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The assumption that museum exhibitions, particularly those concerned with science and technology, are somehow neutral and impartial is today being challenged both in the public arena and in the academy. The Politics of Display brings together studies of contemporary and historical exhibitions and contends that exhibitions are never, and never have been, above politics. Rather, technologies of display and ideas about 'science' and 'objectivity' are mobilized to tell stories of progress, citizenship, racial and national difference. The display of the Enola Gay, the aircraft which dropped the atomic bomb on Hiroshima is a well-known case in point. The Politics of Display charts the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive, multimedia and reflexive modes of display. The Politics of Display brings together an array of international scholars in the disciplines of sociology, anthropology and history. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine, and locations include the United States of America, Australia, the United Kingdom, France, the Netherlands and Spain. This book is an excellent contribution to debates about the politics of public culture. It will be of interest to students of sociology, anthropology, cultural studies, museum studies and science studies.
Debating the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors—museum directors, curators, and scholars in art history, folklore, history, and anthropology—represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.
2002 — A Choice Outstanding Academic Book The struggle to forge a collective national identity at the expense of competing plural identities has preoccupied Israeli society since the founding of the state of Israel. In this book, Yosefa Loshitzky explores how major Israeli films of the 1980s and 1990s have contributed significantly to the process of identity formation by reflecting, projecting, and constructing debates around Israeli national identity. Loshitzky focuses on three major foundational sites of the struggle over Israeli identity: the Holocaust, the question of the Orient, and the so-called (in an ironic historical twist of the "Jewish question") Palestinian question. The films she discusses raise fundamental questions about the identity of Jewish Holocaust survivors and their children (the "second generation"), Jewish immigrants from Muslim countries or Mizrahim (particularly the second generation of Israeli Mizrahim), and Palestinians. Recognizing that victimhood marks all the identities represented in the films under discussion, Loshitzky does not treat each identity group as a separate and coherent entity, but rather attempts to see the conflation, interplay, and conflict among them.
A textbook your students will want to read. "If you would like students to understand hard political concepts, this work makes it accessible for them. By using pop culture, we can open ideological ideas and students are not bound by their own preconceived ideas." —Leah Murray, Weber State University A Novel Approach to Politics turns the conventional textbook wisdom on its head by using pop culture references to illustrate key concepts and cover recent political events. Adopters of previous editions are thanking author Douglas A. Van Belle for some of their best student evaluations to date. With this Seventh Edition, Van Belle brings the book fully up-to-date with recent events, current policy debates, international happenings, and other assorted political matters. Understanding politics requires a willingness to engage with ideas, arguments, and information that makes you uncomfortable, Van Belle takes the most tumultuous political periods in recent history head-on. Somehow, he weaves in recent movies and books into the text as he works in a solid foundation in institutions, ideology, and economics controversies into all that sizzle, which is certain to captivate students. Included with this title: LMS Cartridge: Import this title′s instructor resources into your school’s learning management system (LMS) and save time. Don′t use an LMS? You can still access all of the same online resources for this title via the password-protected Instructor Resource Site. Select the Resources tab on this page to learn more.
Curating Revolution examines how Mao-era exhibitions shaped popular understandings of, and participation in, the political campaigns of China's Communist revolution.
From its creation in 1950, to the fall of the Berlin Wall in 1989, the German Democratic Republic’s Ministry for State Security closely monitored its nation’s citizens. Known as the Staatssicherheit or Stasi, this organization was regarded as one of the most repressive intelligence agencies in the world. Florian Henckel von Donnersmarck’s 2006 film The Lives of Others (Das Leben der Anderen) has received international acclaim—including an Academy Award, an Independent Spirit Award, and multiple German Film Awards—for its moving portrayal of East German life under the pervasive surveillance of the Stasi. In Totalitarianism on Screen, political theorists Carl Eric Scott and F. Flagg Taylor IV assemble top scholars to analyze the film from philosophical and political perspectives. Their essays confront the nature and legacy of East Germany’s totalitarian government and outline the reasons why such regimes endure. Other than magazine and newspaper reviews, little has been written about The Lives of Others. This volume brings German scholarship on the topic to an English-speaking audience for the first time and explores the issue of government surveillance at a time when the subject is often front-page news. Featuring contributions from German president Joachim Gauck, prominent singer-songwriter Wolf Biermann, journalists Paul Hockenos and Lauren Weiner, and noted scholars Paul Cantor and James Pontuso, Totalitarianism on Screen contributes to the growing scholarship on totalitarianism and will interest historians, political theorists, philosophers, and fans of the film.
Presenting the first interdisciplinary consideration of his political thought, Updike and Politics: New Considerations establishes a new scholarly foundation for assessing one of the most recognized and significant American writers of the post-1945 period. This book brings together a diverse group of American and international scholars, including contributors from Japan, India, Israel, and Europe. Like Updike himself, the collection canvases a wide range of topics, including Updike’s too often overlooked poetry and his single play. Its essays deal with not only political themes such as the traditional aspects of power, rights, equality, justice, or violence but also the more divisive elements in Updike’s work like race, gender, imperialism, hegemony, and technology. Ultimately, the book reveals how Updike’s immense body of work illuminates the central political questions and problems that troubled American culture during the second half of the twentieth century as well as the opening decade of the new millennium.
A children’s book for adults who occasionally behave like kids.
During the past decade, Democrats and Republicans each have received about fifty percent of the votes and controlled about half of the government, but this has not resulted in policy deadlock. Despite highly partisan political posturing, the policy regime has been largely moderate. Incremental, yet substantial, policy innovations such as welfare reform; deficit reduction; the North American Free Trade Agreement; and the deregulation of telecommunications, banking, and agriculture have been accompanied by such continuities as Social Security and Medicare, the maintenance of earlier immigration reforms, and the persistence of many rights-based policies, including federal affirmative action. In Seeking the Center, twenty-one contributors analyze policy outcomes in light of the frequent alternation in power among evenly divided parties. They show how the triumph of policy moderation and the defeat of more ambitious efforts, such as health care reform, can be explained by mutually supporting economic, intellectual, and political forces. Demonstrating that the determinants of public policy become clear by probing specific issues, rather than in abstract theorizing, they restore the politics of policymaking to the forefront of the political science agenda. A successor to Martin A. Levin and Marc K. Landy’s influential The New Politics of Public Policy (Johns Hopkins University Press, 1995), this book will be vital reading for advanced undergraduate and graduate students in political science and public policy, as well as a resource for scholars in both fields.