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Showcases portrait photography of African Americans taken from the 1890s through the 2000s, along with text discussing the evolution of the idea of beauty for men and women.
When photographing people, you can have a great composition, perfect light, and the right camera settings, but if your subject doesn’t look right—if the pose is off—the shot will not be a keeper. Posing is truly a crucial skill that photographers need to have in order to create great photographs. If you’re looking to improve your ability to pose your subjects—whether they’re men, women, couples, or groups—best-selling author and photographer Lindsay Adler’s The Photographer’s Guide to Posing: Techniques to Flatter Everyone is the perfect resource for you. In the first half of The Photographer’s Guide to Posing, Lindsay discusses how the camera sees, and thus how camera angle, lens choice, and perspective all affect the appearance of your subject. Lindsay then covers things that ruin a pose—such as placement of the hands, and your subject’s expression and posture. Next, Lindsay dives into “posing essentials,” outlining her approach to start with a “base pose,” then build on that to create endless posing opportunities. She also discusses posing the face—with specific sections dedicated to the chin, jaw, eyes, and forehead—as well as posing hands. In the second half of the book, Lindsay dedicates entire chapters to posing specific subject matter: women, men, couples, curvy women, families and small groups, and large groups. In each chapter, Lindsay addresses that subject matter’s specific challenges, provides “go-to poses” you can always use, and covers how to train the eye to determine the best pose for your subject(s). Lindsay also teaches you how to analyze a pose so that you can create endless posing opportunities and continuously improve your work.
An ambitious and revelatory investigation of the black female figure in modern art, tracing the legacy of Manet through to contemporary art This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Édouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices. Featuring over 175 illustrations and profiles of several models, Posing Modernity illuminates long-obscured figures and proposes that a history of modernism cannot be complete until it examines the vital role of the black female muse within it. Published in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York Exhibition Schedule: Miriam and Ira D. Wallach Art Gallery, Columbia University, New York (10/24/18-02/10/19) Musée d'Orsay (03/25/19-07/14/19)
Photographer, author, and educator Roberto Valenzuela has a proven track record for teaching and explaining difficult concepts to photographers of all skill levels. His remarkable ability to break down complicated ideas into understandable, approachable elements that photographers can truly grasp–and then use their newfound knowledge to improve their photography–made his first book, Picture Perfect Practice, a breakout success. In Picture Perfect Posing, Roberto takes on the art of posing. For many photographers, after learning to compose an image and even light it properly, a portrait can still easily be a failure if the pose is not natural, elegant, and serving the needs of both the subject and the photographer. Instead of just showing page after page of poses–like most posing books on the market–Roberto actually breaks down the concept of posing by examining the anatomy, starting with the core foundation: the spinal chord and neck. Building from there, Roberto discusses every component of what makes poses work, as well as fail. How should the model hold her hands? Bend her elbows? Position her fingers? Should the model look toward or away from the camera, and why? It all depends on what the photographer wants for the shot, and Roberto discusses the entire process, from the intent of the photographer through the execution of the pose. For those who have been discouraged by an inability to pose their subjects, or who have simply not known where to start in order to "figure it out," Picture Perfect Posing is the essential resource they need to learn how posing truly works, and how they can learn to direct the exact pose they need for the shot they want.
A collection of 100 ideas for posing newborns, babies, children, siblings, and families.
Outlining a theory that combines the refinement of traditional posing techniques with the more organic, spontaneous techniques of photojournalism, this creative and informative resource offers poses that rely on personality and interaction. These instructions from a veteran wedding photographer provide the skills needed to recognize what makes a great pose and how to subtly direct your clients to achieve the needed balance between looking great and looking comfortable. Ultimately, this grouping of modern and traditional shots offers answers to the complications faced when attempting to pose wedding parties quickly while keeping the natural look that all wedding couples desire.
The complete resource for any photographer seeking the best choice of po ses! Features over 1,000 images especially selected to inspire you and help expand your creativity. Photographs and poses are placed in context, explaining why they do (or sometimes don't) work. A selection of poses features an accompanying lighting diagram, giving a clear understanding of how the photo was made. Includes a variety of models shot using different lighting rigs, props, and settings-in the studio and on location-making this book suitable for commercial and editorial applications. Discover the secrets of success behind professional photographers' work, and learn how to get the best out of your models on a shoot. PLUS a technical how-to section gives master classes in angles, lighting, styling, and more. In this beautiful, yet extremely practical source book, fashion photographer Eliot Siegel embarks on an ambitious project to pull together 1,000 poses for photographing models. Designed to inspire photographers and models alike, the book's poses are organized by type including standing, sitting, reclining, crouching, kneeling, and dynamic poses, as well as head and shoulder shots and expressions. For selected images, Siegel includes a lighting diagram as well as a detailed explanation of how the image was made, but in every case he explains why a pose works, or why it doesn't. This image-packed reference also features iconic photography from prominent fashion photographers and includes a how-to chapter at the beginning of the book that provides a crash course on lighting, styling, props, and backgrounds--everything you need to know to make a woman look great, regardless of which of the 1,000 poses you wind up using.
Photographers are guided through every aspect of posing—beginning with the consultation and continuing with specific tips for posing children, high school seniors, wedding parties, families, events, teams, groups, and pets—in this comprehensive manual. Maintaining that good posing is 80 percent mental and only 20 percent technical, this guide stresses the importance of communication between photographer and subject to creating a portrait that not only captures the subject’s personality but also makes the subject comfortable, fostering repeat business.
In portrait photography, posing must make the client look amazing, and this book takes photographers through that process from start to finish. With short, one- or two-page lessons that are amply illustrated with before and after images, the book guides the reader through each phase, from the positioning of arms and hands to the degree of the head tilt and shifting the weight. Image sequences showing variations and posing alternatives are also presented to customize a pose for an individual subject, accentuating the assets and minimizing the flaws. Readers are encouraged to take this book with them on shoots and work on replicating or refining the provided examples, creating a self-study course in the art of posing for portrait photography. This thorough guide shows how to get the pose to work within the photo’s composition—sure to give portraits a finished, professional look.
Coincides with an exhibition of Brathwaite's work, 2019.