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"Applying the insights of Mikhail Bakhtin and recent French critical theorists to the concept of hierarchies in Western society, Stallybrass and White explore the symbolic polarities of the exalted and the base. The authors compare high and low discourse in a variety of domains, and discover that, in every case, the polarities structure and depend upon each other and, in certain instances, interpenetrate to produce political change. In this wide-ranging book, the authors, drawing largely on Bakhtin's notion of the carnival, map out hierarchies in literary and cultural history. Looking closely at a variety of texts from the 17th to the 20th century, they find that high-low oppositions occur in four symbolic domains--psychic forms, the human body, geographic space, and social order--and are fundamental to the mechanisms of ordering in European culture. Transgressing the rules of hierarchy and order in any one of these domains, the authors assert, is likely to have major consequences in the other three. Unconfined by conventional disciplinary boundaries, this investigation of the interplay between limits and transgressions within hierarchies will fascinate students of literary theory and English literature as well as those of intellectual and cultural history, psychology, and anthropology." -- Back cover
This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.
A representative selection of Hall's enormously influential writings on cultural studies and Hall's engagement with urgent and abiding questions of 'race', ethnicity and identity.
Starting at the beginning of the twentieth century, Albuquerque examines the way the Modernist movement both fueled and inhibited the use of gay imagery in Brazilian drama. This elegant and fluid study ultimately becomes an examination of a whole Latin society, and the ways in which Latin theatre has absorbed and reflected the culture's own changing sensibilities, that will intrigue anyone interested in Latin American culture, literature, or theater. Winner, 2008 Elizabeth A. Steinberg Prize
The years 1909–1930, the eleven-year presidency of the businessman-turned-politician Augusto B. Leguía, mark a formative period of Peruvian modernity, witnessing the continuity of a process of reconstruction and the founding of an intellectual and cultural tradition after a humbling defeat during the War of the Pacific (1879–1883). But these years were also fraught with conflict generated by long-standing divisions and new rivalries. A postwar generation of intellectuals and artists, led by José Carlos Mariátegui and galvanized by left-wing thinking and an avant-garde aesthetic, sought representation in the fields of politics and the arts, and participation in the process of reconstruction initiated by a Positivist oligarchy. New political and artistic conceptions raised their awareness of the fractured sense of nationhood in Peru and the need for a new project of nation-formation centered on a common political and cultural consciousness. They also gave rise to divergent political and artistic practices and projects. Amongst these, Mariátegui’s Indigenist-Marxist politics and Modernist-inspired poetics were pivotal in revitalizing, conciliating and channeling those of his cohorts and challengers. Comprising six full-length chapters, a comprehensive Introduction and Conclusion, this monograph is extensive in scale and scope. It provides fresh readings of key writings of Mariátegui, one of Latin America’s most important and revolutionary political, cultural and aesthetic theorists, through the lens of his poetics, emphasizing the value of this approach for a fuller understanding of his work’s political meaning and impact. It does so through detailed analysis of the poetic, expressive language employed in seminal political essays, aimed at forging a new Marxist position in 1920s Peru. Furthermore, it offers powerful and original critiques of understudied intellectuals of this time, especially aprista-Futurist, Socialist and Indigenist female writers and artists, such as Magda Portal and Ángela Ramos, whose work he championed. These readings are fully contextualized in terms of detailed critical study of complex sociopolitical conditions and positions, and bio-bibliographical, intellectual backgrounds of Mariátegui and his contemporaries. The monograph examines and underscores the fundamental importance of Mariátegui’s, and their, politico-poetic practices and projects for forging a national-cum-cosmopolitan, shared, yet also heterogeneous, political culture and cultural tradition in 1920s Peru.
"The evidence assembled, Julius concludes his hard-hitting dissection of the landscapes of contemporary art by posing some important questions: what is art's future when its boundary-exceeding, taboo-breaking endeavors become the norm? And is anything of value lost when we submit to art's violation?"--BOOK JACKET.
Irvine Welsh's fiction has defined an era, and this first full-length study provides a sustained textual and contextual analysis of all his work, from 'Trainspotting' and 'The Acid House' to 'Glue' and 'Porno'. A detailed chronological survey also considers the appropriateness of cultural, postmodern and postcolonial theories to Welsh's incendiary fiction. Kelly gives a fascinating insight into the writer's formal and political ambitions, placing him in the context of the 'brat pack' which exploded onto the Scottish literary scene in the 1990s. He explores the social, class and political conditioning of Welsh's early life, and its impact on his motivations for writing. Clearly written and accessible, this will be a key resource for students and academics alike. Choose 'Irvine Welsh'!
With this important new book, Susan Suleiman lays the foundation for a postmodern feminist poetics and theory of the avant-garde. She shows how the figure of Woman, as fantasy, myth, or metaphor, has functioned in the work of male avant-garde writers and artists of this century. Focusing also on women's avant-garde artistic practices, Suleiman demonstrates how to read difficult modern works in a way that reveals their political as well as their aesthetic impact. Suleiman directly addresses the subversive intent of avant-garde movements from Surrealism to postmodernism. Through her detailed readings of provocatively transgressive works by André Breton, Georges Bataille, Roland Barthes, Alain Robbe-Grillet, Marcel Duchamp, Max Ernst, and others, Suleiman demonstrates the central role of the female body in the male erotic imagination and illuminates the extent to which masculinist assumptions have influenced modern art and theory. By examining the work of contemporary women avantgarde artists and theorists--including Hélène Cixous, Marguerite Duras, Monique Wittig, Luce Irigaray, Angela Carter, Jeanette Winterson, Leonora Carrington, Barbara Kruger, Jenny Holzer, and Cindy Sherman--Suleiman shows the political power of feminist critiques of patriarchal ideology, and especially emphasizes the power of feminist humor and parody. Central to Suleiman's revisionary theory of the avant-garde is the figure of the playful, laughing mother. True to the radically irreverent spirit of the historical avant-gardes and their postmodernist successors, Suleiman's laughing mother embodies the need for a link between symbolic innovation and political and social change.
A Spiritual Bloomsbury is an exploration of how three English writers—Edward Carpenter, E.M. Forster, and Christopher Isherwood—sought to come to terms with their homosexuality by engagement with Hinduism. Copley reveals how these writers came to terms with their inner conflicts and were led in the direction of Hinduism by friendship or the influence of gurus. Tackling the themes of the guru-disciple relationship, their quarrel with Christianity, relationships with their mothers and the problematic feminine, the tensions between sexuality and society, and the attraction of Hindu mysticism; this fascinating work seeks to reveal whether Hinduism offered the answers and fulfillment these writers ultimately sought. Also included is a diary narrating Copley's quest to track down Carpenter's and Isherwood's Vendantism and Forster's Krishna cult on a journey to India.