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This collection of exploratory pieces, short stories, and reflections was originally published in Zurich in 1936. It was the last volume Robert Musil published before his sudden death in 1942. Musil had begun to fathom the impossibility of com- pleting his monumental masterpiece The Man Without Qualities and this volume reveals a radically different aspect of his work. Musil observes a fly’s tragic struggle with flypaper, the laughter of a horse; he peers through microscopes and telescopes, dissecting both large and small. Musil’s quest for the essential is a voyage into the minute.
This collection of exploratory pieces, short stories, and reflections was originally published in Zurich in 1936. It was the last volume Robert Musil published before his sudden death in 1942. Musil had begun to fathom the impossibility of com- pleting his monumental masterpiece The Man Without Qualities and this volume reveals a radically different aspect of his work. Musil observes a fly’s tragic struggle with flypaper, the laughter of a horse; he peers through microscopes and telescopes, dissecting both large and small. Musil’s quest for the essential is a voyage into the minute.
A master of high modernist literature explores female sexuality and desire through the eyes of two women—one, married and unfaithful; the other, caught in a love triangle—in these two erotic novellas First published in 1911, Intimate Ties is Robert Musil’s second book, consisting of two novellas, “The Culmination of Love” and “The Temptation of Silent Veronica”. Each revolves around a troubled woman in the throes of her sexual and romantic woes, as their memories of the past return to influence their present desires. Musil tracks the psyche of his protagonists in a blurring of impressions that is reflected in his experimental prose. Intimate Ties offers the reader an early glimpse of the high modernist style Musil would perfect in his magnum opus The Man Without Qualities.
From the author of 'A Man without Qualities,' a novel about spirituality in the modern world. Agathe is the sister of Ulrich, the restless and elusive “man without qualities” at the center of Robert Musil’s great, unfinished novel of the same name. For years Agathe and Ulrich have ignored each other, but when brother and sister find themselves reunited over the bier of their dead father, they are electrified. Each is the other’s spitting image, and Agathe, who has just separated from her husband, is even more defiant and inquiring than Ulrich. Beginning with a series of increasingly intense “holy conversations,” the two gradually enlarge the boundaries of sexuality, sensuality, identity, and understanding in pursuit of a new, true form of being that they are seeking to discover. Robert Musil’s The Man Without Qualities is perhaps the most profoundly exploratory and unsettling masterpiece of twentieth-century fiction. Agathe, or, The Forgotten Sister reveals with new clarity a particular dimension of this multidimensional book—the dimension that meant the most to Musil himself and that inspired some of his most searching writing. The outstanding translator Joel Agee captures the acuity, audacity, and unsettling poetry of a book that is meant to be nothing short of life-changing.
'They no longer hold themselves up with all their might, but sink a little and at that moment appear totally human' Of the very first rank of prose stylists, Robert Musil captures a scene's every telling detail and symbolic aspect with a precise and remarkable beauty. In these nine stories and essays, he considers holidaymakers and stone monuments, tales of war and blackbirds, and the great pathos of a tiny death: a fly's impossible fight against the grip of flypaper. This book includes Flypaper, Monkey Island, Fisherman on the Baltic, Sheep, As Seen in Another Light, Sarcophagus Cover, Monuments, The Paint Spreader, It's Lovely Here and The Blackbird.
There were two Mrs Machins, relicts of the talented working-class writer Walter Machin, who was just about to be immortalised by the literary establishment. Viola was large, overbearing and, even in her seventies, still voluptuous. Hilda, the first (and divorced) Mrs Machin, was perky, sharp and the guardian of the deceased Walter’s literary papers. For ten years the two ‘widows’ had lived together in the same house, not speaking to each other, but jealously guarding his memory and literary reputation. But before the Machin legend could really take off, there was a fire – and a murder. One of the Mrs Machins was silenced for good, and slowly, from the past, emerged a fascinating and intriguing assortment of characters. Somewhere, in their memories of Walter Machin, lay the catastrophic secret that had led to murder. ‘A literary whodunit – with an unusual ending’ London Mystery Selection ‘Freshly written with lots of sly fun’ Guardian ‘Finely crafted and intriguing’ Booklist ‘A witty, well-written and intriguing story’ Times Literary Supplement
"We do not have too much intellect and too little soul, but too little precision in matters of the soul."—Robert Musil Best known as author of the novel The Man without Qualities, Robert Musil wrote these essays in Vienna and Berlin between 1911 and 1937. Offering a perspective on modern society and intellectual life, they are concerned with the crisis of modern culture as it manifests itself in science and mathematics, capitalism and nationalism, the changing roles of women and writers, and more. Writing to find his way in a world where moral systems everywhere were seemingly in decay, Musil strives to reconcile the ongoing conflict between functional relativism and the passionate search for ethical values. Robert Musil was born in 1880 and died in 1942. His first novel, Young Törless, is available in English. A new two-volume translation by Burton Pike and Sophie Wilkins of The Man without Qualities is forthcoming from Alfred A. Knopf. "Now we have these thirty-one invaluable and entertaining pieces, from an article on 'The Obscene and Pathological in Art' to the equally provocative talk 'On Stupidity,' which, with a new translation of The Man without Qualities forthcoming . . . amount to a literary event for the reader of English comparable to Constance Garnett's massive translation of Chekhov's stories."—Joseph Coates, Chicago Tribune "Musil is one of the few great moderns, one of the handful who ventured to confront the issues that shape and define our time. . . . He has a range and a striking capacity every bit as great as that of Mann, Joyce, or Beckett."—Boston Review "These essays are crucial in understanding a writer and critic whose lifelong task was an attempt to resolve the dichotomy between the precision of scientific form and the soul—the matter of life and art."—Choice
'A great writer, perhaps the greatest living in Britain today' WILL SELF ____________________________ A dazzlingly original and expansive tale about the possibilities of storytelling from the celebrated Scottish author of Poor Things and Lanark. Old Men in Love, like The Arabian Nights, is about a storyteller whose stories contain other stories. In his trademark way, Alasdair Gray playfully blends narrative styles and locations; Periclean Athens, Renaissance Florence, Victorian Somerset mingle with Britain under the New Labour Party, viewed from the West End of Glasgow. More than half is fact and the rest possible, but it must be read to be believed. ____________________________ 'A necessary genius' ALI SMITH 'One of the brightest intellectual and creative lights Scotland has known in modern times' NICOLA STURGEON 'The greatest Scottish novelist since Sir Walter Scott' ANTHONY BURGESS
When Ira is sent home early from his work on All Hallows’ Eve, he finds a mysterious woman lingering on a bridge. She is desperate and wild, and as she falls into the river below, Ira follows, determined to save her against all odds. But when she awakens, he finds nearly drowning is the least of her worries. A far darker entity is haunting her. Can he save her before the time runs out?