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Portraits in the Andes examines indigenous and mestizo self-representation through the medium of photography from the early to mid twentieth century. As Jorge Coronado reveals, these images offer a powerful counterpoint to the often-slanted, predominant view of indigenismo produced by the intellectual elite. Photography offered an inexpensive and readily available technology for producing portraits and other images that allowed lower- and middle-class racialized subjects to create their own distinct rhetoric and vision of their culture. The powerful identity-marking vehicle that photography provided to the masses has been overlooked in much of Latin American cultural studies—which have focused primarily on the elite's visual arts. Coronado's study offers close readings of Andean photographic archives from the early- to mid-twentieth century, to show the development of a consumer culture and the agency of marginalized groups in creating a visual document of their personal interpretations of modernity.
The Andes are attracting global interest again: they hold valuable mineral resources, tourists appreciate their great natural beauty and the diversity of indigenous cultures, climbers scale rock and ice faces, while many others are intrigued by regional political developments, such as the Bolivarian revolution in Venezuela or the almost unfettered hegemony of the neoliberal economic model in Chile. This volume is the first attempt for decades to present a complete overview of the longest mountain chain on the planet – a region of remarkable climatic, floristic and geologic diversity, where advanced civilization developed well before the arrival of the Spanish. Today the Andes continue to be characterized by their ethnic, demographic, cultural and economic diversity, as well as by the disparity of local socioeconomic groups. The Andean countries pursue a wide range of approaches to tackle the challenges of making the best use of their natural and cultural potential without damaging their ecological basis, as well as to overcome economic disparity and foster social cohesion. This book provides insights into this unique region and its most pressing issues, complemented by a wealth of pictures and comprehensive diagrams, which, in sum, help to better understand these fascinating mountains.
In The Andes Imagined, Jorge Coronado not only examines but also recasts the indigenismo movement of the early 1900s. Coronado departs from the common critical conception of indigenismo as rooted in novels and short stories, and instead analyzes an expansive range of work in poetry, essays, letters, newspaper writing, and photography. He uses this evidence to show how the movement's artists and intellectuals mobilize the figure of the Indian to address larger questions about becoming modern, and he focuses on the contradictions at the heart of indigenismo as a cultural, social, and political movement. By breaking down these different perspectives, Coronado reveals an underlying current in which intellectuals and artists frequently deployed their indigenous subject in order to imagine new forms of political inclusion. He suggests that these deployments rendered particular variants of modernity and make indigenismo's representational practices a privileged site for the examination of the region's cultural negotiation of modernization. His analysis reveals a paradox whereby the un-modern indio becomes the symbol for the modern itself.The Andes Imagined offers an original and broadly based engagement with indigenismo and its intellectual contributions, both in relation to early twentieth-century Andean thought and to larger questions of theorizing modernity.
A Newbery Medal Winner An Incan boy who tends llamas in a hidden valley in Peru learns the traditions and secrets of his ancestors. "The story of an Incan boy who lives in a hidden valley high in the mountains of Peru with old Chuto the llama herder. Unknown to Cusi, he is of royal blood and is the 'chosen one.' A compelling story."—Booklist
"This unique volume illustrates and discusses in detail more than 160 extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic preoccupations, and diverse themes of art from the viceregal period, particularly the florid patternings and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art."--Jacket.
"Fills a void in the genre. . . . Excellent descriptions and interpretations." --Latin American Antiquity
Acclaimed Ecuadoran photographer Pablo Corral Vega teams ups with world-famous novelist Mario Vargas Llosa to create a beautiful tribute to the Andes and the countless colorful communities that make up its cities and villages. 90 photos.
In the world of the ancient Andes, textiles were often the most valuable commodity people possessed—far beyond gold and silver—and they were a major medium for conveying critical cultural meaning. Textiles of the Andes features a wealth of rare and exquisite pieces, many of great iconographic and technical importance, ranging in date from the Paracas to the Inca and Colonial periods, from 200 BC to the late 18th century. Examples of contemporary Andean textiles complement the early pieces and illustrate the continuity of weaving traditions in the Andes. • Detailed photos show each textile in full • Glossary of technical analysis for designers • Authoritative introduction by an expert in the field provides a context for appreciating and enjoying the superb and varied designs
"A work of hybrid ethnography and spiritual anthropology about the teachings of Ayni, the Q'ero way of knowledge and being. It is not a record of events and things. Rather, it forms a personal narrative, an allegory of seeking and discovery that documents the events that lead to the journey and high-altitude initiation on Ausangate with the traditional Q'ero shaman and wisdom keeper, Sebastian Pauccar Flores, in 2008."--Pref.
When Coche Inciarte boarded Uruguayan Air Force Flight 571 on Friday 13th October 1972, he planned to sit next to his best friend Gastón Costemalle at the back of the plane. But another boy got there just ahead of him, and Coche found a seat further forward. Ninety minutes later, Gastón was gone - sucked out of the back of the plane along with several others when the plane struck a peak in the Andes. Miraculously, twenty-nine passengers - members and friends of the Old Christians rugby club - survived the initial impact. Stranded in the mountains for seventy-two days, Coche and his companions endured one of history's most extraordinary struggles for survival. Several died of their injuries and eight were killed in an avalanche that trapped the remaining boys in the broken fuselage for three days. Developing gangrene in one leg, Coche was rendered largely immobile. Unable to contribute to the more physical tasks, he made it his mission to raise the spirits of his fellow survivors through humour, love, and support. Coche survived the Andes, but only just; and in this uplifting and thought-provoking memoir - written in memory of his friend Gastón - he brings alive his time on the mountain and reflects on the profound effect that it has had on his life, and on what it means to be human.