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Fourteen-year-old Storm Hall lives to sing. Forget parties. Forget boys. When Storm is told she's going to miss a national competition, to go on a once-in-a-lifetime holiday to Hawaii, her life is OVER. What could be worse than having to give up singing to visit an island paradise? What if her (former) best friend is taking her place? A family trip to Hawaii is just the beginning. Storm meets a Hawaiian band who need a singer last minute. When the song is on local radio the next day all of Storm's dreams are coming true until the band introduce their singer on air. It's NOT her.
Bring on the competition! Lee Hyeon-ju "Julee" settles into a happy routine as an honorary eighth member of BLAZE. Deeply in love with her new husband, this phase brings its own challenges but she meets them with exuberance and determination. When the newlyweds accept the invitation to be judges in CG Entertainment's Second Annual Idol Competition, will this decision give them another way to share their talents? Or will it bring unwanted drama and unexpected danger into K-Pop Girl's life? Bae Yujin, from Oldest Trainee, returns in this second book of the K-Pop Girl series. Her introduction as a contestant in the competition sets off a series of events that shakes CGE to its core.
Yé-Yé means Yeah Yeah! and is best known as a style of '60s pop music heard in France and Québec.
POPGIRL: How to draw women by KENTOO is an instructional art book that teaches people of all ages how to draw women. The Japanese version has been very popular in Japan and the U.S. since it is filled with great tips, inspirational art, and easy to follow step by step sketches. With KENTOO's super fun American pop style, learn everything you need to know such as the anatomy, coloring, shading, and much more in this one book! All ages can have fun learning with this and it is highly recommended as a present for any aspiring artist! This is an EXCLUSIVE English copy.
Focusing on female idols’ proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea’s development trajectories, scrutinizing how a formula of developments from the country’ rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault’s discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals’ subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation’s century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state’s export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. In this respect, Kim maintains how a post-feminist, neoliberal discourse of girl power has marketed young, female talents as effective commodities, and how K-pop female idols exert biopolitical power as an active ideological apparatus that pleasurably perpetuates and legitimates neoliberal mantras in individuals’ everyday lives. Thus, Kim reveals there is a strategic convergence between Korea’s lingering legacies of patriarchy, developmentalism, and neoliberalism. While the current K-pop literature is micro-scopic and celebratory, Kim advances the scholarship by multi-perspectival, critical approaches. With a well-balanced perspective by micro-scopic textual analyses of music videos and macro-scopic examinations of historical and political economy backgrounds, Kim’s book provides a wealth of intriguing research agendas on the phenomenon, and will be a useful reference in International/ Intercultural Communication, Political Economy of the Media, Cultural/ Media Studies, Gender/ Sexuality Studies, Asian Studies, and Korean Studies.
“A smart and savvy take on coming of age and coming to terms, with a little help from your friends.”—Huntley Fitzpatrick, author of My Life Next Door No one looking at Morgan Kemper would think she had a secret—at least not one that she’s deeply ashamed of. To everyone she meets, she comes across as sweet, pretty, and put together. But Morgan knows that looks can be deceiving. For over a year, she’s shoplifted countless pieces of clothing and makeup. Each time, she tells herself it will be the last, and each time, it never is. But when she’s caught and sentenced to thirty hours of community service, the image Morgan has carefully constructed starts to crumble. She’s determined to complete her punishment without her friends discovering the truth about her sticky fingers, but that’s easier said than done...especially once she meets Eli, the charming, handsome nephew of the owner of the charity shop where Morgan is volunteering. Soon Morgan is faced with an impossible decision: continue to conceal the truth or admit that she’s lied to everyone in her life, including the boy she’s falling for. Praise for The Girl You Thought I Was: “A charming and poignant ode to the seasons of friendship, family, and love, and what happens when we dare to reveal our most messy selves. Simply put, The Girl You Thought I Was stole my heart!" —Darcy Woods, award-winning author of Summer of Supernovas "The Girl You Thought I Was is an honest, compelling, nuanced look at fallibility, forgiveness, the unhealthy ways we cope, and the people who make us want to be better. If you're a fan of character-driven contemporary, don't miss this one." —Dahlia Adler, author of Behind the Scenes and Just Visiting
After an I-still-can't-believe-it brush with fame, teen singing sensation Storm Hall is determined to keep her star on the rise. She records a demo, and soon her all-time favourite label wants to sign her. And is mega-hottie rock god Jase Mahone flirting with her? A hotel suite in London, fancy cars, parties - Storm's finally living the dream! But life as a pop star means letting go of her old life, even the people she loves most. Is this really the dream she wants?
Case study of the life of a feminist organization in a changing political and funding climate.