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In Postcolonial Configurations Josen Masangkay Diaz examines the making of Filipino America through the dynamics of dictatorship, coloniality, and subjectivity. Diaz explores how the Ferdinand Marcos dictatorship and US policies during the Cold War that supported the regime defined the relationship between “Filipino” and “America” in ways that influenced the creation of a gendered and racialized Filipino American subject. By analyzing Philippine-US state programs for military operations, labor and immigration reform, and development and modernization plans, she shows how anticommunist liberalism and authoritarianism shaped the visibility and recognition of new forms of Filipino subjectivity. Tracing the rise of various social formations that emerged under the Marcos regime and US programs for liberal reform, from transnational Filipino and US culture and the immigrant returnee to the New Filipina woman and the humanitarian English teacher, Diaz positions literature, film, periodicals, and other cultural texts against official state records in ways that reconceptualize the meanings of Filipino America in the Cold War.
Examining a range of contemporary Anglophone texts, this book opens up postcolonial and transcultural studies for discussions of visuality and vision. It argues that the preoccupation with visual practices in Anglophone literatures addresses the power of images, vision and visual aesthetics to regulate cultural visibility and modes of identification in an unevenly structured world. The representation of visual practices in the imaginative realm of fiction opens up a zone in which established orders of the sayable and visible may be revised and transformed. In 12 chapters, the book examines narrative fiction by writers such as Michael Ondaatje, Derek Walcott, Salman Rushdie, David Dabydeen and NoViolet Bulawayo, who employ word-image relations to explore the historically fraught links between visual practices and the experience of modernity in a transcultural context. Against this conceptual background, the examination of verbal-visual relations will illustrate how Anglophone fiction models alternative modes of re-presentation that reflect critically on hegemonic visual regimes and reach out for new, more pluralized forms of exchange.
This book focuses on perspectives from and on the global south, providing fresh data and analyses on languages in African, Caribbean, Middle-Eastern and Asian tourism contexts. It provides a critical perspective on tourism in postcolonial and neocolonial settings, explored through in-depth case studies. The volume offers a multifaceted view on how language commodifies, and is commodified in, tourism settings and considers language practices and discourse as a way of constructing identities, boundaries and places. It also reflects on academic practice and economic dynamics in a field that is characterised by social inequalities and injustice, and tourism as the world's largest industry enacting dynamic communicative, social and cultural transformations. The book will appeal to both undergraduate and postgraduate students of tourism studies, linguistics, literature, cultural history and anthropology, as well as researchers and professionals in these fields.
This book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied.
One prevalent socio-cultural structure that is peculiar to South Asia is caste, which is broadly understood in socio-anthropological terms as an institution of ranked, hereditary and occupational groups. This book discusses the enigmatic persistence of caste in the lives of South Asians as they step into the twenty-first century. It investigates the limits of sociological and secular historical analysis of the caste system in South Asia and argues for ways of describing life-forms generated by caste on the subcontinent that supplement the accounts of caste in the social sciences. By focusing on the literary, oral, visual and spiritual practices of one particular group of ex-untouchables in western India called ‘Mahars’, the author suggests that one can understand caste not as an essence that is responsible for South Asia’s backwardness, but as a constellation of variegated practices that are in a constant state of flux and cannot be completely encapsulated within a narrative of nation-building, modernization and development.
This book explores the politics of ethnicity and nationalism in the Caribbean from a critical discourse-analytical perspective. Focusing on political communication in Trinidad and Tobago, it offers unique socio-political insights into one of the most complex and diverse countries of the Archipelago. Through a detailed reconstruction of Kamla Persad-Bissessar’s 2010 victorious run for office, this book offers ample empirical evidence of the multimodal discursive strategies that held the key to the success of the first woman PM candidate and her inter-ethnic coalition bid to overcome political tribalism in the country. In parallel, it explores the implications and challenges of the postcolonial Trinbagonian national project, caught between pluralism and creolization. Through its innovative, context-dependent and interdisciplinary CDS approach, this book breaks new ground in Caribbean Studies while at the same time broadening the horizons of the Euro-American tradition of Political Discourse Studies to address the complexities of global postcoloniality.
Contributing to identity formation in ethnically and religiously diverse postcolonial societies, this book examines the role played by creole identity in Indonesia, and in particular its capital, Jakarta. While, on the one hand, it facilitates transethnic integration and promotes a specifically postcolonial sense of common nationhood due to its heterogeneous origins, creole groups of people are often perceived ambivalently in the wake of colonialism and its demise, on the other. In this book, Jacqueline Knörr analyzes the social, historical, and political contexts of creoleness both at the grassroots and the State level, showing how different sections of society engage with creole identity in order to promote collective identification transcending ethnic and religious boundaries, as well as for reasons of self-interest and ideological projects.
NGOs headquartered in the North have been, for some time, prominent actors in attempts to address the poverty, lack of political representation, and labor exploitation that disproportionally affect women from the global South. Feminist NGOs and NGOs focusing on women's rights have been successful in attracting attention to their causes, but critics argue that the highly educated elites from the global North and South who run them fail to effectively question the power hierarchies in which they operate. In order to give depth to these criticisms, Sara de Jong interviewed women NGO workers in seven different European countries about their experiences and perspectives on working on gendered issues affecting women in the global South as well as migrant women in the global North. Complicit Sisters untangles and analyzes the complex tensions women NGO workers face and explores the ways in which they negotiate potential complicities in their work. Unlike other studies looking at development workers "on the ground," this book examines the women NGO workers in the global North who work to influence high level gender advocacy and policy, alongside women NGO workers supporting migrant women within the global North - a unique combination. Weighing the women's first-hand accounts against critiques arising from feminist theory, postcolonial theory, global civil society theory and critical development literature, de Jong brings to life the dilemmas of "doing good."
Drawing on postcolonial theory this text offers a critique of international management. It argues that such disciplines are Western discourses and exhibit historical and current resonances with the vicissitudes of the so called 'colonial project'. The book explores alternative approaches to the question of the 'other' in late global capitalism.
What does postcoloniality have to do with sacramentality? How do diasporic lives and imaginaries shape the course of postcolonial sacramental theology? Neither postcolonial theorists nor sacramental theologians have hitherto sought to engage in a sustained dialogue with one another. In this trailblazing volume, Kristine Suna-Koro brings postcolonialism, diaspora discourse, and Christian sacramental theology into a mutually critical and constructive transdisciplinary conversation. Dialoguing with thinkers as diverse as Edward Said and Gayatri Spivak as well as Francis D'Sa, S.J., Martin Luther, Mayra Rivera, and John Chryssavgis, the author offers a postcolonial retrieval of sacramentality through a robust theological engagement with the postcolonial notions of hybridity, contrapuntality, planetarity, and Third Space. While exploring the methodological potential of diasporic imaginary in theology, this innovative book advances the notion of sacramental pluriverse and of Christ as its paradigmatic crescendo within the sacramental economy of creation and redemptive transformation. In the context of ecological degradation, In Counterpoint argues that it is vital for the postcolonial sacramental renewal to be rooted in ethics as a uniquely postcolonial fundamental theology.