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France, 1940. Nazi forces march towards Paris. Lili Rosenswig's wealthy and eccentric family is ensconced in their country chateau with their sumptuous collection of arts and antiques. The beloved Matisse portrait of Lili's mother has been brought from their Paris salon for safety. It is the day before young lovers Lili and Paul are to be married that they are forced to flee and their fortunes change irrevocably. Lili and her family escape but Paul must stay behind to defend his country. In their struggle to adapt to changing circumstances in an unpredictable world, all are pushed to reinvent themselves. When top Nazi Hermann Göring loots their Matisse portrait, their story is intertwined with the fate of the painting. PORTRAIT OF A WOMAN IN WHITE is a moving family saga, an obsessive search for lost love and lost art and how far we will go to survive.
"Since the beginning of time, women have been sustainers of spiritual communities--now, they're strengthening them in leadership roles." -- inside cover.
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
A New York Times Book Review Editors' Choice New York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forger In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico? On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.” Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by "authenticity" in art, and a captivating exploration of the gap between what is lived and what is told.
This is the story of the internationally acclaimed American woman Margaret Bourke-White, who for over thirty years made photographic history: as the first photographer to see the artistic and storytelling possibilities in American industry, as the first to write social criticism with a lens, and as the most distinguished and venturesome foreign correspondent-with-a-camera to report wars, politics and social and political revolution on three continents. In this poignant autobiography, Bourke-White details her fight against Parkinson’s disease, and recounts tales of her struggles to master her art and craft, of photographing Stalin, Gandhi and many other notables, of being torpedoed off North Africa while reporting World War II, of flying combat missions, of photographing the dread murder camps of Nazi Germany, of touring Tobacco Road to produce the book You Have Seen Their Faces with Erskine Caldwell (whom she later married), of adventures—and wonderful picture-taking—in the mines of South Africa, in the frozen North, in war-torn Korea. Illustrated throughout with over 70 of Margaret Bourke-White’s fine photographs, this is the great life story of a great American, greatly yet modestly told.
Discover the story of Adélaïde Labille-Guiard—a long-ignored artist and feminist of eighteenth-century France—in this imaginative and illuminating biography from an award-winning writer. Born in Paris in 1749, Adélaïde Labille-Guiard rose from shopkeeper’s daughter to an official portraitist of the royal court—only to have her achievements reduced to ash by the French Revolution. While she defied societal barriers to become a member of the exclusive Académie Royale and a mentor for other ambitious women painters, she left behind few writings, and her legacy was long overshadowed by celebrated portraitist and memoirist Élisabeth Vigée-Lebrun. But Adélaïde Labille-Guiard’s story lives on. In this engaging biography, Bridget Quinn applies her insightful interpretation of art history to Labille-Guiard’s life. She offers a fascinating new perspective on the artist’s feminism, her sexuality, and her vision of the world. Quinn expertly blends close analyses of paintings with broader context about the era and inserts delicately fictionalized interpersonal scenes that fill the gaps in the historical record. This is a compelling and inspiring look at an artist too long overlooked. INSPIRING HISTORICAL NONFICTION: Despite numerous setbacks, Labille-Guiard built a legacy as an accomplished royal portraitist and a mentor to other young women artists of her era. This tale of solidarity, self-belief, and true passion for painting is sure to inspire contemporary creatives and women today. CREATIVE AND COMPELLING ART HISTORY BOOK: Bridget Quinn is an award-winning author and art historian who has spent years researching Adélaïde Labille-Guiard’s work and life. She vividly evokes both and weaves a compelling narrative at the intersection of art, gender, and politics. GORGEOUS ART REPRODUCTIONS THROUGHOUT: This biography features full-color images of artwork by Adélaïde Labille-Guiard, her rumored rival Élisabeth Vigée-Lebrun, and other artists of the era, including portraits of key players in the narrative. These images, interspersed throughout the book, offer valuable visual references to illuminate the engaging text even further. AN ARTFUL GIFT BOOK: Uniquely crafted and thoroughly researched, this volume makes an outstanding gift for art history enthusiasts and readers who love exploring untold stories in women's history. Perfect for: Readers of memoirs and biographies History buffs and fans of historical fiction and nonfiction Artists, art lovers, museumgoers, and art history students Feminists and readers seeking feminist books Francophiles and those interested in the French Revolution Fans of Portrait of a Lady on Fire and other historical dramas
In Rome one January afternoon in 1943, a young German woman is on her way to listen to a Bach concert at the Lutheran church. The war is for her little more than a daydream, until she realizes that her husband might never return. Portrait of the Mother as a Young Woman, winner of the prestigious Georg Büchner prize, is a mesmerizing psychological portrait of the human need to safeguard innocence and integrity at any cost—even at the risk of excluding reality. More than just the story of this single woman, it is a compelling and credible description of a typical young German woman during the Nazi era.
This book is a celebration of the famous painting which launched Sargent as a fashionable portrait painter and made Lady Agnew's name as a society celebrity. The story of Sargent and Lady Agnew is recounted in the essay and catalogue by Julia Rayer Rolfe, Librarian at the National Gallery of Scotland. Three leading scholars in the fields of fine art, history and music have contributed essays which serve to put the portrait into a wider context: Kenneth McConkey, Professor of Art History at the University of Northumbria at Newcastle; David Cannadine, Professor of History at Columbia University, New York, and Wilfrid Mellers, Emeritus Professor of Music at the University of York.
“[A] tale of power, perseverance and passion . . . a great story in the hands of a master storyteller.”—The Wall Street Journal The Pulitzer Prize–winning author of Peter the Great, Nicholas and Alexandra, and The Romanovs returns with another masterpiece of narrative biography, the extraordinary story of an obscure German princess who became one of the most remarkable, powerful, and captivating women in history. Born into a minor noble family, Catherine transformed herself into empress of Russia by sheer determination. For thirty-four years, the government, foreign policy, cultural development, and welfare of the Russian people were in her hands. She dealt with domestic rebellion, foreign wars, and the tidal wave of political change and violence churned up by the French Revolution. Catherine’s family, friends, ministers, generals, lovers, and enemies—all are here, vividly brought to life. History offers few stories richer than that of Catherine the Great. In this book, an eternally fascinating woman is returned to life. “[A] compelling portrait not just of a Russian titan, but also of a flesh-and-blood woman.”—Newsweek “An absorbing, satisfying biography.”—Los Angeles Times “Juicy and suspenseful.”—The New York Times Book Review “A great life, indeed, and irresistibly told.”—Salon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • USA Today • The Boston Globe • San Francisco Chronicle • Chicago Tribune • Newsweek/The Daily Beast • Salon • Vogue • St. Louis Post-Dispatch • The Providence Journal • Washington Examiner • South Florida Sun-Sentinel • BookPage • Bookreporter • Publishers Weekly BONUS: This edition contains a Catherine the Great reader's guide.