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Discover how to create dynamic, dramatic performances and believable character interactions with this invaluable resource.
Poetry. Asian & Asian American Studies. Women's Studies. "Khaty Xiong writes a penumbra poetry. In POOR ANIMA, lyric and narrative intertwine to form a site where 'blacknesses trade spaces with each other, extensions/of shadow and smoke.' Xiong's poetry is also a sacrificial poetry, both in the sense that it knows and performs ritual, and in the sense that it gives itself up, completely, to currents that it perceives but can't tame. Don't be tricked into thinking that Xiong's limpid language is the result of uncomplicated thinking. These poems are deeply strange, deeply courageous, deeply beautiful. They 'grow back the mysteriousness passed on/through the exodus we sprang from.'" Elizabeth Robinson"
The animator of Popeye and Donald Duck discusses all aspects of film animation and includes over 130 illustrations.
In recent years, artificial intelligence (AI) has moved in popular discourse from the purview of science-fiction imaginings to the key financial sector of the twenty-first century. As world powers, trillion-dollar companies, and public intellectuals emphasize the importance of AI, the general concerns people raise relate to economic movement, control, bias, and safety.?? This book adds a further concern, namely the way our approach to AI reinforces assumptions about dignity and personhood tied to the sort of thinking that is characteristic of bourgeois capitalists. The experience of poverty reveals that people who are poor do not think the same way as the upper classes--their experience of the world must be understood through the reality of survival within resource-scarce settings and the attendant domination and discrimination that come with being poor. These experiences do not fit well with the "ideal choice" selection model that underlies AI modeling, and numerous failures of AI to help the poor demonstrate that those who benefit primarily from AI are those who already live well.?? As a result, the fervor surrounding AI often serves to dehumanize the poor by eliminating employment opportunities, automating social work, reinforcing biases, and prioritizing profit over stability. Worst of all, however, AI functions to satisfy a psychological need for us to have "others" against whom we can distinguish ourselves without having to feel guilty about the reality of the struggle of the poor. Taking seriously the theological perspective of the "preferential option for the poor," this work contends that to avoid relegating poor people to nonhuman status, we must be willing to put aside the fantasy that AI is "intelligent" and focus rather on the all-too-human embodied reality of the poor.
Sketches Piers Plowman's reformist agenda for the Franciscan friars
“Awakening” is Part 1 of the saga of Kelem Rogeston, a young Martian psychic genius who is the first member of the 6th Root Race, the next step in the evolution of mankind. Kelem learns to harness his amazing abilities and invents the n’time generator, a device that will carry mankind to the stars. Kelem struggles against The Phalanx, an evil organization from Earth that wants to steal the technology and conquer Mars. He designs an n’time ship and travels to Plantanimus, an alien planet where the Dreamers, a sentient form of plant life help him expand his abilities and teach him the true nature of consciousness.
‘We knew we had to solve the mystery somehow!’ The world of Kalu, Malu, Bulu and Tulu is always buzzing with mysteries, big and small. And that works just fine, because the four young ‘detectives’ are raring to solve them. Wherever the four clever friends happen to be—at their school hostel, next door at the Zamindar Mansion, or away on holiday in Mandu or Cherrapunji—they have a way of smelling out a mystery and keeping their nerve in the face of daunting dangers and terrifying threats to find what lies at the bottom of it. Join the Lu Quartet on their adventures in caves and ravines, secret chambers and dark mango groves, and see if you can unravel the twists and turns of the whodunits just as they do. These thirteen classic stories by Nalini Das originally appeared in the reputed Bengali magazine Sandesh and have been translated for the first time into English by leading children’s writer Swapna Dutta. PLUS! Book Mine Gems: 32 extra-special pages: Know more about the author, her work and her times. Plus things to think about and to do.
Animation has been part of television since the start of the medium but it has rarely received unbiased recognition from media scholars. More often, it has been ridiculed for supposedly poor technical quality, accused of trafficking in violence aimed at children, and neglected for indulging in vulgar behavior. These accusations are often made categorically, out of prejudice or ignorance, with little attempt to understand the importance of each program on its own terms. This book takes a serious look at the whole genre of television animation, from the early themes and practices through the evolution of the art to the present day. Examining the productions of individual studios and producers, the author establishes a means of understanding their work in new ways, at the same time discussing the ways in which the genre has often been unfairly marginalized by critics, and how, especially in recent years, producers have both challenged and embraced this "marginality" as a vital part of their work. By taking seriously something often thought to be frivolous, the book provides a framework for understanding the persistent presence of television animation in the American media--and how surprisingly influential it has been.