Download Free Post Incunabula En Hun Uitgevers In De Lage Landen Post Incunabula And Their Publishers In The Low Countries Book in PDF and EPUB Free Download. You can read online Post Incunabula En Hun Uitgevers In De Lage Landen Post Incunabula And Their Publishers In The Low Countries and write the review.

In de wereld van het oude en zeldzame boek en In the world of Bibliography and old and rare van de bibliografie is de naam Martinus Nijhoff books the name Nijhoff is a famous one mainly bekend, voornamelijk om twee redenen. In de for two reasons. In the first place it refers to the eerste plaats als de gevestigde uitgever van werken old-established Dutch publisher of works about betreffende de nationale geschiedenis en typogra national history and typography. lts Monuments ty fie. De Monuments typographiques des Pays Bas au quin pographiques des Pays Bas au quinzieme siecle (1856-1868), zieme siecle (1856-1868), een album met een 130-tal an album containing some 130 reproductions of reproducties van incunabelen, en de Annales de Ia incunabula, and its Annales de Ia typographie neerlandaise typographie neerlandaise au XVe siecle (1874-1890), een au XVe siecle (1874-1890), a bibliography of Nether bibliographie van de Nederlandse incunabelen, landish incunabula, by J.W. Holtrop and M.F.A. resp. door J.W. Holtrop en M.F.A.G. Campbell, G. Campbell respectively, both Librarians at the beiden bibliothecaris van de Koninklijke Biblio Royal Library in The Hague, have always been fa theek te 's-Gravenhage, zijn in de kringen van miliar works to historians and bibliophiles. Models historici en bibliofielen welbekend. Als modellen of their genre, too, are the catalogues of the Anti quarian Department of Martinus Nijhoff. in het genre gelden ook de catalogussen van de Afdeling Antiquariaat van Martinus Nijhoff.
In de wereld van het oude en zeldzame boek en In the world of Bibliography and old and rare van de bibliografie is de naam Martinus Nijhoff books the name Nijhoff is a famous one mainly bekend, voornamelijk om twee redenen. In de for two reasol1S. In the first place it refers to the old-established Dutch publisher of works about eerste plaats als de gevestigde uitgever van werken betreffende de nationale geschiedenis en typogranational history and typography. Its Monuments tyfie. De Monuments typographiqlles des Pays Bas all quinpographiques de$ Pays Bas au quillzieme siede (1856-1868), zieme siede (1856-1868), een album met een lw-tal an album containing some 130 reproductions of reproducties van incunabelen, en de Allnales de la incunabula, and its Annales de la typographie neerlandaise typographie neerlandaise all XVe siecle (1874-1890), een au XVe siede (1874-1890), a bibliography of Netherbibliographie van de Nederlandse incunabelen, landish incunabula, by J.W. Holtrop and M.F.A. resp. door J.W. Holtrop en M.F.A.G. Campbell, G. Campbell respectively, both Librarians at the beiden bibliothecaris van de Koninklijke BiblioRoyal Library in The Hague, have always been fatheek te 's-Gravenhage, zijn in de kringen van miliar works to historians and bibliophiles. Models historici en bibliofielen welbekend. Als modellen of their genre, too, are the catalogues of the Antiquarian Department of Martinus Nijhoff. in het genre gelden ook de catalogussen van de Afdeling Antiquariaat van Martinus Nijhoff.
A collection of eleven chapters which explore the question of forgery from different disciplinary angles and in varied national contexts, using the concept of performance to gain greater insight.
'The Open Access publishing costs of this volume were covered by the Dutch Research Council (NWO), Veni-project “Leaving a Lasting Impression. The Impact of Incunabula on Late Medieval Spirituality, Religious Practice and Visual Culture in the Low Countries” (grant number 275-30-036).' This volume explores various approaches to study vernacular books and reading practices across Europe in the 15th-16th centuries. Through a shared focus on the material book as an interface between producers and users, the contributors investigate how book producers conceived of their target audiences and how these vernacular books were designed and used. Three sections highlight connections between vernacularity and materiality from distinct perspectives: real and imagined readers, mobility of texts and images, and intermediality. The volume brings contributions on different regions, languages, and book types into dialogue. Contributors include Heather Bamford, Tillmann Taape, Stefan Matter, Suzan Folkerts, Karolina Mroziewicz, Martha W. Driver, Alexa Sand, Elisabeth de Bruijn, Katell Lavéant, Margriet Hoogvliet, and Walter S. Melion.
First multi-year cumulation covers six years: 1965-70.
Stunning portraits by the renowned Renaissance artist illuminate fascinating figures from the European merchant class, intellectual elite, and court of King Henry VIII. Nobles, ladies, scholars, and merchants were the subjects of Hans Holbein the Younger (1497/98–1543), an inventive German artist best known for his dazzling portraits. Holbein developed his signature style in Basel and London amid a rich culture of erudition, self-definition, and love of luxury and wit before becoming court painter to Henry VIII. Accompanying the first major Holbein exhibition in the United States, this catalogue explores his vibrant visual and intellectual approach to personal identity. In addition to reproducing many of the artist's painted and drawn portraits, this volume delves into his relationship with leading intellectuals, such as Erasmus of Rotterdam and Thomas More, as well as his contributions to publishing and book culture, meticulous inscriptions, and ingenious designs for jewels, hat badges, and other exquisite objects. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 19, 2021, to January 9, 2022 and at the Morgan Library & Museum from February 11 to May 15, 2022.
This book seeks to understand the effects of the current information revolution on universities by examining the effects of two previous information revolutions: Gutenberg’s invention and proof of printing in 1450 and the Scientific Revolution from the mid- fifteenth to the end of the seventeenth century. Moodie reviews significant changes since the early modern period in universities’ students, libraries, curriculum, pedagogy, lectures, assessment, research, and the dissemination of these changes across the globe. He argues that significant changes in the transmission and dissemination of disciplinary knowledge are shaped by the interaction of three factors: financial, technological, and physical resources; the nature, structure and level of knowledge; and the methods available for managing knowledge.