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Through the brilliant photography of Richard Schulman and an insightful introduction by New Yorker critic Paul Goldberger, Portraits of the New Architecture celebrates the 50 architects who have reinvented architecture in the 20th and 21st centuries. From Philip Johnson and I.M. Pei to Richard Meier and Daniel Liebeskind, Portraits emphasizes the magnetism of the architects as well as their creations. With highly personalized representations of the architects themselves and images and design plans of their best work, the book explores the architect-as-superstar phenomenon: what does it mean that architecture today has become a style statement? Illustrated
What is creativity? What is the relationship between work life and personal life? How is it possible to live truthfully in a world of contradiction and compromise? These deep and deeply personal questions spring to the fore in Thomas Yarrow's vivid exploration of the life of architects. Yarrow takes us inside the world of architects, showing us the anxiety, exhilaration, hope, idealism, friendship, conflict, and the personal commitments that feed these acts of creativity. Architects rethinks "creativity," demonstrating how it happens in everyday practice. It highlights how the pursuit of good architecture, relates to the pursuit of a good life in intimate and individually specific ways. And it reveals the surprising and routine social negotiations through which designs and buildings are actually made.
Devlin is an artist and writer who has, during the course of forty years, created large-scale, detailed and dramatic oil portraits of examples of Victorian architecture on the Eastern seaboard. He presents 70 structures in this volume: octagonal barns, Cape May cottages, New York town houses. Produced with the elegance, taste and technical skill we associate with David Godine Books. 11x11.5". No bibliography. Annotation copyrighted by Book News, Inc., Portland, OR
"A collection of photographs and essays focusing on postindustrial landscapes and abandoned buildings in Pennsylvania"--Provided by publisher.
Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta's frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.
Portraits of TROY is a visual journey through the architectural history Topeka High School. From the first photograph from the 1870s through the 21st century images, Portraits of TROY is an engaging visual study of a stunning piece of architecture. Planned in the late 1920s, built in the first years of the Great Depression, Topeka High School was one of the first multimillion dollar high schools ever built. A Topeka landmark, THS is on the National Register of Historic Places, and Portraits of TROY shows why with intricate detail images and sweeping panoramas. Fifty-eight pairs of matching shots show both the school when new in 1931 and now 81 years later. From the top of the 155 foot bell tower, to the 2500-seat auditorium, to the 4000-seat gymnasium, to Constitution Plaza, home to a spar from the USS Constitution “Old Ironsides,” the 342 photos in 272 pages are an intimate look at this Kansas landmark.
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
Showcasing travel photographs by more than 150 of America’s top architects and designers, Travel by Design is an inspiring guide to the power of travel to shape and expand our world. Travel by Design reminds us of the beauty and importance of travel, with images of more than 100 locations in 60 countries, from exotic destinations and global cities to adventure travels and all-American escapes. More than 350 photographs take readers on a global journey through cityscapes, ancient civilizations, luxurious resorts, and stunning natural wonders, all seen through the discerning and artistic eyes of today’s leading creative talents. The images are sure to inspire dreams of escape, and the 40 pages of insider resources—from favorite hotels and restaurants to secret shopping sources and must-see monuments—will make planning future trips reassuring and easy.
The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."
Published on the occasion of the exhibition Herzog & de Meuron held in summer, 1994 at Peter Blum and the Swiss Institute in New York.