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"After extensive years of research, the third volume of this series is finally available. As with the first two volumes, it chronologically covers official issues, ""printed to private order"" for special events and propaganda cards for the years 1940-1945. For added interest, the colorful cards from annexed and occupied countries are also included: Austria, Bohemia and Moravia, Poland, Alsace and Lorraine, Latvia, Ukraine, Serbia, Albania, the Island of Rhodes, just to name a few. This volume will be of particular value to collectors as it is almost 100% full color, to include all the imprinted stamps. This allows for close scrutiny of the various overprints and the identification of the numerous color variations. If you love the study of postcards, be prepared to be emersed in more color and variant details than ever seen before."
An intimate history of the Holocaust, drawn from the final days of a Jewish family in Munich Postcards to Hitler tells the story of a Jewish family in Munich living as close neighbors to the demagogue who becomes the Nazi Führer—Adolf Hitler. In a story passionately told by one of their descendants, the narrative begins as Benno Neuburger, a modest German land investor from Munich, and Anna Einstein, daughter of a cattle dealer, meet at a seder in Laupheim and soon marry. The year is 1907, a relatively prosperous, optimistic time for German Jews, and there is little hint that this good fortune might soon unravel. Of all the Jews in Europe, Germans like the Neuburgers feel most secure. When, on a warm July day in 1914, an assassination strikes an “obscure” Balkan corner of the continent, the news passes through Munich’s beer-gardens like a cold wind. Far from a fleeting chill, what follows is the time of prolonged bloodshed known as World War I, followed by a period of German humiliation, resurgent revolution, and a brief left-led democratic interlude in Munich. What might have been a site of socialist experimentation instead becomes the epicenter of German fascism, and as Benno and Anna and their extended families cling with vain hope to a peaceful resolution, their beloved haven degenerates into a state of racialized madness. A bloody pogrom is chased by a second world war, followed by evictions, “resettlements” and far worse, sounding an inescapable knell despite desperate and defiant acts of resistance. Postcards to Hitler is a deeply researched history drawn from personal interviews and archival documents including Benno’s and Anna’s final letters—written amid a slow-moving parade of horror until the frail boundaries between themselves and the Holocaust ultimately vanish.
The first comprehensive exploration of postcards used as propaganda on all sides of the major military and political conflicts of the twentieth century, including World Wars I and II A Russian Socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. These images and many more circulated by the millions on postcards intended to change minds and inspire actions around the time of the two World Wars. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations, or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans, and biting caricatures - and in a uniquely personal format. The more than 350 cards reproduced in full colour in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of the first half of the twentieth century. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design.
"Published by the University of Nebraska Press as a Jewish Publication Society book."
A look at Adolf Hitler’s residences and their role in constructing and promoting the dictator’s private persona both within Germany and abroad. Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him. “Inarguably the powder-keg title of the year.”—Mitchell Owen, Architectural Digest “A fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, Times
“An amazing collection of original photographs and postcards relating to the Nuremberg rallies of the Nazis . . . the book is dazzling.” —War History Online This book describes the background to and the development of the Nazi Party Rallies held at Nuremberg each September from 1933 to 1939. These Reichsparteitage (National Party Days) were vast and meticulously staged managed extravaganzas in which ritual and ceremony played an important part. The Rallies had two key objectives. The first was to focus public attention on the successes of the Nazi Party and connect with the public conscience and build a close bond between Party and people. Even more important was the Rallies’ role in presenting Adolf Hitler as the savior of the German nation sent to restore national pride, power and prosperity after the shame and economic disaster of the post war years and the deeply resented Versailles Treaty. The Hitler Cult was blatantly promoted with revolutionary use of propaganda by the latest technology and iron control of the media. The author’s superb collection of postcards and images takes the reader on a visual journey through each year’s Reichsparteitage. The Nazis’ Nuremberg Rallies, which also includes character studies of the principal Nazi figures, is a truly fascinating way to understand this uniquely successful and threatening phenomena. “Excellent . . . The book really does bring each and every rally to life, the book also has some rare photos that I haven’t seen before and it also displays posters and postcards designed for the events. So you get to see the propaganda on multiple levels.” —UK Historian
How American race law provided a blueprint for Nazi Germany Nazism triumphed in Germany during the high era of Jim Crow laws in the United States. Did the American regime of racial oppression in any way inspire the Nazis? The unsettling answer is yes. In Hitler's American Model, James Whitman presents a detailed investigation of the American impact on the notorious Nuremberg Laws, the centerpiece anti-Jewish legislation of the Nazi regime. Contrary to those who have insisted that there was no meaningful connection between American and German racial repression, Whitman demonstrates that the Nazis took a real, sustained, significant, and revealing interest in American race policies. As Whitman shows, the Nuremberg Laws were crafted in an atmosphere of considerable attention to the precedents American race laws had to offer. German praise for American practices, already found in Hitler's Mein Kampf, was continuous throughout the early 1930s, and the most radical Nazi lawyers were eager advocates of the use of American models. But while Jim Crow segregation was one aspect of American law that appealed to Nazi radicals, it was not the most consequential one. Rather, both American citizenship and antimiscegenation laws proved directly relevant to the two principal Nuremberg Laws—the Citizenship Law and the Blood Law. Whitman looks at the ultimate, ugly irony that when Nazis rejected American practices, it was sometimes not because they found them too enlightened, but too harsh. Indelibly linking American race laws to the shaping of Nazi policies in Germany, Hitler's American Model upends understandings of America's influence on racist practices in the wider world.
"Based on a true story, this sweeping saga tells the tale of a working class couple in Berlin who decide to take a stand against the Nazis. More than an edge-of-your-seat thriller, more than a moving romance, even more than literature of the highest order, it's a deeply moving story of two people who stand up for what's right, and for each other. Hans Fallada wrote Every Man Dies Alone in a feverish twenty-four days, soon after the end of World War II and his release from a Nazi insane asylum. He did not live to see his its publication"--Page 4 of cover.
In Hitler's Face Claudia Schmölders reverses the normal protocol of biography: instead of using visual representations as illustrations of a life, she takes visuality as her point of departure to track Adolf Hitler from his first arrival in Munich as a nattily dressed young man to his end in a Berlin bunker—and beyond. Perhaps never before had the image of a political leader been so carefully engineered and manipulated, so broadly disseminated as was Hitler's in a new age of mechanical reproduction. There are no extant photographs of him visiting a concentration camp, or standing next to a corpse, or even with a gun in his hand. If contemporary caricatures spoke to the calamitous thoughts, projects, and actions of the man, officially sanctioned photographs, paintings, sculptures, and film overwhelmingly projected him as an impassioned orator or heroically isolated figure. Schmölders demonstrates how the adulation of Hitler's face stands at the conjunction of one line stretching back to the eighteenth-century belief that character could be read in the contours of the head and another dating back to the late nineteenth-century quest to sanctify German greatness in a gallery of national heroes. In Nazi ideology, nationalism was conjoined to a forceful belief in the determinative power of physiognomy . The mad veneration of the idealized German face in all its various aspects, and the fanatical devotion to Hitler's face in particular, was but one component of a project that also encouraged the ceaseless contemplation of supposedly degenerate "Jewish" physical traits to advance its goals.