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Interdisciplinary and cross-cultural view on authority construction among early modern female intellectuals The complex relation between gender and the representation of intellectual authority has deep roots in European history. Portraits and Poses adopts a historical approach to shed new light on this topical subject. It addresses various modes and strategies by which learned women (authors, scientists, jurists, midwifes, painters, and others) sought to negotiate and legitimise their authority at the dawn of modern science in Early Modern and Enlightenment Europe (1600–1800). This volume explores the transnational dimensions of intellectual networks in France, Italy, Britain, the German states and the Low Countries, among others. Drawing on a wide range of case studies from different spheres of professionalisation, it examines both individual and collective constructions of female intellectual authority through word and image. In its innovative combination of an interdisciplinary and transnational approach, this volume contributes to the growing literature on women and intellectual authority in the Early Modern Era and outlines contours for future research.
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Historical Dictionary of Rococo Art covers all aspects of Rococo art history through a chronology, an introductory essay, a review of the literature, an extensive bibliography, and over 350 cross-referenced dictionary entries on prominent Rococo painters, sculptors, decorative artists, architects, patrons, theorists, and critics, as well as major centers of artistic production. This book is an excellent access point for students, researchers, and anyone wanting to know more about Rococo art.
Step back in time with The Way it Was, a poignant second chance romance by Mimi Flood. In this tale of enduring love, Samantha learns that true love never disappears; it merely hides beneath layers of regret. Two decades have passed since the eventful summer of 1988, when Sam, now a teacher and single mother, had to painstakingly mend her shattered heart, piece by delicate piece. But life has a way of unraveling even the most carefully constructed happiness. Sam is compelled to confront the ghosts of her past, forcing her back to the place where it all began. As Sam navigates the intricacies of trust, forgiveness, and the possibility of a second chance, The Way it Was reminds us that sometimes the greatest acts of courage come from opening our hearts again, even when the risks are high.
This interdisciplinary anthology explores the representation of everyday life across several disciplines in a century known for its interest in individual experience of the mundane as well as the heroic. Comprised of essays by established and emerging scholars of literature, art, and music history, the volume explores not merely the range of performances under the banner of the everyday, but also the meanings inherent in these attempts to create art out of the experience of the real. In this collection, the authors attempt to provide a wide-ranging picture of the many ways in which the notion of the everyday is a valuable conceptual frame through which the eighteenth century may be apprehended, as this critical term allows for issues of gender, race, and class to come into focus. Alden Cavanaugh is Associate Professor of Art History at Indiana State University.
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.
"An immensely eloquent tour de force, demonstrating the complex and often contradictory position of women in both intellectual and visual culture. Goodman examines Pompadour as an icon of court culture who simultaneously represents sexuality and the life of the mind. The paintings are the visual record of a remarkable and self-conscious fashioning of femininity." --Dympna Callaghan, author of Feminist Companion to Shakespeare "Elise goodman's stimulating and richly illustrated study recovers the visual record of women's place in the French Enlightenment. She traces a trend, engineered as much by the women themselves as by the artists who painted them, in which learning joins beauty to create a new iconography of female portraiture." --Susan S Lanser, author of Fictions of Authority: Women Writers and Narrative Voice.