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A rich and idle man confronts his dead mistress's husband in this psychological novel of duality. Powerful and accessible, it offers a captivating and revealing exploration of love, guilt, and hatred.
The Souls of Poor Folk is a collection of essays in the tradition of W.E.B. Du Bois's classic The Souls of Black Folk. The essays move between the scholarly, the narrative, and the testimonial just as they do in Du Bois's book. This text is meant to be a contribution to the critical dialogue around ways to alleviate poverty in our world. The contributors are diverse in their experience, origin, perspectives, and beliefs about the appropriate means to alleviate poverty and its many causes. This book is an essential companion to a multimedia initiative featuring a documentary and original music compilation available on compact disc that invites readers, listeners, and viewers to journey beyond the veil that hides the scars and blemishes of social problems, such as homelessness and poverty, especially in America. To learn more about the successful non-profit "Greater Love Project" initiative or to purchase other companion items including the CD, please visit: www.thesoulsofpoorfolk.org.
Presented as a series of letters between the humble copying clerk Devushkin and a distant relative of his, the young Varenka, Poor People brings to the fore the underclass of St Petersburg, who live at the margins of society in the most appalling conditions and abject poverty. As Devushkin tries to help Varenka improve her plight by selling anything he can, he is reduced to even more desperate circumstances and seeks refuge in alcohol, looking on helplessly as the object of his impossible love is taken away from him. Introducing the first in a long line of underground characters, Poor People, Dostoevsky’s first full-length work of fiction, is a poignant, tragi-comic tale which foreshadows the greatness of his later novels.
In "The House of the Dead, Dostoevsky give vent to his perceptions of prison life, writing from his grueling experience in a Siberian camp, and introduces a gallery of boastful and ridiculous convicts surrounding the narrator. The epistolary novel "Poor Folk was Dostoevsky''s first major literary success, and shows hte early sparks of his genius.
"Poor Folk" by Fyodor Dostoyevsky is written in the form of letters between the two main characters, Makar Devushkin and Varvara Dobroselova, who are poor third cousins twice removed. The novel showcases the life of poor people, their relationship with rich people, and poverty in general, all common themes of literary naturalism. A deep but odd friendship develops between them until Dobroselova loses her interest in literature, and later in communicating with Devushkin after a rich widower Mr. Bykov proposes to her.
This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.
When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense," it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky’s work, reading through the facts--the text--of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose. This sort of reading against the grain is, Apollonio suggests, precisely what these works, with their emphasis on the hidden and the private and their narrative reliance on secrecy and slander, demand. In each work Apollonio focuses on one character or theme caught in the compromising, self-serving, or distorting narrative lens. Who, she asks, really exploits whom in Poor Folk? Does "White Nights" ever escape the dream state? What is actually lost--and what is won--in The Gambler? Is Svidrigailov, of such ill repute in Crime and Punishment, in fact an exemplar of generosity and truth? Who, in Demons, is truly demonic? Here we see how Dostoevsky has crafted his novels to help us see these distorting filters and develop the critical skills to resist their anaesthetic effect. Apollonio's readings show how Dostoevsky's paradoxes counter and usurp our comfortable assumptions about the way the world is and offer access to a deeper, immanent essence. His works gain power when we read beyond the primitive logic of external appearances and recognize the deeper life of the text.
In "Poor, Sinning Folk," W. David Myers investigates the sixteenth-century fate of the medieval Christian sacrament of penance, the process of confessing to a priest in secret one's sins against God and other humans. In Pre-Reformation Germany, numerous layers of public ritual, expectation, and display surrounded the central secret act of confessing and conditioned its meaning. Less frequent and less private than the ritual familiar to modern Catholics, medieval penance was for most German-speaking Christians a seasonal event with social as well as spiritual ramifications for participants. Protestantism swept confession away from many German lands. Even where Catholicism survived and flourished, as in the lands comprising modern Bavaria, the sacrament of penance changed profoundly. The modern confessional booth was introduced, making the sacrament more prominent, more secure from scandal, and ultimately more private. This reform coincided with the efforts of secular rulers to fashion a more disciplined, obedient population. New religious orders, most notably the Society of Jesus in Bavaria, saw the frequent confession of lay people as a means to piety and spiritual discipline amidst the temptations of worldly affairs. By the middle of the seventeenth century, political and religious forces combined to forge the sacrament of penance into an effective instrument of spiritual discipline which would fashion the modern Catholic conscience and endure essentially unchanged into the late twentieth century.
Russian novelist, Fyodor Dostevsky, was a fiction writer best known for his novel Crime and Punishment. His work explores political and social 19th century Russia. He was interested in spirituality and psychology. His work sparked the existentialist movement in the early 20 th century. This 1846 first novel of Dostovesky's was written in the form of correspondences between two cousins. As the reader delves deeper into the letters more is revealed about their lives.
This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. Thomas Gaiton Marullo lets the original writers speak for themselves—the good and the bad, the truth and the lies—and adds extensive notes with correctives, counterarguments, and other pertinent information. Marullo looks closely at Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, and other figures of the Russian literary world. He then turns to the individuals who afforded Dostoevsky security and peace amid the often negative reception from fellow writers and readers of his early fiction. Finally, Marullo shows us Dostoevsky's break with the Belinsky circle; his struggle to stay afloat emotionally and financially; and his determination to succeed as a writer while staying true to his vision, most notably, his insights into human psychology that would become a hallmark of his later fiction. This clear and comprehensive portrait of one of the world's greatest writers provides a window into his younger years in a way no other biography has to date.