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Four of the greatest maritime exploring expeditions were crammed into two decades late in the 18th century - Cook's third voyage, the French expedition commanded by La P?use, the Malaspina expedition sent out by Spain, and George Vancouver's Voyage of Discovery. All four visited the northwest coast of North America, but weather and circumstances prevented Cook from making more than what Beaglehole calls ' a magnificent, an epoch-making reconnaissance'; La P?use only touched the coast in a significant way at Yakutat Bay and Lituya Bay, and Malasina's memorable visits were to Yakutat Bay and Nootka Sound. Vancouver, by contrast, surveyed the enormous extent of coast from Lower California to Cook Inlet, and his meticulous survey literally set out on the map of the world the intricacies of Puget Sound and the western coast of mainland Canada. It was an achievement that places him with his mentor, Cook, in the first rank of marine surveyors. As a midshipman Vancouver had been with Cook when he discovered the Sandwich (Hawaiian) Islands in 1778. They attracted his interest, and the attention he devoted to the islands, their inhabitants and their political future when he twice later wintered there will surprise many. This is the first annotated edition of Vancouver's journal as he revised it for publication in 1798. The original manuscript has disappeared, but fortunately no fewer than 25 partial or complete logs or journals by other members of the expedition have survived. These supplement Vancouver's narrative at many points. It has been possible to identify virtually all the host of islands, channels and inlets that Vancouver encountered, and the provenance of most of the approximately 400 place names he bestowed, nine out of ten of which are still in use, is indicated. Remainder of Book 5, of a new and annotated edition of A Voyage of Discovery ... (London, 1798). The main pagination of this and the preceding three volumes is continuous. On the coast of North
Chapters 5-12 (p. 61-334) include a portion of Vancouver's journal, reprinted from v. 2 of his Voyage of discovery to the north Pacific Ocean, and round the world, 2nd edition, London, 1801. The reprint "is designed to follow the explorer from the time he strikes the shore of the present state of Washington ... on into Puget Sound, and around Vancouver Island, and, finally, through the negotiations at Nootka."
This catalogue includes such famous figures as David Garrick and Dr Samuel Johnson, Sarah Siddons and Emma Hamilton, and the work of such artists as Gainsborough, Reynolds and Romney. It has been compiled by one of the leading authorities on 18th-century English portraiture, John Ingamells.
"Al Harvey highlights British Columbia's premier destinations. Taking us on a tour of the province's vast and varying landscape. He highlights villages, towns, and cities around BC that will attract every kind of visitor."--
Frederick Horsman Varley was unique among the members of the Group of Seven. One of the greatest Canadian portraitists of the twentieth century, he is an intriguing example of an artist who, despite his fame as a portrait painter, remains better known for his landscapes. This is due mainly to his position as one of the founding members of the Group of Seven and their deliberate attempt to raise awareness of our national identity by depicting the Canadian landscape. Even though many public collections across the country, including the National Gallery of Canada, the Art Gallery of Ontario, and the Vancouver Art Gallery, display some of Varley’s best-known portraits, these works do not easily fit into the conventional mould of the Group of Seven. Nearly four decades after his death, Varley’s portraits are still not fully acknowledged. The release of this beautifully illustrated bilingual volume coincides with the opening of an unprecedented exhibition of his portraiture.
Thought-provoking case studies on cities, photographs and booksPhotographic books are almost as old as photography itself, and the city is one of their first and more recurring themes. Cities have been, and they continue to be, intensely photographed under a wide variety of forms, materialities, intentions and genres. This volume examines how a city can be moulded through the particularities of a photographic book, suggesting how urban portraits configure an overlooked, yet quite specific, photo-textual practice. Ranging from early photography to contemporary works, Paper Cities gathers thought-provoking case studies from several international contexts, providing new insights into art, material culture, history, heritage and memory, while simultaneously illuminating the debate on cities, photographs and books. Contributors: Steven Jacobs (Ghent University), Simon Dell (University of East Anglia), Hugh Campbell (University College Dublin), Steven Humblet (LUCA School of Arts), Chris Balaschak (Flagler College), Annarita Teodosio (University of Salerno), Cecile Laly (Université Paris I), Mónica Pacheco (University College London), Douglas Klahr (University of Texas), Johanna M. Blokker (Bamberg University), Philip Goldswain (University of Western Australia).