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This dazzling portrait of Johannesburg is "one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa" (Christopher Hope).
SHORTLISTED FOR THE MUD LITERARY PRIZE 2020 'An intriguing read with compelling descriptions of early 20th-century Sydney in all its squalor, debauchery and fascinating historical detail.' Who Weekly 'a brisk, original tale written with verve' Mud Literary Prize judging committee A story about art, murder, and making your place in history. Whatever it was that drew me to Muriel, it wasn't her charm. In 1992, morning sickness drives Jane to pre-dawn walks of her neighbourhood where she meets an unfriendly woman who sprays her with a hose as she passes by. When they do talk: Muriel Kemp eyes my pregnant belly and tells me if I really want to succeed, I'd get rid of the baby. Driven to find out more about her curmudgeonly neighbour, Jane Cooper begins to investigate the life of Muriel, who claims to be a famous artist from Sydney's bohemian 1920s. Contemporary critics argue that legend, rather than ability, has secured her position in history. They also claim that the real Muriel Kemp died in 1936. Murderer, narcissist, sexual deviant or artistic genius and a woman before her time: Who really is Muriel Kemp?
An intimate, revealing look at one artist’s journey from self-censorship to full expression As one of the most celebrated musicians in the world, Alicia Keys has enraptured the globe with her heartfelt lyrics, extraordinary vocal range, and soul-stirring piano compositions. Yet away from the spotlight, Alicia has grappled with private heartache—over the challenging and complex relationship with her father, the people-pleasing nature that characterized her early career, the loss of privacy surrounding her romantic relationships, and the oppressive expectations of female perfection. Since Alicia rose to fame, her public persona has belied a deep personal truth: she has spent years not fully recognizing or honoring her own worth. After withholding parts of herself for so long, she is at last exploring the questions that live at the heart of her story: Who am I, really? And once I discover that truth, how can I become brave enough to embrace it? More Myself is part autobiography, part narrative documentary. Alicia’s journey is revealed not only through her own candid recounting, but also through vivid recollections from those who have walked alongside her. The result is a 360-degree perspective on Alicia’s path, from her girlhood in Hell’s Kitchen and Harlem to the process of growth and self-discovery that we all must navigate. In More Myself, Alicia shares her quest for truth—about herself, her past, and her shift from sacrificing her spirit to celebrating her worth. With the raw honesty that epitomizes Alicia’s artistry, More Myself is at once a riveting account and a clarion call to readers: to define themselves in a world that rarely encourages a true and unique identity.
The story of Mia and her family and friends at the Calivista Motel continues in this powerful, hilarious, and resonant sequel to the award-winning novel Front Desk. Mia Tang thinks she's going to have the best year ever.She and her parents are the proud owners of the Calivista Motel, Mia gets to run the front desk with her best friend, Lupe, and she's finally getting somewhere with her writing!But as it turns out, sixth grade is no picnic...1. Mia's new teacher doesn't think her writing is all that great. And her entire class finds out she lives and works in a motel! 2. The motel is struggling, and Mia has to answer to the Calivista's many, many worried investors.3. A new immigration law is looming and if it passes, it will threaten everything -- and everyone -- in Mia's life.It's a roller coaster of challenges, and Mia needs all of her determination to hang on tight. But if anyone can find the key to getting through turbulent times, it's Mia Tang!
Race, politics, identity, photography: South African writer Ivan Vladislavic reminds us nothing is black and white.
From Snapchat sensation, business mogul, and recording artist DJ Khaled, the book They don't want you to read reveals his major keys to success. - Stay away from They - Don’t ever play yourself - Secure the bag - Respect the code - Glorify your success - Don’t deny the heat - Keep two rooms cooking at the same time - Win, win, win no matter what
The Exploded View, from the masterful South African novelist Ivan Vladislavić, tells the story of four lives intertwined through the sprawling infrastructure on the margins of Johhanesburg: a stastician taking the national census, an engineer out on the town with city officials, an artist interested in genocide, and a contractor who puts up billboards on construction sites. Arcing across distance and time, Vladislavić deftly explodes our comfortable views and brings us behind the curtains of the city while subtly expanding our notions of what is possible in the novel form.
Professional artist Foster Caddell takes you through the process of painting typical portraits and then analyzes the mistakes most commonly made by students. This guide covers all the bases for helping artists bring their portraits to life!
This is a book about Johannesburg and one man’s place in it: a provocative, teasing, revealing, analytical and poetic text on the city and the life rooted in its concrete streets. A high-water mark in Ivan Vladislavi?’s writing, Portrait with Keys is a sprawling yet comprehensive portrait of his Joburg. His gaze roams freely across the decades, but the focus falls on the eve of the millennium. Neither a novel in any conventional sense nor a collection of short stories, this chain of lyrical texts brings together memoir, history, snapshots, meditations, asides on arts and – not least – observations on that essential urban accessory, the Gorilla steering lock. Home, habit, change, memory, mortality, friendship, ghosts, gardens, walking, falling, selling and stealing are all part of this unique dossier of city life. Portrait with Keys is an extraordinary work, both an oblique self-portrait of the author and a vivid recovery of where we have been all along.
A boxing bildungsroman - a collage of memories, love, resistance, and the spectacle of Muhammed Ali in Apartheid South Africa. In the spring of 1970, a Pretoria schoolboy, Joe, becomes obsessed with Muhammad Ali. He begins collecting daily newspaper clippings about him, a passion that grows into an archive of scrapbooks. Forty years later, when Joe has become a writer, these scrapbooks become the foundation for a memoir of his childhood. When he calls upon his brother, Branko, for help uncovering their shared past, meaning comes into view in the spaces between then and now, growing up and growing old, speaking out and keeping silent.