920sand the Depression and World War II years, society's pervasivelycommunal focus demanded idealized images and romanticizedinterpretations of life. But the communal imperative, as it was impactedon by evolving social change, harbored the seeds of its owndisintegration.
Implicit within claims that society itself is in some sense postmodern is an argument about the priority of consumption as a determinant of everyday life. In this view, mass media advertising and market dynamics lead to a constant search for new fashions, new styles, new sensations and experiences. Material goods are consumed as `communicators'; they are valued as signifiers of taste and of lifestyle. This volume examines the viability of this portrait of contemporary society. Mike Featherstone explores the roots of consumer culture, how it is defined and differentiated and the extent to which it represents the arrival of a `postmodern' world. He examines the theories of consumption and postmodernism among contemporary social theorists such
Modernity and Postmodern Culture critically assesses claims made about the 'postmodernization' of culture and society and explores the complex interplay between the modern and the postmodern in an increasingly ‘globalized world’. The author argues that although culture may be 'postmodern' in terms of art, entertainment and everyday life, modernity still exists and is pervasive. The second edition is revised throughout, updating the literature and viewing international events through a modernist/postmodernist gaze. The theories of Baudrillard, Beck, Castells, Giddens, Jameson, Lyotard and others are discussed and specific issues concerning architecture, theme parks, screen culture, science, technology and the environment are examined. Topics include: Postmodern architecture and the hyperreality of Disney How poststructuralist theory questions modern rationality and reason The relations between postmodern culture, global capitalism and the technological changes brought about by electronics and computing The network society The book is key reading for students on courses in cultural politics, cultural theory, popular culture and sociology.
This book presents a groundbreaking analysis of the emergence of a pos tmodern paradigm in theory, the arts, science, and politics. From the authors of Postmodern Theory, the much-acclaimed introduction to key p ostmodern thinkers and themes, The Postmodern Turn ranges over diverse intellectual and artistic terrain--from architecture, painting, liter ature, music, and politics, to the physical and biological sciences. C ritically engaging postmodern theory and culture, Steven Best and Doug las Kellner illuminate our momentous transition between a modernist pa st and a future struggling to define itself.