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Early 1900's photography of North American Indians.
Photographer Edward S. Curtis was a prolific photographer and recorder of Native American culture. This is a collection of his most moving, cultural portraits.
Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudevill stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent's original inhabitants before the old ways disappeared.
Over one hundred photographs from the renowned Kurt Koegler collection of Native American portraits taken between the end of the Civil War and the end of World War I are featured in this powerful compendium depicting a proud and defeated people. Native American Portraits presents a factual, anecdotal, and visual history of the evolving artistry and technology of a century of photographers, as well as of the tribes whose vanishing trappings and traditions they sought to capture with their craft. The photographers -- William Henry Jackson, Camillus Fly, Carleton Watkins, and Lee Moorhouse, among scores of others -- were intrepid adventurers, fiercely committed to their work, who hauled hundreds of pounds of photographic equipment across the mountains and faced many dangers; their subjects -- including such important warriors as Sitting Bull, Chief Joseph of the Nez Perce, Red Cloud, Geronimo, and Chief Gall (who led the Indians to victory against Custer) -- appear venerable, dignified, and beaten. Fascinating and provocative, this richly illustrated and painstakingly annotated volume documents the intersection of photography in its infancy and Native American culture in precipitous decline.
For almost three decades, Edward Curtis photographed the First Peoples of the North American West and studied their cultures. As part of his fieldwork, he cruised the Pacific Northwest coast and ventured into the lands of the Blackfoot Confederacy, both north and south of the Medicine Line. Alarmed that the traditional Aboriginal ways of life seemed in danger of disappearing forever, Curtis made an incredible effort to capture the daily routines, character and dignity of First Peoples through photography and audio recordings. Against seemingly insurmountable odds and at substantial personal and financial sacrifice, he completed the 20-volume masterpiece The North American Indian, deemed “the most gigantic undertaking in the making of books since the King James edition of the Bible” by the New York Herald. With more than 150 photographs, Edward S. Curtis Above the Medicine Line is both a compelling narrative that sheds new light on the Curtis mystique and a fascinating overview of many of the First Peoples he studied a century ago.
"Curtis spent the best part of his life-nearly thirty years-documenting what he considered to be the traditional way of life for Indians living in the trans-Mississippi West. He took more than 40,000 photographs, collected more than 350 traditional Indian tales, and made more than 10,000 sound recordings of Indian speeches and music His magnum opus was The North American Indian." (Pritzker, Edward S. Curtis, 6).
A collection of early photographs of Native Americans, including the Southeast, the Southwest, the plains, plateau and basin, California, the Northwest coast, the subarctic, the arctic, and the Northeast.
Reproduces nearly two hundred photographs of Native Americans taken by Edward Sheriff Curtis in the early 1900s, with essays that discuss aspects of life common to all tribes, including spirituality, ceremony, arts, and daily activities.
The U.S. Library of Congress presents an online exhibit of the published photogravure images from the volumes of "The North American Indian" by American photographer Edward Sheriff Curtis (1868-1952). Curtis portrayed the traditional customs and lifestyles of eighty Indian tribes.