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In 1904, Frank W. Swallow left behind his short-lived car dealership and began a successful cottage industry, printing his own hand-colored postcards. He was "the First to Introduce the Souvenir Post Card to One-Half of New England," according to the imprint of his trademark swallow. Many of Swallow's photographs are contained within this book, which tells a special history of Exeter, New Hampshire, between 1900 and 1940-a time when the horse and carriage era shifted to the automobile, hemlines rose a few inches, and electricity came to town. Learn about a mysteriously lost statue, hidden waterways, great buildings that burned, forgotten parades, and the famous "Swallow Girls." Most images, never before seen, are from the Exeter Historical Society's collection, and proceeds from the sales of this publication support the society in honor of its seventy-fifth anniversary.
Explore a fascinating portrait of Exeter presented through a remarkable collection of historical postcards.
A vivid picture of four decades of social and cultural history in the Green Mountain State.
A collection of 100 postcards, each featuring a different and iconic Penguin book jacket. From classics to crime, here are over seventy years of quintessentially British design in one box. In 1935 Allen Lane stood on a platform at Exeter railway station, looking for a good book for the journey to London. His disappointment at the poor range of paperbacks on offer led him to found Penguin Books. The quality paperback had arrived. Declaring that 'good design is no more expensive than bad', Lane was adamant that his Penguin paperbacks should cost no more than a packet of cigarettes, but that they should always look distinctive. Ever since then, from their original - now world-famous - look featuring three bold horizontal stripes, through many different stylish, inventive and iconic cover designs, Penguin's paperback jackets have been a constantly evolving part of Britain's culture. And whether they're for classics, crime, reference or prize-winning novels, they still follow Allen Lane's original design mantra. Sometimes, you definitely should judge a book by its cover.
On the universal quest for personal independence and for fulfillment of growing-up dreams, a small-town Minnesota boy turns to raising runt piglets as a way to earn spending money of his own. But a series of mysterious and unexpected postcards from a prep school called Phillips Exeter Academy has begun to arrive, flooding his plans with uncertainty and confusing his inexperienced parents as to what is best for their son. "Growing Up Near Lake Wobegon: From Piglets To Prep School" describes the unanticipated and fundamentally unwanted struggle that this young boy faces as the postcards, eventually inviting him to attend the school on scholarship, continue to interrupt a comfortably familiar existence in his home town.a life of growing up in a virtual clone of Garrison Keillor's Lake Wobegon of Prairie Home Companion. Though satisfied at home, an inner voice seduces him to abandon his youthful dreams and join the cadre of elite preppies in New England. Overnight, names of his schoolmates change from Gary Gardner and Duane Labs to David Rockefeller and Peter Benchley. The social, economic, and academic shocks of such change are immediate and stunning.yet manageable. This entertainingly illustrated book is a poignant and humorous memoir that will resonate with anyone who remembers his or her growing-up years. Share the fun, sadness, discoveries, disappointments, and pranks of a young hayseed kid uprooted from bucolic rural life and transplanted into the rocky New England garden of stuffy and highly competitive preppies. You'll be challenged to read the book without alternately laughing and crying as memories of your own early years are rekindled!
In this original study, Milne moves between close readings of letters, postcards and emails, and investigations of the material, technological infrastructures of these forms, to answer the question: How does presence function as an aesthetic and rhetorical strategy within networked communication practices? As her work reveals, the relation between old and new communication systems is more complex than allowed in much contemporary media theory. Although the correspondents of letters, postcards and emails are not, usually, present to one another as they write and read their exchanges, this does not necessarily inhibit affective communication. Indeed, this study demonstrates how physical absence may, in some instances, provide correspondents with intense intimacy and a spiritual, almost telepathic, sense of the other’s presence. While corresponding by letter, postcard or email, readers construe an imaginary, incorporeal body for their correspondents that, in turn, reworks their interlocutor’s self-presentation. In this regard the fantasy of presence reveals a key paradox of cultural communication, namely that material signifiers can be used to produce the experience of incorporeal presence.
Despite the ever-growing influence of technology, handwritten letters are regaining their value, meaning and popularity.