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This second volume of Tales of the West Highlands contains thirty ursgeuln, or tales, fifty riddles plus a few extra stories. As always, these are tales and stories in which something 'Fairy' or magical occurs, something extraordinary --fairies, giants, dwarfs, princes, princesses, kings and queens, speaking animals and the remarkable stupidity of some of the characters. But these aren't just a collection of amusing and entertaining stories. Just 20 years after the Elementary Education Act of 1870 these are the tales that were still being used in those far- flung reaches of the Highlands to teach the young the lessons of life. Also included are Seanachas--those old Highland stories which in their telling resemble no others, whose origins are lost in the mists of the Highlands, if not the midst of time. So take some time out and travel back to a period before television and radio, a time when tales were passed on orally-- at the drying kilns, at the communal well or in homes, where families would gather around a crackling and spitting hearth and granddad or grandma or uncle or auntie would delight and captivate the gathering with stories passed on to them from their parents and grandparents from time immemorial. A proportion of the profit from the sale of this book will be donated towards the education of the underprivileged in Scotland.
Reprint of the original, first published in 1862.
The Selected Works of Andrew Lang: Volume 1Anthropology: Fairy Tale, Folklore, the Origins of Religion, Psychical ResearchEdited by Andrew Teverson, Alexandra Warwick and Leigh WilsonThis is the first critical edition of the works of Andrew Lang (1844-1912), the Scottish writer whose enormous output spanned the whole range of late-nineteenth century intellectual culture. Neglected since his death, partly because of the diversity of his interests and the volume of his writing, his cultural centrality and the interdisciplinary nature of his work make him a vital figure for contemporary scholars.This volume covers Lang's wide and influential engagement with the central areas of late nineteenth-century anthropology. Lang made decisive interventions in debates around the meaning of folk tales and the origins of religion, as well as being an important figure in the investigation of spiritualist claims through psychical research. The work reproduced here includes journalism, essays, extracts from books and previously unpublished letters which together articulate and challenge some of the central ideas and discussions of the period, including evolution, the relation between modern and non-modern cultures, the nature of scientific claims to truth, and the consequences of materialism. The volume will provide new and illuminating ways of understanding and assessing the period for scholars across a range of disciplines, including those interested in the histories of the fairy story, of science, of the occult, of colonialism and of anthropology.Key Features: Unpublished archival materialCritical introductions to the major areas of his workFull explanatory notesAndrew Teverson is Professor of English Literature and Associate Dean for the Faculty of Arts and Social Sciences at Kingston University, London. His research centres on the use and meaning of fairy tales, and he has published both on the employment of them in contemporary writing and on the historical development of the form. He is the author of Fairy Tale (Routledge, 2013).Alexandra Warwick is Professor of English Studies and Head of the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research is on Victorian culture, in particular the fin de sicle. Leigh Wilson is Reader in Modern Literature in the Department of English, Linguistics and Cultural Studies at the University of Westminster. Her research focuses on modernism, on the place of supernatural and occult beliefs and practices in the late nineteenth and early twentieth centuries, and on the contemporary British novel. She is the author of Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult (EUP, 2013).
Introduces Scotland's contribution to forms of traditional culture and expression - folk narrative, ballad, legend, song, broadsides and chapbooks.
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.