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"The present volume is a substantially revised and redesigned version of Karsh: a sixty-year retrospective, originally published by Bulfinch Press, in association with the Museum of Fine Arts, Boston, in 1996"--T.p. verso.
In this revised, updated edition of his 1983 retrospective, Yousuf Karsh, the most renowned portrait photographer of our time, presents over sixty years of his work. This classic portrait artist of the camera has repeatedly - and unforgettably - photographed the statesmen, artists, and literary and scientific figures who have shaped our lives and the private world of the mind with such perception and illumination that his image has often become the definitive portrait. Karsh is the record of a major artist whose portraits have made being "Karshed" (as Field Marshal Montgomery described it) a singular accomplishment. It is the first book on Karsh to include a large group of photographs of arresting people not in the public eye, of workers in their environments, and of his early works and experiments. It is the first book to represent his work in color, with surprising masterworks. One of the most striking features of this book is the first-time presentation of multiple portraits: a number of subjects are shown in several prints from the same or other sittings, the collective portrait revealing the consistency and depth of the photographer's vision.
Collects many highlights of Karsh's career, one hundred iconic portraits in all. The introductory essay by David Travis takes serious critical stock of the importance of Karsh's work and his place in the pantheon of major portrait artists. Rounding out the volume are brief biographical essays on each subject that include Karsh's own perceptive comments about his experience. From publisher description.
Seventy-five camera studies of world famous people, with the photographer's "brief biographical notes of [his] various subjects together with personal accounts of the adventures [he] had when photographing them."
Yousuf Karsh is acknowledged to be the twentieth century's leading portrait photographer. His iconic images of Bogart, Hemingway, Churchill, the Kennedys, Auden, Castro, Einstein, the Clintons, Khrushchev, Casals, and Elizabeth II inhabit the mind's eye of anyone familiar with photographic history. A refugee from the ethnic cleansing of Turkish Armenians in 1916, Karsh made his home in Boston and Ottawa but travelled the globe during his sixty-year career, photographing political leaders, celebrities, monarchs, and movie stars. He died in 2002, aged 94. He left a legacy of 50,000 portraits.This is the first biography, written with help from his family and colleagues and based on the Karsh archive in Ottawa. Its publication marks Karsh's centenary in 2008, when retrospective exhibitions are scheduled in a number of locations in North America, including the Boston Museum of Fine Arts, Art Institute of Chicago, Boston Public Library, and Rhode Island School of Design. The book reproduces sixty of Karsh s most celebrated portraits, and reveals the technique behind the camera and the brilliant mastery of the photographer."
The ability to create an effective portrait is probably the single most important skill any aspiring photographer must master. Few professional photographers, whatever their area of specialization, can hope to have a successful career without ever being called upon to create a likeness of another person. The Portrait Photography Course is designed to build a student photographer's experience and get him or her started on a rewarding career. Detailed tutorials cover every aspect of studio and location work, from composition and psychology to complex lighting schemes, equipment options, and digital retouching. Portfolios of exemplary images showcase individual photographers' work and demonstrate techniques explored in the tutorials, while interviews with top portrait photographers shed insight into their methodologies and philosophies. Presented and written by a leading portrait photographer, this book is an indispensable guide to taking professional pictures.¿
The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.
Textbook-style photography handbook that covers all aspects of portraiture with images worthy of a coffee table book.