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"The Poor Little Rich Girl" by Eleanor Gates. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Liverpool, 1934. Hester Lowe agrees to act as governess to spoilt, self-willed, little Lonnie Hetherington-Smith when they leave India to live with Lonnie's elderly aunt in Shaw Street, Liverpool. Hester speedily realises that her new employer dislikes her niece and means to make life uncomfortable for both of them. Things improve a little when they meet the poor, but happy, Bailey family who live in a court off Heyworth Street. Hester likes Dick Bailey very much, but her employer does not permit 'followers', whilst Lonnie and young Ben Bailey are deadly enemies. Then, the regime in Shaw Street changes and Hester is forced to leave the comforts of a middle-class household to make her own way in what is, to her, a strange country... Poor Little Rich Girl is sure to please the huge and growing fanbase of one of the most popular saga authors in the country, with more than two million books sold nationwide.
"Sleeping rough not your thing anymore, little rich girl?" Alessandro Vallini once made the mistake of proposing to spoiled princess Rachel McCulloch. Her rejection scored his soul. But now the tables have turned: bad-boy-made-good Alessandro now holds Rachel's future in the palm of his hand! He needs a temporary housekeeper, and she needs money—it's a perfect opportunity to taunt her with what she turned down.… Riches-to-rags Rachel is very different from the glittering socialite Alessandro remembers. He's laid his trap—with himself as bait!—but who's catching whom in this web of desire?
What do Chanel, Sherlock Holmes, Salvador Dali, and the world’s richest heiress have in common? …they were all part of the Mdivani entourage. The creation of mass media in the 1920s paved the way for five siblings to become a global lifestyle celebrity. Though professional successes adorned them, scandal reigned supreme. As they married their way into the echelons of Hollywood, American and European high society, a moniker “The Marrying Mdivanis” was born. Always dramatic and often heart-breaking, this is a whirlwind epic spanning four continents, eleven weddings, seven divorces and five spectacular deaths with millions in play. The Mdivani Saga is an astonishing biographical account of one of the 20th century's most captivating families. The story follows five siblings born to a Georgian general and his socialite wife, once stirring intrigue at the Russian Imperial court. This riches-to-rags-and-back-again story follows the changing fortunes of the Mdivanis as they barely escaped a revolution with just a few dollars. Within a decade, the Mdivani had turned these dollars into millions when they became the epicentre of the international jet-set —until their dazzling world began to unravel.
Her grandfather, five-and-dime-store magnate Frank W. Woolworth, called her his "Princess." Few real princesses lived as lavishly as this cherubic, golden-haired child ...
Beginning in the late 1970s, a number of visual artists in downtown New York City returned to an exploration of the cinematic across mediums. Vera Dika considers their work within a greater cultural context and probes for a deeper understanding of the practice.
In a world drowning in formulaic stories, The Story of The Story emerges as a beacon for storytellers seeking a genuine connection with their audience. The book underscores the importance of theme-driven storytelling, positing that understanding the 'why' or the theme of a story is the key to mastering the art of intuitive and genuine narrative. Unlike conventional how-to manuals that merely scratch the surface, The Story of The Story delves deep into the ethos of storytelling. It emphasizes that just as reading a jumbo jet's manual doesn't qualify one to fly it, simply reading about storytelling mechanics won't produce The Story of The Story offers invaluable insights for writers and content creators in a rapidly evolving digital landscape. In emphasizing the art of AI-proof storytelling, the book assures that genuine, theme-driven narratives will always have a unique place, unaffected by the onslaught of technology. Every storyteller embarks on a journey and this book is the compass that directs one to the essence of powerful storytelling, ensuring the narrative remains timeless, genuine, and impactful.
Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.