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"Included are authors, both living and dead, who were active in the early 1960s or later and remain popular in the mid-1990s ... representing several fiction and nonfiction categories, including poets, short-story writers, biographers, and other niche authors."--Page xi
Since the publication and cinematic success of 1992's Along Came a Spider, James Patterson seems to have taken up permanent residence on the bestseller lists. In the ensuing decade, his hit detective novels, with memorable nursery rhyme titles like Cat and Mouse, (1997) and Pop! Goes the Weasel (1999), came in rapid-fire succession and generated similar popularity and praise. His Alex Cross series created one of the most recognizable detectives in literature, and one of the first urban African American detectives to appeal, on such a grand scale, to audiences of all demographics. With full literary analyses of ten of his most popular works of fiction, this critical companion offers readers a chance to more fully explore Patterson's writings. Beginning with his 1976 bestseller The Thomas Berryman Number and moving chronologically to 2002's 2nd Chance, each chapter examines elements of plot, character development, theme, and critical perspectives. A full chapter offers a delving biographical study of Patterson, including a brief timeline, that traces his early literary and personal interests and later professional achievements. Another chapter discusses the genres of detective and mystery writing, and situates Patterson 's contributions within this framework. Patterson's sociological writings are also considered. Whether for personal pursuits or school assignments, this volume provides ample insight and extensive bibliographic information on Patterson's work, including critical sources and reviews.
Ninety-six alphabetically arranged author profiles include biographical information, critical commentary, and illustrations.
In this study Paul Bail shows us how Tyler constructs the complex reality of life through character, narrative point of view, theme, and literary devices. With the exception of Tyler's earliest two novels, which she prefers to forget, a chapter is devoted to each of the other novels she has written. Following a biographical chapter that relates Tyler's life to her work, Bail discusses the novels within the literary tradition of Southern regional literature, women's literature, and popular culture. He also explores the influence of religion on her writing. Bail also offers an alternate critical approach from which to read the novel, such as feminist or multicultural criticism. This study is ideal for students and readers of Anne Tyler and will enrich the reading and appreciation of her novels.
The English-language debut of Hiroko Oyamada—one of the most powerfully strange young voices in Japan The English-language debut of one of Japan's most exciting new writers, The Factory follows three workers at a sprawling industrial factory. Each worker focuses intently on the specific task they've been assigned: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. But their lives slowly become governed by their work—days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while—it could be weeks or years—the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and unexpected moments of creeping humor, The Factory casts a vivid—and sometimes surreal—portrait of the absurdity and meaninglessness of the modern workplace.
Ninety-six alphabetically arranged author profiles include biographical information, critical commentary, and illustrations.
Here, in more than forty essays, are Woolf's thoughts on her contemporaries in the art of fiction; reviewing and criticism; and one of her favorite themes, female novelists. Among the writers reviewed are Dorothy Richardson, E. M. Forster, Aldous Huxley, D. H. Lawrence, H. G. Wells, and Theodore Dreiser. Preface by Jean Guiguet.
“The Enchanted wrapped its beautiful and terrible fingers around me from the first page and refused to let go after the last. A wondrous book that finds transcendence in the most unlikely of places. . . . So dark yet so exquisite.” — Erin Morgenstern, author of The Night Circus An astonishing and redemptive novel for readers of Alice Sebold and Toni Morrison, told from the point of view of a convict whose magical interpretations of prison life allow him to find absolute joy while isolated from the rest of humanity and a female investigator who experiences her own personal salvation in her work as a death penalty investigator. This is an enchanted place. Others don’t see it but I do. The enchanted place is a high security prison and is relayed through the eyes of an inmate on death row who escapes his surroundings by immersing himself in books, and by re-imagining the world that surrounds him. Instead of focusing on the cloudy medical vines that snake across the floor, empty and waiting for the warden’s finger to press the red buttons, our narrator sees golden horses as they run deep under the earth, heat flowing like molten metal from their backs. A woman and fallen priest haunt the prison halls--an unnamed female investigator only known as the Lady who is known for discovering information relating to soon-to-be executed inmates’ backgrounds that can be used to overturn their sentences. She is put on the case of a man named York and as she digs into his past, the experience brings up ghosts of her own and threatens to destroy everything that she has come to know about the enchanted place. The Enchanted is a magical novel about redemption, the humanity that can lie within what is monstrous, and the human capacity to transcend and survive.
A guide to reading and understanding three novels written by Asian American writer Amy Tan that includes information on the characters, narrative strategies, plot development, literary devices, setting, and major themes of each novel.
Anne Rice's fame rests on her supernatural tales, but she is far more than a horror novelist. She goes beyond the genre by changing the classic horror stories into myths, fairy tales, and nightmares in order to explore philosophical questions of life, death, evil, and the meaning of existence. This is the most up-to-date analysis of her work and includes individual chapters on each of her vampire, witch, and mummy novels, including her most recent, Memnoch the Devil (1995). A perfect companion for students and Anne Rice fans, this study also features a biographical chapter and a chapter which discusses her use of the supernatural, horror, and fantasy genres. Smith shows how Rice's five vampire novels interweave to form a complete mythology, a layered universe with its own history and rules, in which her characters act out the question of what it means to be human in an increasingly inhuman world. In the three Witches Chronicles, Smith shows how Rice explores the meaning of power, sexuality, family, and womanhood in the 20th century. Each novel is examined in a separate chapter with subsections on point of view, plot, character, theme, and literary device. Each novel is also examined from an alternative critical approach, such as psychological, myth, and feminist criticism, which offers the reader an alternative perspective from which to read the novel. A complete bibliography of Rice's work, general criticism and biographical sources, and listings of reviews of each novel complete the work. For fans and students, this is the perfect companion to Anne Rice's fiction and is a necessary purchase by secondary school and public libraries.