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This work recounts the recent evolution of the Venezuelan economy and details the consequences of new policies designed to tackle the nation's deepest economic crisis. It also explains the failed military coup in February 1992 that threatened Venezuela and analyzes why it occurred.
There are moments in this life that change everything--some in our control, some not, but all shape the core of who we are; who we become. Every action, every event, has its own reaction that rearranges the stars, putting the sisters of Fate and Choice in constant question. This collection embraces those changes, opens them up, rolls them into the delicious magic of this unpredictable, glorious world. A long observer of the natural world, karla k. morton does not believe in coincidences, but believes every word and step and observation has meaning and guides us. Just as the creation of the Minotaur was the gods' doing, there is beauty in the monster; there is reason and magic in its very existence. How lucky we are to be able to grow old enough to witness such revelations. Morton's poetry guides us through the landmarks--the highs, the lows, creating an exquisite world within an ever-changing landscape of chaos. from "Pentimento" I have a few regrets, but not one of them is loving you.
Near-naked, flagrantly male, the Minotaur loomed out of the dark places of Greek mythology. Roaring, bull-headed, the creature advanced. The razor-sharp Cretan axe swung murderously, slicing through the air, through flesh, through bone. One by one its enemies died. Out of the past too came the plague – long-dormant seeds awakening to destroy. The victims would be legion, their deaths horrible. Yet behind the killing lay a plan, a purpose. A malign twentieth-century intelligence was calling up this hideous visitation.
"A seminal text in the womenís movement." –Ethel S. Person, author of The Sexual Century "Still the most important work of feminist psychoanalytic exploration, its re-release is a celebratory occasion." –Eli Sagan, author of Freud, Women and Mortality "[The Mermaid and the Minotaur] continues to astonish us with the depth and wisdom of its psychoanalytic approach even as its major ideas have become as unobtrusively essential to psychoanalytic feminism as the atmosphere." –Jessica Benjamin, author of The Bonds of Love
Through a detailed study of the principal spaces of Italian cities, this book explores the relationship between political systems and their methods of representation in architecture. Illustrated by contemporary photographs and analytical drawings, it examines significant piazzas and situates these examples in their social and political contexts, highlighting the urban evidence of shifts between autocratic and democratic forms of government through history. The ideological role of political architecture is analyzed through the work of various theorists including ancient sources, Renaissance thinkers and modern critics. The complex evolution of individual spaces over time is represented by their physical layering from ancient times to the present day. Other examples connect the development of different characteristic types of Italian urban form in chronological sequence, categorized by art historical and political periods.
In this remarkable and provocative book, Yanis Varoufakis explodes the myth that financialisation, ineffectual regulation of banks, greed and globalisation were the root causes of the global economic crisis. Rather, they are symptoms of a much deeper malaise which can be traced all the way back to the Great Crash of 1929, then on through to the 1970s: the time when a 'Global Minotaur' was born. Just as the Athenians maintained a steady flow of tributes to the Cretan beast, so the 'rest of the world' began sending incredible amounts of capital to America and Wall Street. Thus, the Global Minotaur became the 'engine' that pulled the world economy from the early 1980s to 2008. Today's crisis in Europe, the heated debates about austerity versus further fiscal stimuli in the US, the clash between China's authorities and the Obama administration on exchange rates are the inevitable symptoms of the weakening Minotaur; of a global 'system' which is now as unsustainable as it is imbalanced. Going beyond this, Varoufakis lays out the options available to us for reintroducing a modicum of reason into a highly irrational global economic order. An essential account of the socio-economic events and hidden histories that have shaped the world as we now know it.
One of the most powerful poets of his generation consolidates his reputation as an exceptionally forthright and astringent critic in this book that analyzes the relationship between English-language literature, especially poetry, and nineteenth and twentieth-century politics. Tom Paulin's criticism stays on track, always responsive to a work's characteristic genius and sensitive to its social setting. Each of these essays--on poets ranging from Robert Southey and Christina Rossetti to Philip Larkin, from John Clare to Elizabeth Bishop and Ted Hughes, with a few excursions into the poetry of Eastern Europe for contrast--is informed by a love for poetry and a lively attention to detail. At every turn, Paulin demonstrates the intricate connection between the private imagination and society at large, simultaneously illuminating the kinship between the literature of the past and of the present. He also relates the poetry to themes of nationhood and to ideas about orality, speech rhythms, and vernacular background. Minotaur exemplifies the sort of general, accessible criticism of the arts that will interest a wide range of readers.
Today, far too many leading Christians water down the robust teachings of our Faith. Ignoring Christ's clear example and constant demand that we boldly confront evils, they preach an amicable, nonconfrontational, feel-good gospel. Instead of teaching the faithful to edify and enjoin the wayward, they urge them to pacify and submit . . . with catastrophic results personally, for the Church, and for society at large. Now comes Fr. Dwight Longenecker with this potent book that shows how, by engaging in the lost art of spiritual warfare, good Christians can cure this trend and repair the extensive damage it has caused. Here, without fear or favor, Longenecker maps out the myriad places where evil lurks in our world, shines a light on its many faces, and details the countless clever tricks it uses to hide. He delineates ten sturdy principles that must motivate all Christian warriors who hope to expunge evil and stop it from returning. And finally, he explains in fascinating detail the art of immortal combat, showing how self-sacrifice and contemplation of the Cross can bring victory over any evil, no matter how hidden or how grave. Be forewarned: this book calls you to sanctity and is not for wimps. For sanctity is impossible apart from heroic virtue, and heroic virtue is impossible apart from spiritual warfare. As Fr. Longenecker puts it, “Find a saint, and you'll find a warrior.” These pages are a mighty guidebook for souls hungry to follow the way of the Christian warrior by taking up their crosses and following into immortal combat the King of the Universe, Jesus Christ, our Lord.