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This magnificent treasury features a wealth of original designs carefully adapted from authentic folk art of New Zealand, the Solomon Islands, New Guinea, Hawaii, Australia, and other locales comprising the Pacific island regions known as Polynesia and Oceania. Rendered with great detail and accuracy, the collection contains over 200 images drawn from the area's ancient tradition of decorative art: geometric patterns from tapa, the much-admired bark cloth; highly ornamented masks, canoe prows, and shields of Papua New Guinea; wood carvings from the Marquesas Islands; images of the mysterious giant statuary of Easter Island; Australian rock paintings; and much more. Additional sources include wall tapestries, pictorial ornaments, sand paintings, pottery, wooden musical instruments, temple art, and numerous other artifacts.
Evocative and symbolic designs based on the ancient tradition of Polynesian tattoo art. The beauty of Polynesian art is perhaps most evident in the tradition of Polynesian tattooing, which has existed for more than two thousand years and is infused with rich symbolism and spiritual meaning. Roberto Gemori designs tattoos reflecting this tradition, drawing from each person’s own history of personal struggles, adversities, and triumphs. In his approach to tattoo art, Gemori takes the meaningful moments of a person’s life story and weaves them into a creative design, such that the tattoo itself becomes a form of personal empowerment, representing qualities a person is working to cultivate in their life and challenges they have overcome. The author presents here modern tattoo designs inspired by Polynesian art to color and contemplate for inspiration and transformation. In addition to a short introduction on Polynesian art and symbolism, the book features 42 designs for coloring, each accompanied by a description of the image’s unique meaning. Color these stunning designs and discover the depth of Polynesian art!
The book "Polynesian Tattoo Designs - Ocean Legacy" is a collection of 92 ocean themed Polynesian style tattoos with brief description of the meanings for each design along with their outlines, intended mainly for tattoo artists.
From their earliest encounters with Indigenous Pacific Islanders, white Europeans and Americans asserted an identification with the racial origins of Polynesians, declaring them to be racially almost white and speculating that they were of Mediterranean or Aryan descent. In Possessing Polynesians Maile Arvin analyzes this racializing history within the context of settler colonialism across Polynesia, especially in Hawai‘i. Arvin argues that a logic of possession through whiteness animates settler colonialism, by which both Polynesia (the place) and Polynesians (the people) become exotic, feminized belongings of whiteness. Seeing whiteness as indigenous to Polynesia provided white settlers with the justification needed to claim Polynesian lands and resources. Understood as possessions, Polynesians were and continue to be denied the privileges of whiteness. Yet Polynesians have long contested these classifications, claims, and cultural representations, and Arvin shows how their resistance to and refusal of white settler logic have regenerated Indigenous forms of recognition.
"Lavishly illustrated analysis and guide discusses the significance of art for the people of the Pacific Islands. Examines the art forms and practices of particular regions, for example, Maori ancestral carvings, and rituals of exchange and warfare in the Solomon Islands. Discusses topics such as maternal symbolism and male cults, and also provides a chapter on narrative art and tourism. Includes a bibliography, references and an index." - product description.
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
Offers a fresh understanding of the global connectivity of struggles against colonial rule.
"The Oxford Handbook of Prehistoric Oceania presents the archaeology, linguistics, environment and human biology of Melanesia, Micronesia, and Polynesia. First colonized 50,000 years ago, Oceania witnessed the independent invention of agriculture, the construction of Easter Island's statues, and the development of the word's last archaic states."--Provided by publisher.