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In this richly detailed study, Margot Louis combines close readings of Swinburne's poetry with a wide-ranging analysis of the pressures which influenced the poet. Louis not only examines the ways in which Swinburne was affected by English and French Romantics but comments on the powerful impact on his writing of a childhood steeped in high church theology. Swinburne's ideas of alternative concepts of deity are discussed within the context of nineteenth-century radical "free thought." Louis reflects on the depth and diversity of Swinburne's intellectual interests and their effect on the development of his poetic style.
How did literary aestheticism emerge in Victorian Britain, with its competing models of religious doubt and visions of secularisation? For Lyons, the aestheticism developed and progressively revised by Algernon Charles Swinburne (1837-1909) and Walter Pater (1839-1894) illuminates the contradictory impulses of modern secularism: on the one hand, a desire to cast itself as a form of neutrality or disinterestedness; on the other, a desire to affirm 'this world' as the place of human flourishing or even enchantment. The standard narrative of a 'crisis of faith' does not do justice to the fissured, uncertain quality of Victorian visions of secularisation. Precisely because it had the status of a confusing hypothesis rather than a self-evident reality, it provoked not only dread and melancholia, but also forms of fantasy. Within this context Lyons gives a fundamentally new account of the aims and nature of Victorian aestheticism, taking as a focus its deceptively simple claim that art is for art's sake first of all.
This is the first study to assess the entire career of Alexander Pope (1688–1744) in relation to the political issues of his time.
"The purpose of this book is to throw as much light upon Swinburne's literary works as possible. Biography enters the picture only where it is indispensable to a full understanding of the writings."--Preface
The book gives a complete account of Pope's life and work in his early twenties, and supplies a new political interpretation, including a careful analysis of possible Jacobite colourings."--Jacket.
Originally published in 1927, this book contains a selection of Swinburne's poetry for the general reader. The text was created with the aim of 'representing the variable and inconsistent quality of Swinburne's genius'. An editorial introduction is also included, together with explanatory notes. This book will be of value to anyone with an interest in Swinburne's poetry and nineteenth-century literature.