Download Free Popular Music Of The Olden Time Vol 2 Book in PDF and EPUB Free Download. You can read online Popular Music Of The Olden Time Vol 2 and write the review.

Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Victorian Songhunters is a history of popular song collecting and ballad editing from 1820 to 1883. It is a comprehensive telling of the Victorian vernacular song revival leading up to the Eduardian folksong festival, and includes information on the folksong revival in Scotland.
Continuing the monumental work begun in Volume I, Bertrand Bronson presents here the words and music for Child Ballads 54 through 113. The texts are those established in the famous Child canon of English and Scottish ballads. To them, Mr. Bronson has added more than a thousand variant tunes grouped to show their melodic kinship, and the characteristic variations developed in the course of traditional singing and oral transmission. Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This work gives a unique opportunity to dive into the world of ancient British poetry and legends. Here, a reader will find the primary sources for the epic stories about Gilderoy, Winifred, Bryan, Sir Cauline, King Estmere, Sir Guy, King Arthur, the Fairy Queen, and many more. A collection in three volumes contains numerous works by famous and anonymous authors adapted to modern English. The significance of this work is apparent. It was the first collection of ballades in English poetry of this size. It influenced the Romantic movement greatly and contributed to the revivals of ballades in England. Robert Burns, Wordsworth, and Coleridge based their lyric poems on this collection. Although, this work could never see the light of the day. Back in the 18th century, Irish Bishop Thomas Percy saved a manuscript almost set afire by a housemaid. It was an ancient collection of ballades, which inspired the Bishop for further research. Today, it's not just an important historical book; it is also a great source of study materials as well as an exciting read for anyone fond of history and British poetry.
First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.