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Portfolio of Painterly Poems: A Pilgrim's Path to God is a collection of poems in a variety of forms that are informed by an artist's eye. Beauty is a lens. Color is sacramental. These poems will appeal to reflective people who feel certain that there are many paths to God, including aesthetic hikes with vistas of beauty and insight. These poems are celebratory without being saccharine and religious without being didactic. While this book is not a self-help manual, it contains hints of hope and healing, glimpses of the good and sightings of spiritual strength.
Sustaining beauty is the thread which weaves through these poems as magically as it runs through the poet’s life. Finding nourishing beauty in nature, faith communities, and civic engagement, Sharon invites readers to linger with her collection and find sustenance within her images. Meet Me at the Ice Cream: New and Selected Poems is well suited for book groups.
My poems are about places on Cape Ann, in the wider world, and in interior places of mind and heart. I often write poetry about beauty as revelatory of transcendent meanings in nature, community, and intuitions of the divine. The introduction reveals my literary and religious connections to Lucy Larcom, a nineteenth-century writer who is most famous for her book of prose, A New England Girlhood Outlined from Memory and her book of poetry, Wild Roses of Cape Ann. For both my historical soul sister and for me, beauty is sacramental, signaling the Creator in creation. Beauty is beatitude infused. I invite you to contemplate with me. Perhaps our paths will converge. It is my hope that you will discover challenge, comfort, and even joy.
Leaving room for doubt and mystery, this book addresses the question of whether or not God exists. The author draws upon life-long personal experiences and her graduate school days as a middle-aged, Protestant wildcard at Weston Jesuit School of Theology. After considering a theological problem, turnings of her heart, divine guidance, and earthly unbinding, she discusses images of God, God's actions, and dwelling in God not as dogma but as reflections in prose, poetry, and prayer.
Outside the United States, the British Museum has the most comprehensive collection of American prints of the first half of the twentieth century. American Prints from Hopper to Pollock reproduces 147 outstanding prints by 74 leading American artists, including George Bellows, Edward Hopper, Grant Wood, Josef Albers, Alexander Calder, Louise Bourgeois and Jackson Pollock.
Songs of Innocence and of Experience (1794) is William Blake's best-known work, containing such familiar poems as 'London', 'Sick Rose' and 'The Tyger'. Evolving over the author's lifetime, the collection was printed by Blake himself on his own press. This Reader's Guide: - Explains the unique development of Songs as an illuminated book - Considers the earliest reactions to the text during Blake's lifetime, and his gathering posthumous reputation in the nineteenth century - Explores modern critical approaches and recent debates - Discusses key topics that have been of abiding interest to critics, including the relationship between text and image in Blake's 'composite art' Insightful and stimulating, this introductory guide is an invaluable resource for anyone who is seeking to navigate their way through the mass of criticism surrounding Blake's most widely-studied work.
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
The first thematic series published for American literature, THE WADSWORTH THEMES IN AMERICAN LITERATURE SERIES is currently comprised of 21 themes spanning the time period normally covered in the two-semester American literature survey course--1492 to the present. Each carefully edited booklet centers on a core issue of the period with attention given to the development of key themes. Each thematic booklet offers an introductory contextual essay, a variety of literary perspectives, headnotes and footnotes, along with a variety of visual elements. Shirley Samuels--a Professor of English and American Studies who also chairs the History of Art and Visual Studies Department at Cornell--has established herself as a major voice in the field of nineteenth-century American literature and culture. In the second sequence of booklets, Samuels looks at the early days of the American republic, a period stretching from 1800-1865, taking us through the Civil War. This was a period of huge expansion as well as consolidation. The question of identity arose on different fronts, and we see the beginnings of the women's movement in the nineteenth century. Racial questions came into focus during this era, too, and the groundwork for the Civil War is unhappily laid. A range of inspiring and heart-rending texts from a time of bloodshed, hatred, and immense idealism concludes the thematic sequence.