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A teenage girl who wants to be popular gets to meet characters from Biblical legends, thanks to a genie, and discuss the issue with them.
This book seeks to trace the rise of popular music, identify its key figures and track the origins and development of its multiple genres and styles, all the while seeking to establish historical context. It is, fundamentally, a ready reference guide to the broad field of popular music over the past two centuries. It has become a truism that popular music, so pervasive in the modern world, constitutes a soundtrack to our lives – a constant though changing presence as we cross thresholds and grow from children to teenagers to adults. But it has become more than a soundtrack; it has become a narrative. Not just an accompaniment to our daily lives but incorporating our lives, our sense of identity, our lived experiences, into it. We have become part of the music just as the music has become part of us. The Historical Dictionary of Popular Music contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on major figures across genres, definitions of genres, technical innovations and surveys of countries and regions. This book is an excellent resource for students, researchers, and anyone wanting to know more about popular music.
What caused the boom to crash down on Captain Karas head and delay the final leg of her voyage home to resume her career? Is it sailors superstition, or does Karas beloved sailboat, Genies Bottle, have magical powers that forced her to abandon her solo Lake Superior crossing? Between May Day and Memorial Day, Kara, Rikk, and Dutch confront their long-held fears theyve kept guarded with ferocious skill. As all three begin to make conscious choices, their exposed secrets uncover their hidden identitiesdivulging coincidental pasts. Together, they discover the synchronistic treasures accumulated over decades and revealed during the month of May.
Over the last 20 years it has become chic to use the term “follower of Christ.” I have heard pastors stand in the pulpit and ask people to raise their hands if they want to be a follower of Christ. All across the room hands go up. Those hands are then summarily counted as converts to the Christian faith.
Provides more than forty projects for novice gardeners, including an introduction to potting flowers, drawing in hummingbirds, and picking out cat-friendsly plants.
'Business-as-usual' has been transformed across the music industries in the post-CD age. Against widespread hype about the purported decline of the major music labels, this book provides a critique of the ways these companies have successfully adapted to digital challenges – and what is at stake for music makers and for culture. Today, recording artists are positioned as 'artist-brands' and popular music as a product to be licensed by consumer and media brands. Leslie M. Meier examines key consequences of shifting business models, marketing strategies, and the new 'common sense' in the music industries: the gatekeeping and colonization of popular music by brands. Popular Music as Promotion is important reading for students and scholars of media and communication studies, cultural studies and sociology, and will appeal to anyone interested in new intersections of popular music, digital media and promotional culture.
Joseph Cornell is one of the most significant American artists of the 20th century. His work is highly visible in the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined. In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of 20th-century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.
A biography of the pop singer, focusing on her journey of self-discovery and struggle to find her artistic identity.
Contemporary Musicians provides comprehensive information on more than 4,500 musicians and groups from around the world. Entries include a detailed biographical essay, selected discographies, contact information and a list of sources.
There is no other company, industry, or premises more closely aligned—indeed almost synonymous—with its hometown than Guinness’s St. James’s Gate Brewery and the city of Dublin. From the company’s modest beginnings in 1759 to its heyday in the late nineteenth and early twentieth centuries and its continued strength into the twenty-first century, Guinness has had an enormous influence over the city’s economic, social, and cultural life. In this warm and fascinating piece of history, Tony Corcoran examines the magnitude of the brewery’s operation, and the working lives of the thousands of Dubliners who have depended on Guinness for their livelihood, either directly or indirectly. The company’s unusually progressive treatment of its workers—health care, training, and housing—is revealed in detail, as is the Guinness family’s philanthropy and compassion towards the less well-off residents of the city. Tracing Guinness’s progressive attitudes to their roots, Corcoran also explores the important roles of the strong-willed women in each generation of the Guinness dynasty. A labor of love, full of anecdotes, humor, and historical insights into one of Dublin’s most important and best-loved institutions. “Whenever I bleed, I am always surprised to see that my blood is not black. Certainly, when you consider that I was born into two Guinness families, had two Guinness grandfathers and five Guinness uncles, and was on the premises of Guinness before I could walk, I am as much a product of Guinness as the black stuff itself.”—Tony Corcoran