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Pop Hits Singles and Albums is four big books in one covering the wonderful era of big bands, classic crooners, classy female vocalists and smooth vocal groups. The first section is an artist-by-artist anthology of classic pop songs with complete chart data and now shows every record's B-side. Following is a year-by-year ranking of all the hits which includes each song's songwriter(s). For the first time ever are the Top 10 charts for every week from 1940-54. And finally, the complete story of the early pop albums chart is told artist-by-artist - showing all chart data and every track from every album!
This book is a complete reference of the top pop hits of Bilboard singles from 1940-54 (Old Pop)Compiled by J.Whitburn). Each entry includes a biography, debut date, peak position, weeks on chart, peak position on Billboard's hot 100, and record label/catalog number information.
With entries for almost 6000 popular songs that were featured on the Top 40 charts during the fifties, sixties, and early seventies, this reference volume will whisk you back to the early days of rock and roll. Every song is listed, title and variants are given, and there are two long indexes that allow the user to find every song written by a given composer or recorded by a given artist.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The first documented history of the music America listened to from the Gay Nineties to the Rockin' Fifties, taken from a variety of popular music charts. Artist Section lists each artist's charted recordings in chronological order, with each recording's highest charted position, date first charted, total weeks charted, original label and number, total weeks in the #1 or #2 position, and much more. Includes a wealth of facts and notes about many recordings and artists of pop's early years. Complete Title Section cross-references all titles alphabetically with significant chart data. 6 inch. x 9 inch..
Two books in one! The over 3,500 records that hit Billboard's pop singles charts are featured with complete chart data in an artist-by-artist listing and a year-by-year ranking by peak position. Also included are photos of the era's top 106 artists, prices of each record, yearly Time Capsules of events, yearly top new artists debuts, an A to Z song title section, a chronological listing of all #1 hits, and top artist and record achievements dating back to 1890.
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording
Perry Como put aside his career as a barber to become one of the top American crooners of the 20th century and also one of the first multimedia stars. His record sales exceeded 100 million. In 1948, Como was the first popular singer to cross over to television and The Perry Como Show became the benchmark for a broadcast music and variety show. Como's career illuminates developments in the music and television business in the middle of the last century. This biography features 73 photographs, a complete discography, a listing of all television appearances, and a year by year chronology of Perry Como's life from 1912 to 2001.
This book features by-decade rankings of music singles and albums, in six different genres, covering the first half of the 20th century. The decade of the 1890s is also included. The rankings pertain to U.S. music charts, wherein a typical week's chart would be based on sales, radio airplays, jukebox plays, and-or a combination of one or more of these. The genres include children's, classical, country, instrumental, popular, and rhythm & blues music. Short biographies on a selection of artists are located throughout the book. The artists index includes some vital statistics.
Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre and tracks how it has developed as a trope over the 20th and 21st centuries. From global hits An American in Paris, Gigi, Les Misérables, Moulin Rouge! and The Phantom of the Opera to the less widely-known Bless the Bride, Can-Can, Irma la Douce and Marguerite, the French capital is a central character in an astounding number of Broadway, Hollywood and West End musicals. This collection of 18 essays combines cultural studies, sociology, musicology, art and adaptation theory, and gender studies to examine the envisioning and dramatisation of Paris, and its depiction as a place of romance, hedonism and libertinism or as ‘the capital of the arts’. The interdisciplinary nature of this collection renders it as a fascinating resource for a wide range of courses; it will be especially valuable for students and scholars of Musical Theatre and those interested in Theatre and Film History more generally.