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During the eighteenth century, porcelain held significant cultural and artistic importance. This collection represents one of the first thorough scholarly attempts to explore the diversity of the medium's cultural meanings. Among the volume's purposes is to expose porcelain objects to the analytical and theoretical rigor which is routinely applied to painting, sculpture and architecture, and thereby to reposition eighteenth-century porcelain within new and more fruitful interpretative frameworks. The authors also analyze the aesthetics of porcelain and its physical characteristics, particularly the way its tactile and visual qualities reinforced and challenged the social processes within which porcelain objects were viewed, collected, and used. The essays in this volume treat objects such as figurines representing British theatrical celebrities, a boxwood and ebony figural porcelain stand, works of architecture meant to approximate porcelain visually, porcelain flowers adorning objects such as candelabra and perfume burners, and tea sets decorated with unusual designs. The geographical areas covered in the collection include China, North Africa, Spain, France, Italy, Britain, America, Japan, Austria, and Holland.
The tumultuous years of the French Revolution left France’s prestigious decorative arts industries poised on the brink of ruin. It was not until after the fall of the monarchy and the ascendancy of the Consulat and Empire under Napoleon that they began to recover so that by the middle of the nineteenth century they stood at the pinnacle of their achievement. This book is the first in depth study of the renowned porcelain works at Sèvres during its virtual rebirth under the 47 year direction of the scientist, teacher, and administrator Alexandre Brongniart. Some 110 working drawings from the Sèvres Archive are reproduced here for the first time in color. They celebrate the high skill of the artists whose work often documented contemporary events in France. There are table services in the 'Egyptian' and 'Etruscan' taste as well as individual pieces that recall Napoleonic military campaigns. There are also exquisite Neoclassical decorations using motifs such as birds, butterflies, and insects that reflect the century’s early fascination with the natural sciences. The repertoire of nineteenth century eclecticism is evident in the output of Sèvres from the revival of Gothic and renaissance motifs to the outburst of naturalism. Eleven essays by leading authorities assess this dynamic period.
L'orf?vrerie alg?rienne et tunisienne.
'Post-medieval pottery in the spare time' is a collection of papers planned for what would have been the second Europa Postmediaevalis conference. The focus is on the Early Modern period (15th to 18th centuries) and the growing use of new ceramic forms for leisure activities (smoking, drinking coffee or alcohol, garden strolls or games).
Shortly after my book Poreelain and the Duteh me and we discussed it. As it was his intention to write about this matter, he did not in the least East India Compa~y was published in 1954 and weH received, somebody prompted me to con need any prompting or urging from me and aH the merit his work has -and I think he has done tinue my research and publish something about splendid work with admirable results - is ex the Japanese porcelain trade. I gave in, and The Japanese poreelain trade after 1683 appeared. In his clusively his own. Japanese Poreelain my good friend, the la te From experience I know the ups and downs Soame Jenyns, confessed to the prompting. of the research preceding the making of a book But, never easily satisfied when he had set his like this, the disappointments one has when not mind on a thing, he insisted on my continuing finding a thing one had expected to find, the the work and publishing what I could find greater satisfaction when one comes across an about the Chinese porcelain trade of the Dutch unexpected interesting thing. And when the facts are marshaHed and grouped in the inten after 1683.
A surveying publication about Chinese armorial porcelain for the Dutch market is lacking up to now. The aim of this publication is a reference book written in English, containing a description of c. 500 Chinese services bearing coats of arms of Dutch families. About 200 services will be varieties.
This is the second volume in a series that traces, century by century, the role of Asia in the making of Europe. The rise to world dominance of the Western nations in modern times and the rapid industrial growth of the West, which outpaced the East in technical and military achievements, have led to a historical eclipse of the ancient and brilliant cultures of Asia. Historican Donald F. Lach, in his influential scholarly work, Asia in the Making of Europe, points out that an eclipse is never permanent, that this one was never total, and that there was a period in early modern times when Asia and Europe were close rivals in brilliance and mutual influence.