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First published in 1991. An implicit thesis of this volume is that popular culture in Chile is more than the total of many individual biographies. It requires a new analysis of society as a whole and of social change. Too often, political scientists and other social analysts have seen social change as proceeding from the top down. One can interpre
First published in 1991. An implicit thesis of this volume is that popular culture in Chile is more than the total of many individual biographies. It requires a new analysis of society as a whole and of social change. Too often, political scientists and other social analysts have seen social change as proceeding from the top down.
Chile is a land of contrast and surprise, flanked by the Pacific Ocean on the west, the Andes to the east, the forbidding salt basins of the Atacama Desert to the north—with a verdant Central Valley and Cape Horn at its southern extremity. The Chilean people, too, are surprising: on one hand reserved, family-oriented, Catholic, and conservative; and on the other fun-loving, entrepreneurial, neoliberal, and modern. Their geographical isolation from the rest of the world, their colonial past, and the near 20years of repression under the military dictatorship of General Pinochet have had a profound influence on their character. Today, traditional Chilean values are being questioned by the younger generation. In fact, the country's position as the Latin American stronghold of Catholicism is being challenged by Chileans of all generations, and pressure has led to unprecedented changes in family and censorship law. Chile is also one of the fastest-growing economies in South America, and thanks to ambitious structural reforms, has sharply reduced its poverty rate in the past few years. Culture Smart! Chile provides vital information on what to expect and how to behave in this complex and dynamic society.
Readers will never feel intimidated and awkward about the customs and etiquette of another foreign country again. With the insights provided in this "Culture Shock Chile!" title, they'll learn to see beyond the sterotypes and misinformation that often precede a visit to a foreign land.
Child's lively history forms the backdrop for a survey of a wealth of social riches. The literary lion Pablo Neruda, Andean music, and fine wine are just a few of the highlights found herein."--BOOK JACKET.
To date, scholars have paid little attention to the role that music played at political rallies and protests, the political activism of right-wing and left-wing musicians, and the emergence of musical performances as sites of verbal and physical confrontations between Allende supporters and the opposition. This book illuminates a largely unexplored facet of the Cold War era in Latin America by examining linkages among music, politics, and the development of extreme political violence. It traces the development of folk-based popular music against the backdrop of Chile's social and political history, explaining how music played a fundamental role in a national conflict that grew out of deep cultural divisions. Through a combination of textual and musical analysis, archival research, and oral histories, Jedrek Mularski demonstrates that Chilean rightists came to embrace a national identity rooted in Chile's central valley and its huaso ("cowboy") traditions, which groups of well-groomed, singing huasos expressed and propagated through música típica. In contrast, leftists came to embrace an identity that drew on musical traditions from Chile's outlying regions and other Latin American countries, which they expressed and propagated through nueva canción. Conflicts over these notions of Chilenidad ("Chileanness") both reflected and contributed to the political polarization of Chilean society, sparking violent confrontations at musical performances and political events during the late 1960s and early 1970s. Mularski offers a powerful example and multifaceted understanding of the fundamental role that music often plays in shaping the contours of political struggles and conflicts throughout the world.This is an important book for Latin American studies, history, musicology/ethnomusicology, and communication.
A practical guide to the history, customs, and culture of Chile, with information on local traditions, people, and daily life.
Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. The book addresses such topics as popular music, post-colonialism, women in Latin American music, tradition and modernity, musical counterculture, globalization, and identity construction through music. It contributes to the development of paradigms of cultural analysis that originated outside of Latin America by testing them in the Latin American musical context, while also exploring how specifically Latin American models can contribute to broader cultural analysis.
A complex portrait of postdictatorial Chile by one of that country's most incisive cultural critics, this book uses memoirs, photographs, the plastic arts, novels, and other texts--the "residues" of a culture--to analyze the political-cultural Chilean landscape in the wake of Augusto Pinochet's seventeen-year military rule. Such residual areas reveal the flaws and lapses in Chile's transition from violent military dictatorship to electoral democracy. Nelly Richard's analysis ranges from an exploration of false memories of the recent past--especially memories of violence--to a discussion of the university under neoliberalism; from debates about the use of the word "gender" to an examination of refractory texts and cultural activities such as Diamela Eltit's "testimonio" of a schizophrenic vagabond, Eugenio Dittborn's use of photography in art installations, and transvestite performances. In "Cultural Residues, each instance becomes a suggestive metaphor for understanding a rapidly modernizing Chile attempting to redemocratize its public life.
Popular culture tends to simultaneously lose and gain in the era of globalization. The singularity and internal self-reproduction of popular cultures have dwindled, but at the same time their vibrancy and dynamics have thrived and multiplied. This volume covers subjects ranging from the relations between Indians and Spaniards in Colonial Mexico, through the contemporary statures of popular cultures of the Chilean urban poor, the Brazilian traditionalists, and the Bahian black youth, to the fate of commercialized Mexican handicraft.