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Whether exploring the reclusive communities of the Amish and Hutterites, probing the gritty existence of the American cowboy, or revealing the quiet beauty of the Minnesota lakes, William Albert Allard has helped define America in all its diversity. From rodeos to blues singers, from William Faulkner’s Mississippi to minor league baseball, Allard has turned his camera toward parts of our heritage that are often overlooked. His other award-winning books include The Vanishing Breed and A Time We Knew. Portraits of America features 165 of Allard’s finest photographs. Presented in chronological order, with incisive introductions to each section written by Allard himself, these photographs show the creative development of a remarkably gifted artist. Pulitzer Prize­winning author Richard Ford contributes a foreword that places Allard’s photography within the context of the American experience. Art aficionados and lovers of Americana alike delight in this beautifully designed and thoughtful collection from a man who has become a legend in the world photographic community.
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
Over one hundred photographs from the renowned Kurt Koegler collection of Native American portraits taken between the end of the Civil War and the end of World War I are featured in this powerful compendium depicting a proud and defeated people. Native American Portraits presents a factual, anecdotal, and visual history of the evolving artistry and technology of a century of photographers, as well as of the tribes whose vanishing trappings and traditions they sought to capture with their craft. The photographers -- William Henry Jackson, Camillus Fly, Carleton Watkins, and Lee Moorhouse, among scores of others -- were intrepid adventurers, fiercely committed to their work, who hauled hundreds of pounds of photographic equipment across the mountains and faced many dangers; their subjects -- including such important warriors as Sitting Bull, Chief Joseph of the Nez Perce, Red Cloud, Geronimo, and Chief Gall (who led the Indians to victory against Custer) -- appear venerable, dignified, and beaten. Fascinating and provocative, this richly illustrated and painstakingly annotated volume documents the intersection of photography in its infancy and Native American culture in precipitous decline.