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The history of India has been written and rewritten several times, each time with a different context. Historical narratives act as a powerful vehicle of culture and tradition from generation to generation. Therefore it is essential to give an authentic narrative of India’s past using all the new evidence which has surfaced through archaeological excavation in the Indus-Sarasvati region. Researches in the field of ecology, natural history and genetics have given us enough pointers enabling us to write a fairly accurate history of Ancient India. This book ties up all this new evidence with the internal evidence from the literary sources. Discarding several theories and assumptions, it focuses attention on the contributions of Indian civilization and culture to mankind. It is a comprehensive work highlighting those historical events and developments which left significant impact on the heritage of mankind. Presented in a non invasionist model, this book attempts to reclaim the accurate chronology of Ancient Indian history and do away with many myths and prevailing misconceptions surrounding it. Supplemented by numerous photographs and illustrations of ancient relics, inscriptions and maps, it makes an interesting read meant for students and general rea The history of India has been written and rewritten several times, each time with a different context. Historical narratives act as a powerful vehicle of culture and tradition from generation to generation. Therefore it is essential to give an authentic narrative of India’s past using all the new evidence which has surfaced through archaeological excavation in the Indus-Sarasvati region. Researches in the field of ecology, natural history and genetics have given us enough pointers enabling us to write a fairly accurate history of Ancient India. This book ties up all this new evidence with the internal evidence from the literary sources. Discarding several theories and assumptions, it focuses attention on the contributions of Indian civilization and culture to mankind. It is a comprehensive work highlighting those historical events and developments which left significant impact on the heritage of mankind. Presented in a non invasionist model, this book attempts to reclaim the accurate chronology of Ancient Indian history and do away with many myths and prevailing misconceptions surrounding it. Supplemented by numerous photographs and illustrations of ancient relics, inscriptions and maps, it makes an interesting read meant for students and general rea
This book builds an overarching view of the essential elements, themes, and teachings of the worlds oldest surviving faith tradition Hinduism. Each theme is divided in easy to follow lessons. Highly philosophic content of Vedic chants is made simple enough for students as young as 5. For in-depth study, several appendices guide students into scholarly understanding of complex philosophic ideas such as the nature of reality, the nature of the mind, and the cosmic laws enshrined in the Vedic and post-Vedic texts. As a teacher with 20+ years of experience, the author presents ancient wisdom in simple language. Many books have been written about Hinduism, many of them incomplete and confusing. This book will appeal to those seeking an easy to read, logical approach to both understanding and teaching Hinduism. The book will be useful to parents, grandparents, teachers and students alike.
Reversing his parents immigrant path, a young writer returns to India and discovers an old country making itself new. Anand Giridharadas sensed something was afoot as his plane prepared to land in Bombay. An elderly passenger looked at him and said, Were all trying to go that way, pointing to the rear. You, youre going this way. Giridharadas was...
A New Republic Editors' and Writers' Pick 2012 A New Yorker Contributors' Pick 2012 A Newsweek "Must Read on Modern India" “For people who savored Katherine Boo’s Behind the Beautiful Forevers.”—Evan Osnos, newyorker.com From the author of Better To Have Gone, a portrait of the incredible change and economic development of modern India, and of social and national transformation there told through individual lives Raised in India, and educated in the U.S., Akash Kapur returned to India in 2003 to raise a family. What he found was an ancient country in transition. In search of the life that he and his wife want to lead, he meets an array of Indians who teach him much about the realities of this changed country: an old landowner sees his rural village destroyed by real estate developments, and crime and corruption breaking down the feudal authority; a 21-year-old single woman and a 35-year-old divorcee exploring the new cultural allowances for women; and a young gay man coming to terms with his sexual identity – something never allowed him a generation ago. As Akash and his wife struggle to find the right balance between growth and modernity and the simplicity and purity they had known from the Indian countryside a decade ago, they ultimately find a country that “has begun to dream.” But also one that may be moving away too quickly from the valuable ways in which it is different.
Patrick French brings one of the globe's most dynamic nations springing to life. He has an encyclopaedic knowledge of the country, sensitivity to its subtler nuances and a wealth of research.
How do civilizations rise and, ultimately, fall? U.S. students can have a difficult time understanding that empires come and go throughout the course of history. This volume explains how a once-flourishing civilization ran into decline, once foreign invaders took over the weakened government and spread their influence. Students will learn how India evolved into the country it is today. With engaging text, rich and colorful illustrations, and an enhanced e-book option, this title is a valuable resource for students researching reports.
For all of India’s myths, stories and moral epics, Indian history remains a curiously unpeopled place. In Incarnations, Sunil Khilnani fills that space, recapturing the human dimension of how the world’s largest democracy came to be. His trenchant portraits of emperors, warriors, philosophers, film stars and corporate titans—some famous, some unjustly forgotten—bring feeling, wry humour and uncommon insight to dilemmas that extend from ancient times to our own.
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.