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Men are usually the heroes of Western stories, but women also played a crucial role in developing the American frontier, and their stories have rarely been told. This anthology of biographical essays on women promises new insight into gender in the 19C American West. The women featured include Asian Americans, African-Americans and Native American women, as well as their white counterparts. The original essays offer observations about gender and sexual violence, the subordinate status of women of color, their perseverance and influence in changing that status, a look at the gendered religious legacy that shaped Western Catholicism, and women in the urban and rural, industrial and agricultural West.
Men are usually the heroes of Western stories, but women also played a crucial role in developing the American frontier, and their stories have rarely been told. This anthology of biographical essays on women promises new insight into gender in the 19C American West. The women featured include Asian Americans, African-Americans and Native American women, as well as their white counterparts. The original essays offer observations about gender and sexual violence, the subordinate status of women of color, their perseverance and influence in changing that status, a look at the gendered religious legacy that shaped Western Catholicism, and women in the urban and rural, industrial and agricultural West.
Features portraits of female ranchers and cowgirls who live in the American West, and anecdotes about their daily lives and thoughts about the disappearance of their lifestyle.
A master of American fashion and art photography turns his artistry to capturing--in a series of photograph portraits--the cowboys, roustabouts, drifters, gamblers, bar girls, and others who characterize the modern Western experience
This engaging narrative synthesizes more than 20 years of historical writing on the history of women in the American West. Twenty years after many Western historians first turned their attention toward women, Women in the American West synthesizes the development of women's history in the region, introduces readers to current thinking on the real experiences of Western women, and explores their influence on the course of expansion and development since the 19th century. Women in the American West offers vivid portrayals of women as pioneers, prostitutes, teachers, disguised soldiers, nurses, entrepreneurs, immigrants, and ordinary citizens caught up in extraordinary times. Organized chronologically, each chapter emphasizes important themes central to gender and women's history, including women's mobility, women at home, wage labor, immigration, marriage, political participation, and involvement in wars at home and abroad. With this revealing volume, readers will see that women had a far more profound effect on the course of history in the Western United States than is commonly thought.
This volume contains 90 striking bandw photographs about the deep interior of the American west, a place where people are defined by their relations to animals and the land. In this chronicle of the everyday life of the last remaining cowboys, photographer Smith and author Klinkenborg capture a world of ranch-work, self-reliance, and hard-won trust. Oversize: 10.25x10.50". Annotation copyrighted by Book News, Inc., Portland, OR
Illustrated with more than 450 color photographs and historic images, this book pays tribute to the life and legacy of the pioneer woman in the American West, who worked on ranches, performed in Wild West shows, and competed in the rodeo arena.
This documentary-style collection of photographs and narratives profiles a wide range of prominent figures of the West as they engage in candid discussions about the region and its identity. A diverse group of visionary men and women, they may differ in politics but remain united in their belief that the West requires inspired action if it is going to endure challenges posed by political, cultural, and environmental pressures. Allowing those on each side of the issues to speak freely, this important work tackles such topics as education, recreation, immigration, ranching, alternative energy, wildlife habitat protection, oil and gas extraction, urban development, and water conservation. Exemplifying photography and journalism at its best, the book provides a panoramic view of today's evolving West. The collection features Terry Tempest Williams, Stewart Udall, Katie Lee, Dave Foreman, and many others.
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
I have found just the work for me, for I love it more all the time. Thus wrote one of several hundred professionally trained women who carried the gospel of books and libraries throughout the West during the early twentieth century. Pioneers in a profession, they regarded the West as a fertile field for their cultural crusade which included establishing traveling libraries in rural areas, participating in community-building activities, and professionalizing existing public and academic libraries and as a place where they could develop as independent women. Passet uses extensive archival material to provide a picture of the women librarians' experiences. She explores their education, family relationships, degree of autonomy, and reactions to the West. Her account is enlivened throughout by the words of the women themselves. It is further enriched by brief biographies of four women exemplifying the combination of personal and professional goals that motivated many women librarians to move west.