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The remarkable popularity of political likenesses in the Victorian period is the central theme of this book, which explores how politicians and publishers exploited new visual technology to appeal to a broad public. The first study of the role of commercial imagery in nineteenth-century politics, Politics personified shows how visual images projected a favourable public image of politics and politicians. Drawing on a vast and diverse range of sources, this book highlights how and why politics was visualised. Beginning with an examination of the visual culture of reform, the book goes on to study how Liberals, Conservatives and Radicals used portraiture to connect with supporters, the role of group portraiture, and representations of Victorian MPs. The final part of the book examines how major politicians, including Palmerston, Gladstone and Disraeli, interacted with mass commercial imagery. The book will appeal to a broad range of scholars and students across political, social and cultural history, art history and visual studies, cultural and media studies and literature.
Staging Authority: Presentation and Power in Nineteenth-Century Europe is a comprehensive handbook on how the presentation, embodiment, and performance of authority changed in the long nineteenth century. It focuses on the diversification of authority: what new forms and expressions of authority arose in that critical century, how traditional authority figures responded and adapted to those changes, and how the public increasingly participated in constructing and validating authority. It pays particular attention to how spaces were transformed to offer new possibilities for the presentation of authority, and how the mediatization of presence affected traditional authority. The handbook’s fourteen chapters draw on innovative methodologies in cultural history and the aligned fields of the history of emotions, urban geography, persona studies, gender studies, media studies, and sound studies.
Against the Personification of Democracy offers a new theory of political subjectivity that puts the dilemma of desire into the forefront. By using Lacan to read key figures in political philosophy, the book demonstrates why democratic theory -- representative or radical - is not only ineffective when it comes to the best form of political cohabitation, but also productive of destructive and self-defeating forces. The book begins with the debate between Hobbesian and Lockeian notions of subjectivity to argue that the nature of political subjectivity is a function of the problem of desire. It then considers the question of the proper structure of political cohabitation in light of Hannah Arendt's insights into what happened to the stateless in World War II, leading to a distinction between the person in a bare and unadorned form and the public persona that is represented in most forms of democracy. Lacan is used to reread the question of political subjectivity, but, unlike radical democratic theory, the book argues against agonistic, representative, and thus endless democracy. Such a political formation is seen as an instigation and ultimate disappointment to desire (the persona), which leads to general negative outcomes, including genocide, concentration camps, and the removal of rights. Arguing against Zizek's proposal that a radical Act can save us politically, the book proposes a universal political formation as the only way out of the dilemma of political desire. This formation is not dependent on public personas, but rooted in actual persons meeting in their locality and sovereign to no one. An indispensable text for anyone interested in political theory, political philosophy, and democratic theory, Against the Personification of Democracy critiques positive theories of sovereignty through its analysis of political subjectivity and the problem of desire. More importantly, it provides a truly universal theory of democratic cohabitation that escapes political desire and thus the scapegoats of democratic failure, not to mention the anxiety of the impossibility of the democratic promise.
Modern Money and the Rise and Fall of Capitalist Finance examines the true nature of modern money and seeks ideas for an alternative economic system for a just society. This book suggests that adopting the ideas and institutions of a trust allowed personae to be combined with creditor-debtor relations and, by doing so, led to the evolution of modern money. This also helps explain why modern banking arose in England rather than continental Europe, by conceptualizing modern money as a trust and investigating the inseparable relationship between personae and modern money, because it is more than creditor-debtor relations - it takes the form of a trust. In explaining how the capitalist credit-money economy differs from previous economies, this book is a significant contribution to the literature on modern money, heterodox economics and the philosophy of economics and finance.
It’s hard to defeat evil on a budget. Just ask Simon Canderous. FROM THE AUTHOR OF DEAD TO ME. View our feature on Anton Strout’s Deader Still. It’s been 737 days since the Department of Extraordinary Affairs’ last vampire incursion, but that streak appears to have ended when a boat full of dead lawyers is found in the Hudson River. Using the power of psychometry—the ability to divine the history of an object by touching it—agent Simon Canderous discovers that the booze cruise was crashed by something that sucked all the blood out of the litigators. Now, his workday may never end—until his life does.
America was born in an age of political revolution throughout the Atlantic world, a period when the very definition of 'nation' was transforming. Benjamin E. Park traces how Americans imagined novel forms of nationality during the country's first five decades within the context of European discussions taking place at the same time. Focusing on three case studies - Massachusetts, Pennsylvania, and South Carolina - Park examines the developing practices of nationalism in three specific contexts. He argues for a more elastic connection between nationalism and the nation-state by demonstrating that ideas concerning political and cultural allegiance to a federal body developed in different ways and at different rates throughout the nation. American Nationalisms explores how ideas of nationality permeated political disputes, religious revivals, patriotic festivals, slavery debates, and even literature.
Dana Dunnan analyzes the first political phenomenon of the Internet age. His grassroots experience in New Hampshire, combined with interviews of political scientists, journalists, and key Dean campaign players, Dean, and his Internet Merlin Joe Trippi, prove that things can be murky below the surface of politics. www.burningatthegrassroots.com
Through his influential writings integrating the heritage of classical political theory with the perspective of modern comparative politics, Mario Einaudi has demonstrated how the twentieth-century political scientist can advance the eighteenth-century philosopher's pursuit of institutions that ensure freedom and civic virtue. Editors Katzenstein, Lowi, and Tarrow have brought together essays illuminating the creative tension in Einaudi's work between the theorist's belief in constitutions as the site for democracy and the realist's understanding of the frailty and contrariness of ordinary people. Eight distinguished scholars here explore the themes that constitute the core of Einaudi's contribution—the interdependence between Europe and America, the role of the comparative method, and the centrality of eighteenth-century theory. Taking individual writings by Einaudi as their starting point, the chapters address a rich diversity of topics.