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The poster was the popular art form in Cuba following the Cuban Revolution, when the government sponsored some 10,000 public posters on a fascinating range of cultural, social, and political themes. Revolucin!, produced with unprecedented access to Cuban national archives, assembles nearly 150 of these powerful but little—seen works of popular art. From the 1960s through the 1980s, the posters rallied the Cuban people to the huge task of building a new society, promoting massive sugar harvests and national literacy campaigns; opposing the U.S. war in Vietnam; celebrating films, music, dance, and baseball with a unique graphic wit and exuberant colorful style. With an introduction illuminating the rich social and artistic history of the posters, and rare biographical information on the artists themselves, this striking volume offers a window into the story of Cuba—and a truly revolutionary chapter in graphic design.
'Poster Art' showcases an international collection of graphic design in this continually developing area. From mass-market designs to exclusive, limited-edition works, it explores both the creative inspiration behind the work, as well as looking at the practical considerations.
Over 200 of the best, most creative, and most striking international posters of recent times.
The third book in a series from the seminal West Coast art and culture magazine, Juxtapoz Poster Art focuses on the art of screen print posters. In the past 10 years screen printing has ballooned in popularity and a new class of artists has emerged. These artists stepped away from the psychedelic posters of the '60s and developed their own aesthetic - incorporating everything from hand-drawn type to found objects. Their posters have become sought-after collector's items for art and music fans alike.
This title features posters, lobby cards and other promotional material for Hitchcock films from all over the world. At least one item is featured for each of the 39 movies he directed from 1933 onwards.'
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
An all-new collection of art posters from season two of the smash hit series Star Wars: The Mandalorian! Star Wars: The Mandalorian on Disney+ is the streaming smash hit of the year! Enjoy 16 full-color pull-out posters featuring everyone's favorite galactic duo, bounty hunter The Mandalorian and his adorable bounty, The Child! These images from season two of the hit series will bring the excitement of Star Wars to your room, your locker, or anywhere!
Of all the movie genres, science fiction has provided poster artists with thereatest imaginative freedom and wildest sources of inspiration, and thertists have responded by creating some of their very best examples of theirork, from the iconic figure of the female robot in Fritz Lang's "Metropolis"o the familiar shapes of R2D2 and C3P0 from "Star Wars".;This collection,tarting with the original 1912 French poster for "Conquest of the Pole",eatures posters for all the sci-fi fans' favourite movies: "2001", "laderunner", "Close Encounters", "The Creature from the Black Lagoon", "orbidden Planet", "Planet of the Apes", "Rollerball" and series such as the "tar Wars", "Star Trek" and "Alien" films, as well as lesser known orong-forgotten works like "Girl in the Moon", "Invaders from Mars" and-feature films featuring Flash Gordon and the 1940s American superheroesuch as Superman and Batman.;Moreover, although many of the films may beamiliar, a fair proportion of the posters will not. For alongside theidely-used British and American posters the editors have juxtaposed the work,
The mighty Ikaris! The sorcerous Sersi! The swift Makkari! The glorious Thena! The mischievous Sprite! The forgotten Gilgamesh! They anf their fellow Eternals look more incredible than ever before in this masterpiece filled poster book collecting the finest artwork featuring the gods who walk the Earth! Whether it's the cosmic glory of Jack Kirby, the dynamic style of John Romita Jr. or the divine grace of Daniel Acuña, these illustrations are guaranteed to blow your Uni-Mind! Also featuring allies and enemies including the Celestials, the Deviants and the Black Knight, these are the Eternals posters you'll want hanging on your wall - forever!
Legendary impresario Bill Graham began in January 1966 to commission posters to promote the concerts he was putting on at San Francisco’s Fillmore auditorium. The poster artists followed the revolutionary mandate of the sixties consciousness, creating vivid, irreverent banners that reflected their own sense of poetics, style, and wit. What resulted were signature juxtapositions of design, lettering, and color that spawned a brand new art form. Their muse was the cosmic synergy that then abounded, fueled in part by LSD. These posters have since come to occupy a place in art history while surviving priceless artifacts of rock archeology. Published in cooperation with Bill Graham Presents, this is an intoxicating compendium of the funkiest posters of the century. Highlighted in this unique, lavishly printed full-color volume are the original numbered and unnumbered series created exclusively for the San Francisco and New York Fillmore dance concerts. The more than 400 hand-drawn posters, handbills, tickets, and photographs feature art by Wes Wilson, Bonnie MacLean, Stanley Mouse, Alton Kelley, Rick Griffin, Lee Conklin, Greg Irons, Randy Tuten, David Byrd, David Singer, and Norman Orr.