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Published 1882-98, this ten-part work by Harvard's first professor of English became an essential resource for scholars and folklorists.
Popular British Ballads, Ancient and Modern (Volume 3), a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
This book is a collection of popular ballads from the British Isles, ranging from medieval times to the 19th century. The book includes ballads of love, war, religion, and humor, and provides historical and cultural context for each piece. The book is a valuable resource for lovers of British folk music and for anyone interested in the history and culture of Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Great Ballad Tradition of Scotland is one of the most important influences on the folk songs of the English-speaking world. The descendants of the old Scottish ballads appear in countless variants in England, Canada, Australia and the United States. Now Ewan MacColl, himself raised in this tradition, has drawn on this great wealth of tradition to fashion an outstanding collection of Scottish folk songs and ballads. Here are 70 songs,complete with words,music, historical notes, and appropriate guitar chords (supplied by Peggy Seeger). Documentary illustrations and a glossary of the Scottish idioms employed help to make this a book that is both useful to the musician and singer, and a fine work of art as well.
English and Scottish Ballads (Vol. 1-8) is a comprehensive collection of traditional folk songs and ballads from England and Scotland. These volumes showcase the rich oral tradition of storytelling and lyrical beauty found in the balladry of the British Isles. The ballads cover a wide range of themes including love, betrayal, murder, and the supernatural, providing a glimpse into the lives and beliefs of the common people of the past. The language is simple yet powerful, drawing the reader in with its vivid imagery and emotional depth. The collection serves as a valuable resource for those interested in traditional folk music and literature, as well as for scholars studying the cultural history of England and Scotland. Various Authors have meticulously compiled and preserved these ballads, ensuring that they continue to be appreciated and enjoyed for generations to come. Their dedication to this task reflects a deep appreciation for the cultural heritage of the British Isles and a commitment to preserving these timeless works of art. English and Scottish Ballads (Vol. 1-8) is a must-read for anyone seeking to immerse themselves in the beauty and storytelling tradition of English and Scottish folk music.
Reprint of the original, first published in 1883.
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.