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Come, come and hear of the strange and terrible tale of Miss Finch, an exacting woman befallen by mystery and abduction deep under the streets of London! New York Times bestselling author Neil Gaiman delivers another stunning hardcover graphic novel with longtime collaborator Michael Zulli (Creatures of the Night, The Sandman). This is the first comics adaptation of his popular story "The Facts in the Case of the Departure of Miss Finch," which saw print only in the U.K. edition of Gaiman’s award-winning work Smoke and Mirrors: Short Fictions and Illusions and was recently interpreted for his Speaking in Tongues CD. The Facts in the Case of the Departure of Miss Finch is a "mostly true story" that combines the author’s trademark magic realism with Zulli’s sumptuous paintings, and has been newly rewritten for this hardcover. Join a group of friends, with the stern Miss Finch in tow, as they enter musty caverns for a subterranean circus spectacle called "The Theatre of Night’s Dreaming." Come inside, get out of the pounding rain, and witness this strange world of vampires, ringmasters, illusions and the Cabinet of Wishes Fulfill’d.
What is "poor" about Miss Finch? Well, with a novel with names like "Mr Sebright" (he’s an eye specialist – "see bright", geddit?), it’s all about sight. You see, Lucilla Finch has been blind since infancy – until she meets the eccentric German doctor Herr Grosse who partially restores her sight. Far from treating her simply as a "poor" blind Victorian woman, this novel is conscious of the experience of blindness, particularly that of blindness and romance. Published a few years after his acclaimed mystery novel, "The Moonstone" (which starred Sarah Hadland in a recent BBC adaptation), Wilkie Collins now keeps up the mystery in "Poor Miss Finch". Having researched a real case of regained sight, Collins depicts great detail in Lucilla’s experience of colours whilst in the midst of a love triangle. Two brothers want Lucilla’s hand in marriage; their deception and plotting must be foiled before Lucilla unwittingly changes her life forever. London-born Wilke Collins (1824-1889) became known in Victorian England for his novels and plays, sometimes writing together with Charles Dickens. His most famous works, "The Woman in White" (1859) and "The Moonstone" (1868), are examples of the first modern detective novels.
Equal parts Sherlock Holmes and P.G. Wodehouse, Charles Finch's debut mystery A Beautiful Blue Death introduces a wonderfully appealing gentleman detective in Victorian London who investigates crime as a diversion from his life of leisure. Charles Lenox, Victorian gentleman and armchair explorer, likes nothing more than to relax in his private study with a cup of tea, a roaring fire and a good book. But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist the chance to unravel a mystery. Prudence Smith, one of Jane's former servants, is dead of an apparent suicide. But Lenox suspects something far more sinister: murder, by a rare and deadly poison. The grand house where the girl worked is full of suspects, and though Prue had dabbled with the hearts of more than a few men, Lenox is baffled by the motive for the girl's death. When another body turns up during the London season's most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence Smith? Or was it something else entirely? And can Lenox find the answer before the killer strikes again—this time, disturbingly close to home?
This suspenseful and romantic drama based on a real criminal case, takes place in Ireland, London, and Belgium.
In a world where mysterious underground dwellers rule the state of Ambergris and control its residents with addictive drugs, internment camps and random acts of terror, John Finch and his partner, Wyte, must solve a double murder for their oppressive masters, all while trying to make contact with the scattered rebel resistance.
Sensational Deviance: Disability in Nineteenth-Century Sensation Fiction investigates the representation of disability in fictional works by the leading Victorian sensation novelists Wilkie Collins and Mary Elizabeth Braddon, exploring how disability acts as a major element in the shaping of the sensation novel genre and how various sensation novels respond to traditional viewpoints of disability and to new developments in physiological and psychiatric knowledge. The depictions of disabled characters in sensation fiction frequently deviate strongly from typical depictions of disability in mainstream Victorian literature, undermining its stigmatized positioning as tragic deficit, severe limitation, or pathology. Close readings of nine individual novels situate their investigations of physical, sensory, and cognitive disabilities against the period’s disability discourses and interest in senses, perception, stimuli, the nervous system, and the hereditability of impairments. The importance of moral insanity and degeneration theory within sensation fiction connect the genre with criminal anthropology, suggesting the genre’s further significance in the light of the later emergence of eugenics, psychoanalysis, and genetics.