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Edith Base's letters to her pen pal Phylabe Houston in Greeley, Colorado, are an unwittingly (and perhaps for that reason) fascinating historical document of the day to day life of a Londoner from 1941 to 1947. With great humor and astute observation she explains to her pal how people coped during the war years, describes her patrols as an air raid warden, the darkly humorous social organization of the shelters, and the more mundane life details that simply underscore the eerie "normality" that arises in extraordinary situations. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR
The acclaimed author presents his unique insights into the works of great Russian authors including Tolstoy, Dostoevski, Gogol, Gorki, and Chekhov. In the 1940s, when Vladimir Nabokov first embarked on his academic career in the United States, he brought with him hundreds of original lectures on the authors he most admired. For two decades those lectures served as the basis for Nabokov’s teaching, first at Wellesley and then at Cornell, as he introduced undergraduates to the delights of great fiction. This volume collects Nabokov’s famous lectures on 19th century Russian literature, with analysis and commentary on Nikolay Gogol’s Dead Souls and “The Overcoat”; Ivan Turgenev’s Fathers and Sons; Maxim Gorki’s “On the Rafts”; Leo Tolstoy’s Anna Karenina and The Death of Ivan Ilych; two short stories and a play by Anton Chekhov; and several works by Fyodor Dostoevski, including Crime and Punishment, The Idiot, and The Possessed. This volume also includes Nabokov’s lectures on the art of translation, the nature of Russian censorship, and other topics. Featured throughout the volume are photographic reproductions of Nabokov’s original notes. “This volume . . . never once fails to instruct and stimulate. This is a great Russian talking of great Russians.” —Anthony Burgess Introduction by Fredson Bowers
Scholarly articles dealing with political events in Russia up to 1991.
Poets, teachers, and musicologists fusing studies of form, scansion, and musical creation to redefine the place of the American bard