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"This book explores how the different forms of government and political factions of the Italian states in the thirteenth and fourteenth century used sculpture to express their authority and their achievements. It was a period of radical transformation both in politics and in art; and while paintings such as Lorenzetti's fresco of Good and Bad Government in Siena could convey the ideals and ideology of the political classes to a limited audience, it was rather the more public sculpted monuments - the tombs, fountains and portals by artists such as Giovanni Pisano, Arnolfo di Cambio or Tino di Camaino - that could speak directly to the man-in-the-street. The solid marble of monuments denoted strength and power and suggested permanence, the condition to which all regimes aspired." --Book Jacket.
The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.
Major new study of secular-religious boundaries and the role of the clergy in the administration of Italy's late medieval city-states.
Building on important issues highlighted by the late Philip Jones, this volume explores key aspects of the city state in late-medieval and Renaissance Italy, particularly the nature and quality of different types of government. It focuses on the apparently antithetical but often similar governmental forms represented by the republics and despotisms of the period. Beginning with a reprint of Jones's original 1965 article, the volume then provides twenty new essays that re-examine the issues he raised in light of modern scholarship. Taking a broad chronological and geographic approach, the collection offers a timely re-evaluation of a question of perennial interest to urban and political historians, as well as those with an interest in medieval and Renaissance Italy.
This title was first published in 2000: Introduced by Joanna Cannon, this volume of essays by postgraduate students at the Courtauld Institute, University of London, explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the thirteenth and fourteenth centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. Employing a variety of methods and approaches, these stimulating essays offer a fresh look at some of the key artistic projects of the period. The dates cited in the title, 1261 and 1352, refer to two well-known works, Coppo di Marcovaldo’s Madonna del Bordone and the Guidoriccio Fresco in the Palazzo Pubblico of Siena, here newly assigned to this date. By concentrating on individual cases such as these, the essays provide rewardingly sustained consideration, at the same time raising crucial issues concerning the role of art in the public life of the period. These generously-illustrated studies introduce new material and advance new arguments, and are all based on original research. Clear and lively presentation ensures that they are also accessible to students and scholars from other disciplines. Art, Politics and Civic Religion in Central Italy, 1261-1352 is the first volume in the new series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.
An exploration of how power and political society were imagined, represented and reflected on in medieval English art
Explore the "Italian Renaissance" through the lens of political science in this insightful book. Uncover how this era sparked significant political changes, laying the groundwork for modern governance. Ideal for professionals, students, and enthusiasts, it provides in-depth knowledge of one of history's most influential periods. Chapters Overview: 1. Italian Renaissance: A cultural and political rebirth that reshaped European thought. 2. Florence: The political heart of the Renaissance, led by the influential Medici family. 3. Renaissance: The cultural and political impact across Italy. 4. Renaissance Architecture: How architecture mirrored political power. 5. Giorgio Vasari: His role in documenting the Renaissance's political aspects. 6. Cosimo de' Medici: His strategies shaped Florentine politics. 7. Republic of Florence: The dynamics of Florence as a Renaissance republic. 8. Renaissance Art: Art as a political tool reflecting rulership and humanism. 9. Florence Baptistery: The political symbolism in Florence's architecture. 10. Italian Art: The evolution of art as political propaganda. 11. History of Florence: Florence's political history, from republicanism to Medici rule. 12. Music of Florence: Music's political role in civic life. 13. John Argyropoulos: Byzantium's influence on Renaissance humanism. 14. Museo Nazionale di San Marco: The museum's preservation of Renaissance political legacy. 15. Florentine Painting: Depictions of political power in art. 16. Italian Renaissance Painting: Trends reflecting political patronage. 17. Tuscany: Tuscany's influence as a political and cultural hub. 18. Italophilia: European admiration for Italian culture and its political impact. 19. Renaissance Articles Index: A detailed index for deeper exploration. 20. Italo-Byzantine: Byzantine influences on Renaissance art and politics. 21. Renaissance Sculpture: Sculpture as a medium for political expression. Immerse yourself in the political and cultural innovations of the Italian Renaissance, from Florence's power corridors to Rome's intellectual salons. This book offers a compelling journey through one of history's defining eras.
The evolution of republican concepts compared to medieval and early modern traditions of political thought.