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A superb and beautifully illustrated history of Portuguese tiles from the 16th century to the present
Sumptuous photographs display the elaborate, colorful tiles -azulejosadorning interiors and exteriors throughout Portugal.
Sacred art flourishes today in northeastern Brazil, where European and African religious traditions have intersected for centuries. Professional artists create images of both the Catholic saints and the African gods of Candomblé to meet the needs of a vast market of believers and art collectors. Over the past decade, Henry Glassie and Pravina Shukla conducted intense research in the states of Bahia and Pernambuco, interviewing the artists at length, photographing their processes and products, attending Catholic and Candomblé services, and finally creating a comprehensive book, governed by a deep understanding of the artists themselves. Beginning with Edival Rosas, who carves monumental baroque statues for churches, and ending with Francisco Santos, who paints images of the gods for Candomblé terreiros, the book displays the diversity of Brazilian artistic techniques and religious interpretations. Glassie and Shukla enhance their findings with comparisons from art and religion in the United States, Nigeria, Portugal, Turkey, India, Bangladesh, and Japan and gesture toward an encompassing theology of power and beauty that brings unity into the spiritual art of the world.
Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.
This descriptive analysis of contemporary Portuguese culture from a historical perspective covers topics ranging from art, cuisine, and music to government, politics, and religion. Portugal is evolving quickly as an integrated part of modern Europe. What was until the mid-1970s an old-world society, where 80 percent of the economy was controlled by an oligarchy of eight elite families, is now increasingly a model of an advanced European state. Portugal now ranks highly among the countries of the world in level of globalization and quality of life; it even boasts one of the best-developed renewable energy infrastructures of any developed country. Despite such widespread modernization, however, "old country" Portuguese traditions persist in the political realms, as well as the traditional lifestyles that endure in the countryside. Culture and Customs of Portugal devotes careful attention to such topics as Portuguese holidays, media, marriage, gender roles, architecture, and education, providing readers with a full account of Portugal's rich heritage and modern culture. The drastic changes in the nation following the 1974 military coup that overthrew a 48-year dictatorship receive special attention.
Lisbon's relative proximity to Africa led to a prolonged period of Moorish occupation until 1147. The city enjoyed untold wealth during the fifteenth and sixteenth centuries but was devastated by the earthquake in 1755. Portugal's accession to the European Community and Lisbon's subsequent choice both as the European City of Culture (1994) and as the site for the international Expo '98 have brought the city into the European mainstream.
From Palaces and churches to the humblest homes colored hand-painted tiles have decorated Portuguese buildings for centuries.Azulejos date as far back as the 13th century when the Moors invaded the land that now belongs to Spain and Portugal."Colors of Portugal" is not an essay but a collection of 110 beautiful "azulejo" tile patterns.
An illustrated survey of the use of tiles in interior design through the ages, from the Gothic through to Art Deco and the Omega Workshops in the 20th century. Many different styles are revealed through tilework, from the mellow Delftware depicted in paintings by Dutch masters, to the lively, inventive decoration adopted by Duncan Grant at his Charleston farmhouse. The influence of the Islamic world is shown in the tiles of Moorish Spain and the Victorian period, while the Gothic, and its revival in the 19th century, the Renaissance and Modernism are all represented. The book is illustrated with an array of pictures, which include not only individual tiles but also patterned and pictorial tile panels and items such as ceramic stoves as well as authentic interiors and elements of exterior decoration. Paintings and drawings set the tiles in context. Tiles have provided a particularly fertile opportunity for decoration, employing numerous ceramic techniques and an endless variety of styles through the centuries. Different tile-making processes are discussed and the continuing introduction of new practices is recorded, conveying a sense of the richness and diversity of the traditions of tilework in Europe. Appealing to collectors and to those interested in architecture and interior design, the book draws on the unique collections at the V&A to provide a visual resource and a survey of a popular subject.
This volume examines, in English, the role of emblems in the Portuguese-speaking world, their distinctive qualities and their links with the wider European tradition. Luis Gomes brings together studies ranging over a wide corpus of material, in both Portugal and Brazil, from manuscripts to printed books to the famous azulejos."