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This is a fictionalised account of the sad events leading up to the demise of Captain James Cook. This book covers Cook's last voyage of discovery to the Pacific and his death at the hands of the Hawaiians.
'. . . history is my passion. Writing it, teaching it, reading it fills the days and years of my life. In all passions, there is pain and pleasure.' Greg Dening In this collection of writings-some new, some previously published-Greg Dening reflects on his experiences both as a historian and a participant in history. Performances brings together the personal and the scholarly, demonstrating how our lives are saturated with history, how we can only understand our present through our consciousness of the past and how in thinking about the past we mirror the time and place of our own living. Each of these essays can be enjoyed on its own, yet throughout them all run the common themes of the intricate relationships between past and present, the personal and the political, historical research and the imagination. Dening writes with elegance and candour, inviting readers to reflect upon their own participation in the 'performance' of history.
A text which provides an introduction to academic writing. Offers a semester-length course that builds and refines university and college students abilities in writing and research skills. Comprises explanations of concepts and genres and contains a range of exercises and essay topics to develop and explore these ideas. Contains examples of model texts for class discussion and analysis as well as a chapter on accessing computer-based catalogues and indexes for research. Includes an index. The authors are lecturers in the fields of cultural studies, communication and English at the University of Qld. Also available in hardback.
To the Westerner what culture seems more mysterious or exotic than Tahiti or Fiji? Yet, most of us know little about the arts and cultures of these islands. Mingling a deep appreciation for the beauty and variety of arts--sculpture, paintings, textiles, dance, jewelry, and architecture--found in these faraway islands with detailed knowledge of their traditions and meaning, Anne D'Alleva opens to us a beautiful world vibrantly alive.
Captain Bligh and the mutiny on the Bounty have become proverbial in their capacity to evoke the extravagant and violent abuse of power. But William Bligh was one of the least violent disciplinarians in the British navy. It is this paradox which inspired Greg Dening to ask why the mutiny took place. His book explores the theatrical nature of what was enacted in the power-play on deck, on the beaches at Tahiti and in the murderous settlement at Pitcairn, on the altar stones and temples of sacrifice, and on the catheads from which men were hanged. Part of the key lies in the curious puzzle of Mr Bligh's bad language.
Development in Polynesian Ethnology assesses the current state of anthropological research in Polynesia by examining the debates and issues that shape the discipline today. What have anthropologists achieved? What concerns now dominate discussion? Where is Polynesian anthropology headed? In a series of provocative and original essays, leading scholars examine prehistory, social organization, socialization and character development, mana and tapu, chieftainship, art and aesthetics, and early contact. Together these essays show how history, anthropology, and archaeology have combined to give a broad understanding of Polynesian societies developing over time--how they represent a blend of modernity and tradition, continuity and change. This book is both an introduction to Polynesia for interested students and a thought-provoking synthesis for scholars charting new directions and posing possibilities for future research. Scholars outside Polynesian studies will find the perspectives it offers important and its comprehensive bibliography an invaluable resource.
It is the duty of historians to be, wherever they can, accurate, precise, humane, imaginative - using moral imagination above all - and even-handed. The first of three volumes of the landmark, award-winning series The Europeans in Australia gives an account of early settlement by Britain. It tells of the political and intellectual origins of this extraordinary undertaking that began during the 1780s, a decade of extraordinary creativity and the climax of the European Enlightenment. Volume One, The Beginning, examines the forces that led to the penal colony at Port Jackson and the first twenty-five years of white settlement. Atkinson examines, as few historians have done before, the political and intellectual origins of this extraordinary undertaking. It began during the 1780s, a decade of extraordinary creativity and the climax of the European Enlightenment. The purpose of settlement might seem uninspiring, but the fact that this was to be a community of convicts and ex-convicts raised profound questions about the common rights of the subject, the responsibility of power, and the possibility of imaginative attachment to a land of exile. Atkinson explores the imagery and technique of European power as it made its first impact on Australia. He argues that the Europeans were not simply conquerors motivated by brutal or short-term colonising imperatives. The Europeans' culture was ancient and infinitely complex, thickly woven with ideas about spirituality, authority, self, and land, all of which influenced the development of Australia. The possession of land and conflict with Aboriginal peoples were at issue, but so were the ancient habits of Europeans themselves. The culmination of an extraordinary career in the writing and teaching of Australian history, The Europeans in Australia grapples with the Australian historical experience as a whole from the point of view of the settlers from Europe. Ambitious and unique, it is the first such large, single-author account since Manning Clark's A History of Australia.