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A NEW YORK TIMES NOTABLE BOOK • “Sublime . . . The definitive study of Pilate.”—The Washington Post Book World “A masterwork . . . one of the most interesting and creative books I’ve read in a very long time.”—Ryan Holiday, #1 New York Times bestselling author of The Obstacle Is the Way “Compelling, eloquent and vivid . . . In a superb blend of scholarship and creativity, Wroe brings this elusive yet pivotal figure to life.”—The Boston Globe One of Esquire’s Best Biographies of All Time • Finalist for the Samuel Johnson Prize The foil to Jesus, the defiant antihero of the Easter story, mocking, skeptical Pilate is a historical figure who haunts our imagination. For some he is a saint, for others the embodiment of human weakness, an archetypal politician willing to sacrifice one man for the sake of stability. In this dazzlingly conceived biography, Ann Wroe brings man and myth to life. Working from classical sources, she reconstructs his origins and upbringing, his career in the military and life in Rome, his confrontation with Christ, and his long journey home. We catch glimpses of him pacing the marble floors in Caesarea, sharpening his stylus, getting dressed shortly before sunrise on the day that would seal his place in history. What were the pressures on Pilate that day? What did he really think of Jesus? Pontius Pilate lets us see Christ's trial for the first time, in all its confusion, from the point of view of his executioner.
The gospels and ancient historians agree: Jesus was sentenced to death by Pontius Pilate, the Roman imperial prefect in Jerusalem. To this day, Christians of all churches confess that Jesus died 'under Pontius Pilate'. But what exactly does that mean? Within decades of Jesus' death, Christians began suggesting that it was the Judaean authorities who had crucified Jesus--a notion later echoed in the Qur'an. In the third century, one philosopher raised the notion that, although Pilate had condemned Jesus, he'd done so justly; this idea survives in one of the main strands of modern New Testament criticism. So what is the truth of the matter? And what is the history of that truth? David Lloyd Dusenbury reveals Pilate's 'innocence' as not only a neglected theological question, but a recurring theme in the history of European political thought. He argues that Jesus' interrogation by Pilate, and Augustine of Hippo's North African sermon on that trial, led to the concept of secularity and the logic of tolerance emerging in early modern Europe. Without the Roman trial of Jesus, and the arguments over Pilate's innocence, the history of empire--from the first century to the twenty-first--would have been radically different.
Roger Caillois, 1913-1978, philosopher, writer, and Académie française laureate, was the author of numerous works of anthropology, sociology, psychoanalysis, art, and literary criticism, and the cofounder, with Georges Bataille, of France's College of Sociology for the Study of the Sacred. Ivan Strenski is Professor and Holstein Endowed Chairholder in the Department of Religious Studies at the University of California, Riverside, and the author or editor of several works, including Contesting Sacrifice and Thinking about Religion.
A world-renowned classicist presents a groundbreaking biography of the man who sent Jesus of Nazareth to the Cross. The Roman prefect Pontius Pilate has been cloaked in rumor and myth since the first century, but what do we actually know of the man who condemned Jesus of Nazareth to the Cross? In this breakthrough, revisionist biography of one of the Bible’s most controversial figures, Italian classicist Aldo Schiavone explains what might have happened in that brief meeting between the governor and Jesus, and why the Gospels—and history itself—have made Pilate a figure of immense ambiguity. Pontius Pilate lived during a turning point in both religious and Roman history. Though little is known of the his life before the Passion, two first-century intellectuals—Flavius Josephus and Philo of Alexandria—chronicled significant moments in Pilate’s rule in Judaea, which shaped the principal elements that have come to define him. By carefully dissecting the complex politics of the Roman governor’s Jewish critics, Schiavone suggests concerns and sensitivities among the people that may have informed their widely influential claims, especially as the beginnings of Christianity neared. Against this historical backdrop, Schiavone offers a dramatic reexamination of Pilate and Jesus’s moment of contact, indicating what was likely said between them and identifying lines of dialogue in the Gospels that are arguably fictive. Teasing out subtle but significant contradictions in details, Schiavone shows how certain gestures and utterances have had inestimable consequences over the years. What emerges is a humanizing portrait of Pilate that reveals how he reacted in the face of an almost impossible dilemma: on one hand wishing to spare Jesus’s life and on the other hoping to satisfy the Jewish priests who demanded his execution. Simultaneously exploring Jesus’s own thought process, the author reaches a stunning conclusion—one that has never previously been argued—about Pilate’s intuitions regarding Jesus. While we know almost nothing about what came before or after, for a few hours on the eve of the Passover Pilate deliberated over a fate that would spark an entirely new religion and lift up a weary prisoner forever as the Son of God. Groundbreaking in its analysis and evocative in its narrative exposition, Pontius Pilate is an absorbing portrait of a man who has been relegated to the borders of history and legend for over two thousand years.
This study reconstructs the historical Pontius Pilate and looks at the way in which he is used as a literary character in the works of six first century authors: Philo, Josephus and the four evangelists. The first chapter provides an introduction to the history and formation of the imperial Roman province of Judaea. The following two chapters examine the references to Pilate in Philo and Josephus, looking at each author's biases before going on to assess the historicity of their accounts. The next four chapters look at the portrayal of Pilate in each gospel, asking how a first century reader would have interpreted his actions. Each chapter asks what this portrayal shows about the author's attitude towards the Roman state, and what kind of community found this useful. The conclusion distinguishes between the 'historical Pilate' and the different 'Pilate of interpretation' preserved in our first century literary sources.
In this fictional account of Pilate's story of the trial, conviction, and death of Jesus, the author suggests that public officials are disposed to look for an easy way out of moral problems.
Claudia's life did not start easily. The illegitimate daughter of Julia, reviled and exiled daughter of Caesar Augustus, Claudia spends her childhood in a guarded villa with her mother and grandmother. When Tiberius, who hates Julia, takes the throne, Claudia is wrenched away from her mother to be brought up in the palace in Rome. The young woman is adrift--until she meets Lucius Pontius Pilate and becomes his wife. When Pilate is appointed Prefect of the troublesome territory of Judea, Claudia does what she has always done: she makes the best of it. But unrest is brewing on the outskirts of the Roman Empire, and Claudia will soon find herself and her beloved husband embroiled in controversy and rebellion. Might she find peace and rest in the teaching of the mysterious Jewish Rabbi everyone seems to be talking about? Readers will be whisked through marbled palaces, dusty marketplaces, and idyllic Italian villas as they follow the unlikely path of a woman who warrants only a passing mention in one of the Gospel accounts. Diana Wallis Taylor combines her impeccable research with her flair for drama and romance to craft a tale worthy of legend.
The acclaimed philosopher’s penetrating analysis of Pontius Pilate offers provocative and original insight into Western conceptions of judgment and guilt. Pontius Pilate is one of the most enigmatic figures in Christian theology. The only non-Christian to be named in the Nicene Creed, he is presented as a cruel colonial overseer in secular accounts, as a conflicted judge convinced of Jesus’s innocence in the Gospels, and as either a pious Christian or a virtual demon in later Christian writings. Starting with Pilate’s role in the trial of Jesus, Giorgio Agamben investigates the function of legal judgment in Western society and the ways that such judgment requires us to adjudicate the competing claims of the eternal and the historical. Coming just as Agamben is bringing his decades-long Homo Sacer project to an end, Pilate and Jesus sheds considerable light on what is at stake in that series as a whole. At the same time, it stands on its own, perhaps more than any of the author’s recent works. It thus serves as a perfect starting place for readers who are curious about Agamben’s ideas and approach to philosophy.