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Sebastian Khan is 380 days away from the end of college. An art history major with a fondness for the Pre-Raphaelites and a dislike of long-term commitments (romantic and otherwise), Sebastian starts dating Fatima, who's determined to transition smoothly from campus life to a stable white-collar professional career. Sebastian's membership in Model United Nations, though, takes him to colleges across North America, foisting upon him all manner of temptations and testing his commitment to Fatima and his readiness for adulthood. Part satire of college life circa 2011 and part serious exploration of art's fundamental unreality, Portrait of Sebastian Khan is a humorous coming-of-age novel about a charismatic but emotionally stunted Muslim American Don Draper, who wins as many hearts as he breaks.
A timely look at the impact of China's booming emergence on the countries of Southeast Asia Today, Southeast Asia stands uniquely exposed to the waxing power of the new China. Three of its nations border China and five are directly impacted by its claims over the South China Sea. All dwell in the lengthening shadow of its influence: economic, political, military, and cultural. As China seeks to restore its former status as Asia's preeminent power, the countries of Southeast Asia face an increasingly stark choice: flourish within Beijing's orbit or languish outside of it. Meanwhile, as rival powers including the United States take concerted action to curb Chinese ambitions, the region has emerged as an arena of heated strategic competition. Drawing on more than a decade of on-the-ground experience, Sebastian Strangio explores the impacts of China's rise on Southeast Asia, the varied ways in which the countries of the region are responding, and what it might mean for the future balance of power in the Indo-Pacific.
“Cunningly crafted. . . . France’s unquiet histories are brought to life by a master storyteller.” —Financial Times (UK) A story of resistance, complicity, and an unlikely, transformative friendship, set in Paris, from internationally bestselling novelist Sebastian Faulks. American historian Hannah intends to immerse herself in World War II research in Paris, wary of paying much attention to the city where a youthful misadventure once left her dejected. But a chance encounter with Tariq, a Moroccan teenager whose visions of the City of Lights as a world of opportunity and rebirth starkly contrast with her own, disrupts her plan. Hannah agrees to take Tariq in as a lodger, forming an unexpected connection with the young man. Yet as Tariq begins to assimilate into the country he risked his life to enter, he realizes that its dark past and current ills are far more complicated than he’d anticipated. And Hannah, diving deeper into her work on women’s lives in Nazi-occupied Paris, uncovers a shocking piece of history that threatens to dismantle her core beliefs. Soon they each must question which sacrifices are worth their happiness and what, if anything, the tumultuous past century can teach them about the future. From the sweltering streets of Tangier to deep beneath Paris via the Metro, from the affecting recorded accounts of women in German-occupied France and into the future through our hopes for these characters, Paris Echo offers a tough and poignant story of injustices and dreams.
A co-produced publication released on the occasion of the eponymous exhibition, Miriam Cahn: ME AS HAPPENING, by The Power Plant Contemporary Art Gallery, Toronto, and Kunsthal Charlottenborg, Copenhagen. Miriam Cahn: ME AS HAPPENING, organized by The Power Plant, and presented initially at Kunsthal Charlottenborg, was the Swiss artist's first solo exhibition both in North America and Denmark. The publication documents an expansive constellation of Miriam Cahn's multidisciplinary work, presented for the first time in Canada and Denmark as part of the eponymous exhibition, Miriam Cahn: ME AS HAPPENING. This exhibition was organized by The Power Plant Contemporary Art Gallery, Toronto, presented initially at the Kunsthal Charlottenborg, Copenhagen, from 7 October 2020-4 April 2021, then at The Power Plant, from 2 October 2021-2 January 2022.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
"The day they found my brother with a blood stain, I found one on my kurta too, but no one noticed my blood stain." Thus begins the story of a young girl in Kashmir as she goes through the turbulence of adolescence in her conflict-ridden world. While larger issues of terrorism, violence, and death engulf the hearts and minds of all those around her, she struggles to come to terms with her changing body and all that it entails. Left alone to deal with her constant questions, she experiences despair and loneliness but also shows resilience and hope in the faint knowledge that maybe it is not very different for all young girls around the world: "Is it the same for you?" she asks. With powerful yet sensitive illustrations by Priya Sebastian, which infuse the story with a universality, this beautiful volume is a tender attempt in imagining the different strands of a young life in Kashmir--a place where the inner conflicts of voiceless, adolescent girls are often overshadowed by the political, religious, and military conflicts that are now a constant in everyday life.
A spellbinding journey through the global history of witchcraft, the third volume in The Library of Esoterica follows this magickal tradition from its ancient roots to its modern incarnations. Through more than 400 artworks, and revelatory essays and interviews with modern practitioners, Witchcraft chronicles a cathartic evolution, from the...
Pondicherry is an extended photo essay, which has as its main focus the photographer's perception and visual interpretation of the city of Pondicherry.
I.B.Tauris in association with the Institute of Ismaili Studies The world's 200 million Shi'i Muslims express their faith in a multiplicity of ways, united by reverence for the ahl al-bayt, the family of the Prophet. In embracing a pluralistic ethic, fourteen centuries of Shi'i Islam have given rise to diverse traditions and practices across varied geographic and cultural landscapes. The Shi'i World is a comprehensive work authored by leading scholars from assorted disciplines, to provide a better understanding of how Shi'i communities view themselves and articulate their teachings. The topics range from Shi'i Islam's historical and conceptual foundations, formative figures and intellectual, legal and moral traditions, to its devotional practices, art and architecture, literature, music and cinema, as well as expressions and experiences of modernity. The book thus provides a panoramic perspective of the richly textured narratives that have shaped the social and moral universe of Shi'i Muslims around the globe.This fourth volume in the Muslim Heritage Series will appeal to specialists and general readers alike, as a timely resource on the prevailing complexities not only of the 'Muslim world', but also of the dynamic Shi'i diasporas of Europe and North America.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.