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This book is helpful especially for the researchers of postcolonial literature. It will also help the readers of historiographic meta fiction.
George Lamming (born 8 June 1927) is a Barbadian novelist, essayist and poet and an important figure in Caribbean literature. In 1951 he became a broadcaster for the BBC Colonial Service. His collection of essays, The Pleasures of Exile (1960), is a pioneering non-fiction that attempts to define the place of the West Indian in the post-colonial world, re-interpreting Shakespeare's The Tempest and the characters of Prospero and Caliban in terms of personal identity and the history of the Caribbean. In fact, this literary work is a postcolonialist, postrealist and postnationalist counter-discourse because it gives us Lamming's glimpse of the complex issues of identity contained within the Caribbean island-states that were largely shaped by the European colonial practice from the late-fifteenth century up to the late twentieth century. My research questions in this critical study are-"How are the nations of the Caribbean and/or the West Indies originated? How are they represented by canonical discourses and how is their identity constructed? What about its impact throughout different times and spaces? Is it possible to deconstruct and reconstruct their identity through counter-discourse?"-with a view to exploring George Lamming's endeavor in The Pleasures of Exile from postcolonial perspective to answer these questions with fact and fiction. In fact, the uprooting of the natives and importation of the African slaves to toil in sugar plantations, the introduction of the Indian and the Chinese indentured laborers to replace the African slaves after the abolition of slavery, as well as the presence of the European colonizers led to the creation of hybrid Caribbean communities of immigrants or exiled people, all with broken cultures and history. I have tried to establish that as the canonical discourses like The Tempest, the then media BBC etc. construct the Caribbean's mythologized identities negatively with biased perspectives for their colonial 'civilizing mission', Lamming has tried to deconstruct or decentralize their canonical position counter-discursively to reconstruct his national identity. I have also focused on the problems of the Caribbean hyphenated identities that imply double heredity. So, the region seems to be a no man's land where people lack an autonomous and homogenous identity. At the end of my interpretation, I have tried to establish that-by reviewing colonial history, dismantling the textual unconscious of The Tempest as a poststructuralist critic and rejecting the stereotype identities created by other legitimizing Western discourses, Lamming's The Pleasures of Exile functions as a counter-discursive signifier of the post-colonial Caribbean's metamorphosis into some cross-cultural identities, identities that are experienced between the Caribbean and the West.
Essays on the contribution of African, Caribbean, Asian and diaspora writers to 'English' literature. The 'new' literatures have most commonly been seen as a staging post en route to the current 'post-colonial' era. Yet these literatures and the diverse cultural histories they represent are older than such recent interpretations of them. This collection of essays investigates ways in which we can return to 'reading' these 'new' literatures without falling back on current critical assumptions.
Graham Huggan examines some of the processes by which value is given to postcolonial works within their cultural field using both literary-critical and sociological methods of analysis.
Winner of the 2006 NSW Prize for Literary Scholarship. The work of Joseph Conrad has been read so disparately that it is tempting to talk of many different Conrads. One lasting impression however, is that his colonial novels, which record encounters between Europe and Europe’s ‘Other’, are highly significant for the field of post-colonial studies. Drawing on many years of research and a rich body of criticism, Postcolonial Conrad not only presents fresh readings of his novels of imperialism, but also maps and analyzes the interpretative tradition they have generated. Terry Collits first examines the reception of the author’s work in terms of the history of ideas, literary criticism, traditions of ‘Englishness’, Marxism and post-colonialism, before re-reading Heart of Darkness, Lord Jim, Nostromo and Victory in greater depth. Collits’ incisive and wide-ranging volume provides a much needed reconsideration of more than a century of criticism, discussing the many different perspectives born of constantly shifting contexts. Most importantly though, the book encourages and equips us for twenty-first criticism, where we must ask anew how we might read and understand these crucial and fascinating novels.
The Relatively New Field Of Post Colonial Studies Is Surrounded By A Great Deal Of Excitement, Confusion And Scepticism. This Volume Provides A Vital Introduction To The Historical Dimensions And Theretical Concepts Associated With Colonial And Postcolonial Discourse. Though The Study Does Not Attempt To Cover Every Major Thinker, Event Or Controversy, It Will Stimulate And Enable To Explore, And To Critique, Further Afield And Is Thus A Must For Any Student Needing To Come To Terms With This Crucial And Complex Area.
This handbook explores the ways in which histories of colonialism and postcolonial thought and theory cast light on our understanding of the ancient Mediterranean world and the discipline of Classics, utilizing a wide body of case studies and providing avenues for future research and discussion. It brings together chapters by a wide, international, and intersectional range of scholars coming from a variety of backgrounds and sub-disciplinary perspectives, and from across the chronological and geographical scope of Classics. Chapters cover the state of current research into ancient Mediterranean and South, Central, and West Asian histories. They provide case studies to illustrate both how postcolonial thought has already illuminated our understanding of the ancient Mediterranean world and beyond, as well as its potential for the future. Chapters also provide opportunities for reflection on the current state of the discipline. An introduction by the volume editors offers a survey of the development of postcolonial theory, its relationship to other bodies of theory, and its connections to Classics. Toward the end of the book, three scholars with different career and disciplinary perspectives provide short reflections on the themes of the volume and the directions of future research. The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory offers an impressive collection of current research and thought on the subject for students and scholars in classical studies understood in its larger sense as well as in related disciplines such as Archaeology, Ancient History, Imperial History and the History of Colonialism, Reception Studies, and Museum Studies. For anyone interested in classical antiquity, it provides an engaging introduction to a potentially bewildering, but ultimately vital and enriching, body of thought and theory.
Shakespeare Unlearned dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise.
Now available in paperback, Shakespeare and Postcolonial Theory is an up-to-date guide to contemporary debates in postcolonial studies and how these shape our understanding of Shakespeare's politics and poetics. Taking a historical perspective, it covers early modern discourses of colonialism, 'race', gender and globalization, through to contemporary intercultural appropriations and global adaptations of Shakespeare. Showing how the dialogue between Shakespeare criticism and postcolonial studies has evolved, this book offers a critical vocabulary that connects contemporary and early modern cultural struggles. Shakespeare and Postcolonial Theory also provides guides to further reading and online resources which make this an essential resource for students and scholars of Shakespeare.
The New Oxford Shakespeare edition of The Tempest provides a friendly yet authoritative introduction to Shakespeare's famous play.