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Utopia. A community or society possessing highly desirable or nearly perfect qualities. It may be a dream, but it's a dream that has inspired writers for thousands of years. Plato's "Republic" may be the very first utopia presented to a mass audience, but Thomas More coined the term with his 1516 book Utopia (included here), which describes a fictional island society in the Atlantic Ocean. The term (and its antonym, dystopia) quickly entered the English language. And here are 19 other works, famous and not, featuring utopias and dystopias...works by Samuel Butler, Charlotte Perkins Gilman, Anna Bowman Dodd, William Morris, Sir Francis Bacon, and many others. Included are: EREWHON, by Samuel Butler MOVING THE MOUNTAIN, by Charlotte Perkins Gilman HERLAND, by Charlotte Perkins Gilman EQUALITY, by Edward Bellamy CAESAR’S COLUMN, by Ignatius Donnelly THE REPUBLIC OF THE FUTURE, by Anna Bowman Dodd A CRYSTAL AGE, by W. H. Hudson A TRAVELER FROM ALTRURIA, by W. D. Howells FREELAND: A SOCIAL ANTICIPATION, by Dr. Theodor Hertzka MIZORA: A PROPHECY, by Mary E. Bradley Lane SOLARIS FARM, by Milan C. Edson LOOKING BACKWARD, by Edward Bellamy SOME PICTURES OF A SOCIALIST FUTURE, by Eugene Richter UTOPIA, by Thomas More THE COMMONWEALTH OF OCEANA, by James Harrington THE NEW ATLANTIS, by Sir Francis Bacon THE BLAZING WORLD, by Margaret Cavendish CHRISTIANOPOLIS, by Johannes Valentinus Andreae THE CITY OF THE SUN, by Tommaso Campanella If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the 150+ entries in the MEGAPACKTM ebook series, covering science fiction, fantasy, horror, mysteries, westerns, classics, adventure stories, and much, much more!
H. G. Wells is one of the most widely-read writers of the twentieth century, but until now the aesthetics of his work have not been investigated in detail. Maps of Utopia tells the story of Wells's writing career over six decades, during which he produced popular science, educational theory, history, politics, prophecy, and utopia, as well as realist, experimental, and science fiction. This book asks what Wells thought literature was, and what he thought it was for. H. G. Wells formulated a literary aesthetics based on scientific principles, designed to improve the world both in the present and for future generations. Unlike Henry James, with whom he famously argued, Wells was not content simply to let literary art be, for its own sake: he wanted to make art instrumental in improving the lives of its readers, by bringing about the founding the World State that he predicted was man's only alternative to self-destruction. Such a project differed radically from the aims of Wells's late-Victorian and his Modernist contemporaries - with consequences for the nature both of Wells's writing and for his subsequent critical reception. Maps of Utopia begins with the late-Victorian debate about the uses of effect of reading, especially reading fiction, that followed the mass literacy of the 1870-71 Education Acts. It considers Wells's best known scientific romances, such as The Time Machine and The War of the Worlds, and important social novels such as Tono-Bungay. It also examines less well-known texts such as The Sea Lady, Boon and Wells's journalism and political writings. This study closes with his cinematic collaboration The Shape of Things to Come, and The Outline of History, Wells's best-selling book in his own lifetime.
This brief history connects the past and present of utopianthought, from the first utopias in ancient Greece, right up topresent day visions of cyberspace communities and paradise. Explores the purpose of utopias, what they reveal about thesocieties who conceive them, and how utopias have changed over thecenturies Unique in including both non-Western and Western visions ofutopia Explores the many forms utopias have taken – propheciesand oratory, writings, political movements, world's fairs, physicalcommunities – and also discusses high-tech and cyberspacevisions for the first time The first book to analyze the implicitly utopian dimensions ofreform crusades like Technocracy of the 1930s and ModernizationTheory of the 1950s, and the laptop classroom initiatives of recentyears
Gary Indiana is one of America's leading cultural critics -- a public intellectual who has written key essays on every aspect of American culture. Utopia's Debris comprises selections of his very best work, revealing him to be an enormously acute, frequently scabrous, and always brilliant observer of the best and worst America has to offer. His writings range from popular culture -- trash novels, architectural wonders and horrors -- to appreciations of the best of modern literature, art, and cinema. They include his convincing (and highly entertaining) debunking of fashionable conspiracy theories, a spirited and contrarian defense of Bill Clinton's autobiography, a Mencken-like examination of the rise of Arnold Schwarzenegger and the politics of celebrity in what Indiana calls the Age of Contempt. A postmodern Emerson, Indiana wields scalpel-sharp wit and a fealty to logic on issues in which, all too often, irrationalism and emotionalism hold sway. At times rigorously serious, at other times whimsical, Indiana's most conspicuous feature is skepticism -- his wildly satirical contempt for conventional wisdom.
The royal Parisian botanical garden, the Jardin du Roi, was a jewel in the crown of the French Old Regime, praised by both rulers and scientific practitioners. Yet unlike many such institutions, the Jardin not only survived the French Revolution but by 1800 had become the world's leading public establishment of natural history: the Muséum d'Histoire Naturelle. E. C. Spary traces the scientific, administrative, and political strategies that enabled the foundation of the Muséum, arguing that agriculture and animal breeding rank alongside classification and collections in explaining why natural history was important for French rulers. But the Muséum's success was also a consequence of its employees' Revolutionary rhetoric: by displaying the natural order, they suggested, the institution could assist in fashioning a self-educating, self-policing Republican people. Natural history was presented as an indispensable source of national prosperity and individual virtue. Spary's fascinating account opens a new chapter in the history of France, science, and the Enlightenment.
The Utopia Reader compiles primary texts from a variety of authors and movements in the history of theorizing utopias. Utopianism is defined as the various ways of imagining, creating, or analyzing the ways and means of creating an ideal or alternative society. Prominent writers and scholars across history have long explored how or why to envision different ways of life. The volume includes texts from classical Greek literature, the Old Testament, and Plato’s Republic, to Sir Thomas More’s Utopia, to George Orwell’s Nineteen Eighty-Four and beyond. By balancing well-known and obscure examples, the text provides a comprehensive and definitive collection of the various ways Utopias have been conceived throughout history and how Utopian ideals have served as criticisms of existing sociocultural conditions. This new edition includes many historically well-known works, little known but influential texts, and contemporary writings, providing an even more expansive coverage of the varieties of approaches and responses to the concept of utopia in the past, present, and even the future. In particular, the volume now includes feminist writings and work by authors of color, and contends with current concerns, such as the exploration of the ecological ideals of Utopia. Furthermore, Claeys and Sargent highlight twenty-first century trends and popular narrative explorations of Utopias through the genres of young adult dystopias, survivalist dystopias, and non-print utopias. Covering a range of original theories of utopianism and revealing the nuances and concerns of writers across history as they attempt to envision different, ideal societies, The Utopia Reader is an essential resource for anyone who envisions a better future.
Thomas More: Utopia/ Francis Bacon: New Atlantis/Henry Neville: The Isle of Pines With the publication of Utopia (1516), Thomas More introduced into the English language not only a new word, but a new way of thinking about the gulf between what ought to be and what is. His Utopia is at once a scathing analysis of the shortcomings of his own society, a realistic suggestion for an alternative mode of social organization, and a satire on unrealistic idealism. Enormously influential, it remains a challenging as well as a playful text. This edition reprints Ralph Robinson's 1556 translation from More's original Latin together with letters and illustrations that accompanied early editions of Utopia. Utopia was only one of many early modern treatments of other worlds. This edition also includes two other, hitherto less accessible, utopian narratives. New Atlantis (1627) offers a fictional illustration of Francis Bacon's visionary ideal of the role that science should play in the modern society. Henry Neville's The Isle of Pines (1668), a precursor of Defoe's Robinson Crusoe, engages with some of the sexual, racial, and colonialist anxieties of the end of the early modern period. Together these texts illustrate the diversity of the early modern utopian imagination, as well as the different purposes to which it could be put. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This book discusses the daily life and culture of enslaved Africans and their descendants. Enslaved Africans and their descendants comprised a significant portion of colonial Virginia populations, with most living on rural slave quarters adjacent to the agricultural fields in which they labored. Archaeological excavations into these home sites have provided unique windows into the daily lifeways and culture of these early inhabitants. subfloor pits be-neath the houses. The most common explanations of the functions of these pits are as storage places for personal belongings or root vegetables, and some contextual and ethnohistoric data suggest they may have served as West African-style shrines. Through analysis of 103 subfloor pits dating from the 17th through mid-19th centuries, Samford reveals how data on shape, location, surface area, and depth, as well as contextual analysis of artifact assemblages, can show how subfloor pits functioned for the enslaved. Archaeology reveals the material circumstances of slaves' lives, which in turn opens the door to illuminating other aspects of life: spirituality, symbolic meanings assigned to material goods, social life, individual and group agency, and acts of resistance and accommodation. about how West African, possibly Igbo, cultural traditions were maintained and transformed in the Virginia Chesapeake.