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The meek don't inherit a thing. Nice girls win nothing but regret. Virtue is wholly overrated. If you don't do it, some other girl will. Kat Elliot has spent her life fighting against phony schmoozing-and it's led her nowhere. A rebellious music journalist, Kat is down on her dreams when her ex best friend Lauren swishes back into town. Ten years ago, Lauren dumped Kat for high school gold: popularity. Now Lauren wants to make amends by teaching Kat the secret to her success: The Popularity Rules, a decades-old rule book that transformed Lauren that fateful summer. Broke and desperate, Kat reluctantly agrees to a total makeover-what does she have to lose? She's gotten nowhere on her own. Maybe becoming someone new is just what she needs.
The meek don't inherit a thing. Nice girls win nothing but regret. Virtue is wholly overrated. If you don't do it, some other girl will. Kat Elliot has spent her life fighting against phony schmoozing-and it's led her nowhere. A rebellious music journalist, Kat is down on her dreams when her ex-best friend Lauren swishes back into town. Ten years ago, Lauren dumped Kat for high school gold: popularity. Now Lauren wants to make amends by teaching Kat the secret to her success: The Popularity Rules, a decades-old rule book that transformed Lauren that fateful summer. Broke and desperate, Kat reluctantly agrees to a total makeover-what does she have to lose? She's gotten nowhere on her own. Maybe becoming someone new is just what she needs.
This volume offers a selection of critical essays on texts that can be broadly categorized as popular literature. The essays are inclined to question the idea of 'the Canon' and re-consider the divide between the canonical and the popular. As such, besides engaging in a serious critical reading of typical popular literary texts like The Jungle Book and The Hound of the Baskervilles, the book also considers populist tendencies in literary classics like Jane Eyre and Frankenstein. It will be of interest to young scholars and readers of popular literature, science fiction, detective fiction, genre studies, and culture studies. The volume's contributors are: Anisha Ghosh, Arnab Dasgupta, Goutam Karmakar, Jaya Sarkar, Jaydip Sarkar, Madhuparna Mitra Guha, Mandika Sinha, Mitarik Barma, Pinaki Roy, Puja Chakraborty, Rajadipta Roy, Rupayan Mukherjee, Shirsendu Mondal, Shubham Dey.
An Introduction to Theories of Popular Culture is widely recognized as an immensely useful textbook for students taking courses in the major theories of popular culture. Strinati provides a critical assessment of the ways in which these theories have tried to understand and evaluate popular culture in modern societies. Among the theories and ideas the book introduces are: mann culture, the Frankfurt School and the culture industry, semiology and structuralism, Marxism, feminism, postmodernism and cultural populism. This new edition provides fresh material on Marxism and feminism, while a new final chapter assesses the significance of the theories explained in the book.