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Held captive in the desert! Stranded in the sands, Katrina is rescued by the Sheikh and taken back to his lavish desert camp.... She has to marry the Sheikh.... In order to protect her, he will have to wed her! Then he discovers that she's a virgin! He's a desert sheikh who lives by a strict code of honor: Katrina must become his wife...for real!
Held captive in the desert! After being left stranded in the sand, Katrina was rescued and taken back to a luxury desert camp. Despite the attraction that sparked between them, the Sheikh thought Katrina was nothing more than a whore. Then he discovered that she was a virgin. And that changed everything! For he was a desert sheikh, who lived by a strict code of honour: Katrina would have to become his wife for real!
Maysa's heart throbs as she sees the man she once loved standing before her eyes again. He is Rafiq Mehedi, king of Bajul, a country of dunes. Fifteen years ago, they were hopelessly in love with one another, but the long-standing traditions of Bajul mandated that Rafiq marry another woman. So why has he come back to Maysa after all this time…? His shocking answer: he wants Maysa to give him a place to hide from the outside world! Maysa trembles with humiliation, certain Rafiq has come back to make her his mistress, but all it takes is one look in his eyes for her to know she loves him just as deeply as she did when they were first together…
Life has taught Prince Vereham al a'Karim bin Hakar to control his emotions. Duty to his kingdom drives the enigmatic sheikh. But one unexpected, intensely sexy encounter with inexperienced Samantha McLellan shakes Vere's steely control. And when he discovers that Sam could be betraying his country, he decides to blackmail her—into being his mistress!
After Mariella is asked by her sister to care for her young niece, Fleur, she ends up visiting the desert country of Zuran. The man who abandoned Fleur and her mother lives there. Mariella has reason to believe that man is Sheikh Xavier, so she angrily goes to visit him at his desert oasis. Xavier, meanwhile, mistakes Mariella for the evil woman who deceived his cousin!
Prince al Drac''ar al Karim, Sheikh of Dhurahn,must find a bride for his brother—and whobetter than Englishwoman Sadie Murray, whois stranded and jobless in the desert. But Drax must make sure that Sadie is asvirginal as she seems. While he has her in hispower she''s his to command, and he''ll test herwife-worthiness at every opportunity.
USA Today–Bestselling Author: She’s not royal material—yet he can’t resist her . . . “Lucy Monroe’s romances sizzle.” —JoAnn Ross, New York Times–bestselling author of The Inheritance Sheikh Amir bin Faruq al Zorha lives in New York, but the desert is where his heart lies. Now it’s time for him to marry. . . . Grace Brown, Amir’s plain but indispensable assistant, isn’t exactly queen material. No matter how tempted Amir is to take her innocence, she’s off-limits. Until he returns to his homeland, where the barbarian prince replaces the businessman—and resolves that Grace will be his!
Petra is betrothed–to rich, eligible Sheikh Rashid. But she plans to ruin her reputation so Rashid won't want her. Blaize, a fellow guest at her hotel, agrees to be Petra's pretend lover–though soon he's taken her virginity!
This book, the first full-length cross-period comparison of medieval and modern literature, offers cutting edge research into the textual and cultural legacy of the Middle Ages: a significant and growing area of scholarship. At the juncture of literary, cultural and gender studies, and capitalizing on a renewed interest in popular western representations of the Islamic east, this book proffers innovative case studies on representations of cross-religious and cross-cultural romantic relationships in a selection of late medieval and twenty-first century Orientalist popular romances. Comparing the tropes, characterization and settings of these literary phenomena, and focusing on gender, religion, and ethnicity, the study exposes the historical roots of current romance representations of the east, advancing research in Orientalism, (neo)medievalism and medieval cultural studies. Fundamentally, Representing Difference invites a closer look at medieval and modern popular attitudes towards the east, as represented in romance, and the kinds of solutions proposed for its apparent problems.
This book deals with the history of the Druze community using an interdisciplinary approach to describe, analyze, and explain historical events and processes.